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We're kicking off the first Writers' Room of 2020 with a deep dive into antiheroes - one of the most difficult character types to write. During this supersized 90 minute webcast, Director of Script Services, Jason Mirch explores the complexities of characters from some of our favorite films and television series including Joker, Kill Bill, The Social Network, The Irishman, "Fleabag", "The Sopranos", "Sherlock" and more to find out what makes them tick...and why we love them.
We discuss the how screenwriters craft compelling antiheroes and I will give you specific types of antiheroes to consider when writing as well as tips on how to write them!
The Breakdown
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We’re back in the Writers’ Room for the Breakdown with Lauren Schuker Blum & Rebecca Angelo breaking down DUMB MONEY: THE GAMESTOP SAGA! This is a unique adaptation so join us as Lauren and Rebecca breakdown their script!
We're back in the Writers' Room for the Breakdown Webcast: Writing Ensembles! An ensemble film is different from most lone protagonist-driven movies because it has a lot of main protagonists (some who are depicted as supporting characters though) that have roughly the same amount of "screen time" and importance in the screenplay. During this webcast, we discuss the challenge of giving every character in your ensemble a human turn while placing them in the context of the narrative. We examine some of our favorite projects including PRINCESS BRIDE, PARENTHOOD, "BRIDGERTON", THE LORD OF THE RINGS, THE USUAL SUSPECTS, and more to see how the characters - and their goals - come together. We also discuss tips on how you can balance all of the characters in your ensemble piece while crafting compelling obstacles for them to overcome (either together or separately).
We're back in the Writers Room for The Breakdown Webcast: Healthy Mindset Summer Series - Special Guest Professional Certified Coach & Therapist Sarah Brokaw on Being "Present" and Reframing This is the first in a Summer Series! You will learn from Sarah who, as a coach, works collaboratively with the client on expanding his/her awareness and clarifying his/her thoughts through the use of reframing language.
Writers can't rely on jump-scares and creepy music, so how do screenwriters create tension on the page? We'll take a look at needling suspense of THE BABADOOK, the tension just below the surface in GET OUT, the apocalyptic horror of “The Walking Dead”, and the creeps and chills of IT.
Writers' Room Members! Much more than a Breakdown Webcast, our special guest, Story Analyst for AMAZON Studios, Michael Schulman, will be going to discuss how Spec Scripts get shopped by Agents & considered by studios using examples he worked on: GROUNDHOG DAY, THE SIXTH SENSE, REGARDING HENRY, and MUNICH. Our LIVE audience will get the experience of being in a producer’s meeting where the goal is to dissect the draft and get the project ready to submit to the studio. This is a deep, creative scrub that will provide a specific game plan for a rewrite that will help position your project in the sweet spot of what the studios and streamers are looking for. Michael began his career at the William Morris Agency as an agent trainee, then at ICM, as an agent in the motion picture literary department, Michael began representing emerging screenwriters, directors, and producers, brokering the deal for Danny Rubin’s screenplay GROUNDHOG DAY to director Harold Ramis. Michael also spent years on the buyer side of film as VP of Development for Alec Baldwin’s company at Orion Pictures and subsequently for Dennis Quaid’s company at TriStar, and worked at Barry Mendel Productions, where he was involved with the acquisition, development, and production of Oscar-nominated THE SIXTH SENSE and Spielberg's Oscar-nominated MUNICH. Michael spent two years as head of development for Michael Mann’s company, where he worked on Oscar-nominated ALI, 5-time Oscar-winning THE AVIATOR, and was a former story analyst/script consultant for Netflix in the Original Independent Film (OIF) division. Invaluable knowledge is being shared with our Writers' Room Members, right here on Stage 32!
Watch the Breakdown Webcast, where our special guest, Co-Head of the Animation Department & Literary Manager at ZERO GRAVITY MANAGEMENT, Evan Anglin, had a Q&A with our LIVE Writers' Room Members audience about character development and the animation world! Members had the opportunity to ask Evan career advice and learned from an executive who oversees the development of the animation department and represents award-winning artists and talent, including showrunners, feature writers and directors, production companies & studios. Evan has held similar roles at other companies like BOLD MANAGEMENT & PRODUCTION, PARTOS COMPANY, and INNOVATIVE ARTISTS, and has several projects in post-production, including STEM NIGHT (Indie Film - Producer) and THE PANIC (Indie Film - Co-Producer). In Evan's words, "I love material that is character driven, I love slice of life type of stories, YA, dark comedies, and animation and hybrid."