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Laurie Ashbourne got her start in the industry with Walt Disney Studios, she is a writer-producer, artist, and script doctor with over 25 produced credits to her name and many in various stages of production right now, including a sitcom with Kenan Thompson, an animated feature with the director of MULAN, and an original story she wrote (10-31) was recently purchased and fast-tracked to production with acclaimed producers Eli Roth and Roger Birnbaum. A feature length Christmas comedy she wrote and produced is in post production for release in 2022. She also acts as a creative producer in the documentary space, with renown directors such as David Modigliani (RUNNING WITH BETO, 61 BULLETS, CRAWFORD) and Robert Greenwald (XANADU, STEAL THIS MOVIE) and his Brave New Films banner where she co-produced, SUPPRESSED - the fight to vote (2020), and RACIALLY CHARGED (2021), featuring two-time Oscar winner, Mahershala Ali. Full Bio »
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We're back in the Writers Room this afternoon for The Breakdown Webcast with Film & Television Writer, Ashley Miller!
Writers can't rely on jump-scares and creepy music, so how do screenwriters create tension on the page? We'll take a look at needling suspense of THE BABADOOK, the tension just below the surface in GET OUT, the apocalyptic horror of “The Walking Dead”, and the creeps and chills of IT.
We're back in the Writers Room this afternoon for The Breakdown with Will McCance. Will McCance is currently Vice President of Production for Ian Bryce, producer of blockbusters like SAVING PRIVATE RYAN, ALMOST FAMOUS, the TRANSFORMERS franchise, and most recently Michael Bay's SIX UNDERGROUND for Netflix and the recent hit FINDING 'OHANA for Netflix. At Ian Bryce Productions, Will oversees the company's entire development slate. Will entered the entertainment industry as an Agent Trainee at United Talent Agency, supporting UTA in the Motion Picture Lit group, as well as in the Motion Picture Talent department. After UTA, he moved into development at Original Film's TV department, working on hit shows such as THE BOYS (Amazon) and PREACHER (AMC), as well as on SWAT (CBS) and HAPPY! (Syfy). Will has produced films such as the upcoming LOLA JAMES, starring Nicola Peltz and Oscar-Nominee Virginia Madsen, BERNARD AND HUEY, starring Jim Rash, David Koechner, and Mae Whitman, as well as Belarus's 2018 Oscar selection for Best Foreign Film, CRYSTAL SWAN, along with Vice. He is also a frequent guest lecturer at UCLA's school of Theater, Film, and Television. PRAISE FOR WILL'S LESSONS: "Thanks, Will, for your insights and time! And thank you Kay!" -Martha C. "Thank you, Will. Incredible. Just incredible." -Reenita H. "That was fabulous. Thank you Will!" -Becky B. "Thank you Will, fantastic Breakdown of Succession. Will be re-watching this webinar, then re-watching the pilot and reading the script. Thank you Kaye and Stage 32. Have a lovely week." -Lyndsay S.
There's a fine line between introducing a writer to a new world or ruleset and spouting exposition. We’ll break down how writers created the fantasy world of “Game of Thrones”, the frigid winter of WIND RIVER, the digital dystopia of THE MATRIX, and the 1919 England of "Peaky Blinders".
We’re back in the Writers’ Room for the Breakdown with Lauren Schuker Blum & Rebecca Angelo breaking down DUMB MONEY: THE GAMESTOP SAGA! This is a unique adaptation so join us as Lauren and Rebecca breakdown their script!
We're kicking off the first Writers' Room of 2020 with a deep dive into antiheroes - one of the most difficult character types to write. During this supersized 90 minute webcast, Director of Script Services, Jason Mirch explores the complexities of characters from some of our favorite films and television series including Joker, Kill Bill, The Social Network, The Irishman, "Fleabag", "The Sopranos", "Sherlock" and more to find out what makes them tick...and why we love them. We discuss the how screenwriters craft compelling antiheroes and I will give you specific types of antiheroes to consider when writing as well as tips on how to write them!