On Demand Webinar - Available for immediate viewing and unlimited access.
On Demand Webinar - Available for immediate viewing and unlimited access.
James Pacitti has been an attorney for nearly three decades and is licensed to practice in California, Florida, New York, and Pennsylvania. He is the founder and managing attorney of PLF, an entertainment law firm based in Beverly Hills, California. Prior to starting PLF, James was a trial attorney and litigator in state and federal courts across the country. PLF represents a broad spectrum of creatives, including producers and production companies, in the development, finance, production, and distribution of their projects. The firm also acts as general counsel to its clients and advises them on a wide array of entertainment matters and intellectual property rights issues. PLF has handled TV and film productions across the United States and the globe, including the United Kingdom, Europe, Asia, Africa, South America, the Middle East, and Australia. Past and current clients include Academy Award and Emmy-winning producers and production companies. Full Bio Ā»

Learn all about legal clearances and how you can protect the rights to your project with esteemed entertainment attorney James Pacitti of Pacitti Law Firm
PLUS! You'll receive a Mock Script and Film Clearance Report as well as examples of clearance issues that led to court cases!
Producing a TV, film, or multimedia project is an incredibly daunting task wrought with potential legal peril throughout the entire process.
A TV, film, or multimedia project is the amalgamation of a vast array of rights. In order for producers to be able to distribute their projects, it is essential that the necessary rights are secured through expertly prepared and vetted agreements with each rights holder. It is also vital that producers do not infringe on the rights of those only incidentally involved in the production of their project, including copyright and trademark rights holders. In addition, producers must be mindful of issues of defamation, invasion of privacy, and rights of publicity. Successfully navigating through this complicated legal landscape is virtually impossible without the knowledge and assistance of an experienced entertainment attorney. We’re here to help.
In this essential Stage 32 webinar, you will learn the major legal issues that are most likely to arise during your production and how you can steer clear of any potential legal pitfalls so you can successfully produce and distribute your project. Teaching you everything you need to know about clearance issues for your project is esteemed entertainment attorney James Pacitti of Pacitti Law Firm. James has been an attorney for nearly three decades and is licensed to practice in California, Florida, New York, and Pennsylvania. He is the founder and managing attorney of Pacitti Law Firm (PLF), an entertainment law firm based in Beverly Hills, California. PLF represents a broad spectrum of creatives, including producers and production companies, in the development, finance, production, and distribution of their projects. The firm also acts as general counsel to its clients and advises them on a wide array of entertainment matters and intellectual property rights issues. PLF has handled TV and film productions across the United States and the globe, including the United Kingdom, Europe, Asia, Africa, South America, the Middle East, and Australia.
In this information-packed webinar, James will guide you through the clearance process and illustrate why an entertainment attorney is an essential member of your producing team. You will learn everything from how to obtain permission to use work from a third party, how to navigate clearance of using underlying intellectual property (IP), how to copyright of your work and how and why you need to get clearance of your film after production and post-production.
PLUS! You’ll receive exclusive handouts to help you ensure clearance needs on your project are met. Downloads include:
If you are a filmmaker at any stage of your project, you do NOT want to miss this webinar with immensely important information to make sure the production and release of your project goes smoothly.
“Securing and clearing all the necessary rights is essential to all productions. However, proper clearance is often misunderstood by independent film and TV producers. I am looking forward to the opportunity to give guidance on common clearance issues and to convey the importance of involving legal counsel at the inception of the development of a project.” - James Pacitti

James Pacitti
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Only 15 Spots Available! By popular demand, we're bringing in TV executive Anna Henry (who has 100% satisfaction with her webinars!) to teach a one-on-one TV pitch document writing lab! Need help with writing your TV series pitch document? Look no further! Anna's here to help. This is the golden age of television and the appetite for content has never been greater. What does everyone network and streamer want? Fresh, unique, authentic voices with never-been-told stories. While the door is open to new writers, the competition is fierce. Of course you need a very strong finished script, but before that will be read, you need to be able to communicate what makes your show stand out from the crowd, what will make people want to watch it for years and years, and why you are passionate about writing it. You need a blueprint of what the series will be beyond one episode. That's where a pitch document (aka bible, aka treatment) comes in. Whether you are selling your show verbally, sending the pitch to a potential producer, or applying for a fellowship, this document carries the weight of your imagined world with all its inhabitants and stories. That's a tall order! So where do you begin? How do you organize your ideas? What should be in a pitch? How detailed should you get? Should you start with a summary of the pilot? Should you have ideas for future episodes? What should you say about your characters? In this lab we will delve deep into writing an effective pitch for your scripted television idea - one that will clearly communicate your intentions, excite the reader, and convey your voice and your passion. Most writers need help with switching gears and selling their story in addition to telling it - which is the purpose of this lab. Anna has spent her career developing television