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Allen James Roughton is the Stage 32 Script Services Coordinator, a screenwriter, reader and development researcher who has consulted on over 100 projects, scripts, books, comics and films and conducted research on life stories, exposés, professions and locations for development at major production companies. Full Bio »
We take a look at how writers use cutaways to drive home punchlines in Family Guy and Brooklyn Nine-Nine, explain big ideas in The Big Short, give historical context in Narcos, and frame stories in The Princess Bride.
You can find the scripts reviewed in this webcast below:
The Breakdown
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We're back in the Writers' Room for the Breakdown Webcast: Writing Character Introductions. This Breakdown topic comes from several writers who want to discuss the best ways to introduce characters within their feature and television scripts. So, we'll breaking down the scripts and clips from some of the most notable films and series to see how characters are introduced on the page - and on screen. We will also discuss tips on how you can introduce characters in a way that makes a great first impression - no matter if they are your protagonist, antagonists, or simply the goofy sidekick.
Show, don't tell! We take a look at how screenwriters use silence in the horror film A QUIET PLACE, the caper film THE DEPARTED, the action-drama DRIVE, and the adventure of LORD OF THE RINGS.
Cursing in dialogue can have an impact on many things in your screenplay. We'll examine how swearing is used to reveal character, explore subtext, and drive a narrative forward.
We're back in the Writers' Room for the The Breakdown Webcast: Breaking Down "The Queen's Gambit" Pilot Script. "The Queen's Gambit" was watched by a staggering 62 million households in the first 28 days of release and won 15 awards, including the Golden Globe for Best Television Limited Series. During the webcast we break down the first episode of the series using excerpts of the book and the teleplay, as well as clips from the episode. Download Episode One of "The Queen's Gambit" by clicking here. During the webcast we discuss: The introduction and setup of the main and secondary characters The structure of Episode 1 and why it works perfectly to establish the foundation for the series How tone and theme are captured in Episode 1 Why THE QUEEN'S GAMBIT may be based on a novel, but the structure can be applied to any fiction pilot How to apply these principles to your own writing
Remember that every line of dialogue matters, every image has a purpose, and there are no wasted bullets in the gun! We're kicking off another month of a packed Writers' Room schedule with the Breakdown Webcast: Exposition as Ammunition! Many writers struggle with how to get out critical information and backstory to the audience in an organic way. So during this webcast, we discuss how to get the audience the information they need without a lecture they don't want. During this webcast we'll discuss different ways of getting out information in a way that feels organic to the narrative and the characters. We examine some of the best - and worst - examples from film and television!
Director of Script Services Jason Mirch dissects scenes from some of our favorite films and TV series including Bad Times at the El Royal, "Game of Thrones", The Sting, The Sixth Sense, and more! During this webcast, Jason discusses how screenwriters craft compelling plot twists and how you can use the principles in your own writing. We will also discuss practical tips and ideas on how you can create a twist that is worthy of a, "Whoa!" instead of a "huh?"