projects with writers and selling those show ideas as a development executive, manager and producer. What she has found is that most screenwriters have taken classes that helped them learn about story structure, writing scenes, dialogue, etc. but writing a pitch is entirely different. She will not on ly teach you how to write your document, but work one-on-one with you to make sure it's the best it can be to go to market. Testimonials from Anna's previous lab: "I thought it was a great course and really helped me understand the format. Anna is knowledgeable and quickly cuts through to what can help your story better. Her notes on my script were insightful and really demonstrated her thorough experience." - Lee L. "Anna’s class was by far the most thorough, well put together, and organized screenwriting class I’ve ever taken. I have an MFA in filmmaking and, after graduating, I still felt as if I didn’t fully understand the structure of pilot writing. Anna’s class laid it out step by step and she went through every piece in detail. She was also extremely available to her students. During our one-on-one sessions, I expected to have a quick 15 minute call with her but she ended up speaking extensively with me about my story from outline through script stages. She really, truly cares for her students and is there to answer any questions, which, given her abundant experience in the industry, is a priceless piece of her labs. Thank you, Anna!" - Jacqueline D. "Anna was concise, and detailed. I've been working on log-lines/treatments/synopsis for 2 years for my scripts and never had it nailed like Anna was able to do. She rocks!" - Cheryl Lynn S. WHAT TO EXPECT This lab is designed for intermediate writers and producers looking to get their individual television project pitch document ready. This is an in-depth, practical, and detailed lab with one-on-one time with the instructor and significantly more content than a standard 90-minute webinar. ***Only 15 Spots Available. No exceptions.*** (10 Spots Remain!) You will be given exclusive and confidential handouts that will accompany the lessons and that you will be able to hold onto after the lab ends. This lab will consist of six sessions occurring twice weekly for three weeks, each roughly 90 minutes in duration. In addition to the lessons where Raquelle teaches the class, you will have the opportunity to ask her questions during each session as well as multiple chances to speak with her directly about your specific project. Plus, to stay motivated and inspired, you will have access to a private, dedicated Stage 32 Lounge where you can communicate with your fellow classmates throughout the TV project development process. To see the full TV project development lab schedule, see below under "What You Will Learn". PLEASE NOTE: This exclusive Stage 32 lab is limited to 15 writers and will be booked on a first come, first served basis. The opportunity to work this closely and for this long with a manager and an expert in the field is an incredibly unique and valuable opportunity. If you are interested, please book quickly. Once the spots are gone, they’re gone for good. Payment plans are available - please contact Amanda at edu@stage32.com for more information
Learn directly from Morgan Long, a coordinator from one of the big six Hollywood agencies in the TV literary department! She'll give you specific insider knowledge of the agency system and what it takes to get their attention. There is a cloud of mystery surrounding one of the biggest and most fundamental components of the Hollywood industry – and that’s the agency. Whether you’re a writer, director, non-writing producer, actor – and the list goes on to cover even the most obscure type of talent imaginable– it’s pretty basic knowledge that representation is necessary to launch your career. In this jam-packed Stage 32 Next Level Webinar, Demystifying the Agency World, Morgan will take you inside the walls of a premier Hollywood agency to shed light on the inner workings of how deals get made, how agents think and ultimately, how you can take steps in your career towards securing the holy grail that is representation. You will leave the webinar knowing: The types of representation The different departments within an agency and how they work together and function independently. The types of jobs for TV clients Identify the players we sell to What sells in the marketplace? What is packaging? An agent's day-to-day What agents want in potential clients (the brutal, honest answer) Finding representation Moving forward without representation
As a filmmaker, you know that every opportunity to shoot your story is precious. The days when your team is working, your cameras are rolling and your actors are in hair and make-up are days of golden opportunity. But they can also be days of stress and frustration if you haven't prepared properly during pre-production. We want you to have the best shoot days possible and that's why this webinar is invaluable for filmmakers. In this webinar, accomplished director Heath Cullens shares his process of preparing for a shoot exclusively with the Stage 32 community. As a filmmaker, the importance of preparation during pre-production cannot be overstated. Here is your chance to learn how best to prepare from a world-class director. Heath Cullens is a director best known for directing IT’S ALWAYS SUNNY IN PHILADELPHIA, AP BIO, GREAT MINDS WITH DAN HARMON, and FX’s YOU’RE THE WORST. Currently, he is directing MYTHIC QUEST for Apple TV. A good filmmaker is a prepared filmmaker. Filmmakers must focus on getting the story they envision onto the screen, but that vision will unravel if you don’t prepare before. However, if you do prepare properly, you give your film the best chance for success. You’ll receive a step-by-step approach to utilize on your projects to ensure a smooth, productive, and creatively rewarding on-set experience for you and your production team. You’ll cover how to: Hire the best team Communicate your vision Prioritize what you need to shoot Structure your shoot day Create a strategy with your DP Properly use rehearsal time and table reads And much more By the end of this webinar you’ll have a process you can use - and the ability to revisit the lesson on Stage 32 - to ensure the confidence to lead your team as a filmmaker. PRAISE FOR HEATH'S TEACHINGS: "I thought it was on point and very informative. Heath was great." -Frank L.
What do the singer Elvis Presley, the actress Pamela Anderson and the phycisist Albert Einstein all have in common? Their true life stories have been adapted into major feature films and TV series in recent years. True story adaptations find success largely because the writers and creators understand where to find the story within these real lives to adapt. They efficiently honed in on an angle that pulled the audience in while developing emotional arcs that kept viewers invested. Writing is a craft, no doubt, and one that must be managed differently when pen hits paper and for adaptations. It takes work and a deep understanding of your story as well as the medium you’re adapting it for, but it’s something you can achieve for your own true life passion project, especially with the proper understanding and guidance. Kate Sharp is a producer and literary manager at Bellevue Productions. Prior to joining Bellevue, Kate was the VP of Development and Production at Occupant Entertainment, producing short-form content for Showtime, MTV, Verizon, Facebook, and U2, and was an Executive Producer on the Hulu original, Emmy-nominated TV series BEHIND THE MASK. Her film credits include PEEP WORLD, BETTER LIVING THROUGH CHEMISTRY, MADAME BOVARY and THE HALLOW. Kate is currently producing THE BURNING SEASON with Naomi Watts and STRANGER THINGS’ Sophia Lillis attached to star. Kate has worked with countless writers on adapting their true story projects of all types and knows what it takes to turn a true story into a script that producers, reps, studios and execs will be interested in. In this exclusive Stage 32 on-demand webinar, Kate delves into the craft of adapting a true story to a film or series, and how to put words to the page to make this happen. She defines the three types of true story or biopic adaptations so you can determine which option is best for you and give you the tools to decide if your story should unfold as a feature or limited series so you can determine which option is best for you. She will also walk you through best practices for researching, finding your own angle to the story, and how to write your script so it feels authentic while still possessing emotional arcs and narrative liberties to ensure your script is marketable and successful in the market. You'll walk away from this webinar with confidence and write an adapted script based on a true story that gets the attention it deserves. Praise for Kate's Previous Stage 32 Webinar: "Kate Sharp was incredible. She's a great instructor, and also looks like a very special person to have as a manager, who loves what she does and would be a great partner for a writer! Thank you for sharing her gifts with us!" -Ricki L. "The information was straightforward and practical. I made loads of notes to go back over. Thanks!" -Gillian R. "BRAVO, KATE!!! She provided a wonderful presentation fueled by stellar "real world" facts and scenarios" -Bill B.
Learn directly from Shaun O’Banion, an award-winning independent producer! As a producer, post-production is a part of the process you’re rarely involved in from day-to-day, and yet it is one of the most integral parts of the filmmaking process (if not the most important). A lot of questions can be asked from a filmmaker like how to shape the film, how to define roles in post, what to do with VFX, how to handle the footage you have and ultimately how to develop a great film after it’s been shot. It’s not easy to do and it takes a lot of practice and experience to perfect. We will discuss the pieces that make up the whole, from assessing the relationships in the edit suite, to bringing all of the elements together and how it all happens. From the technical to the emotional, this webinar will attempt to demystify the process in a way for you to easily understand what to do to “find the film” in post. Post Production: Finding the Film is presented by 20 year industry veteran, Shaun O’Banion, who has worked with the likes of Steven Spielberg, Christopher Walken, Courtney Cox and David Arquette, Ben Stiller, Jack Black, Judd Apatow and Peter Hedges. He has won numerous awards for his films, including the prestigious IFP GOTHAM Award for GIRLFRIEND. PRAISE FOR SHAUN'S TEACHINGS: "Thanks for the wonderful class. A phrase comes to mind when I think about it: 'Tell it like it is'. You directly shared what it is like in the industry. I don't know how others in the class are affected, but I am left with the motivation and recognition that one must love - have a passion for creating films to be in the industry - as it should be. So, your effort is an inspiration. You are someone who is 'following his bliss' as Joseph Campbell would state it." - Don D. "Thank you again for teaching a terrific filmmaking class! You have valuable practical real-world experience that is hard to find in theory based teaching today." - Rene S. "There was so much information in your class that I think I’ll have to come back next session and take it all over again - gladly! Great class!" - Daniel T.
Learn how to effectively network to improve your career as a screenwriter from Steve Desmond, the screenwriter of M. Night Shyamalan's KNOCK AT THE CABIN and a writer on the upcoming TRANSFORMERS ONE for Paramount Pictures! Plus! You'll receive a query letter template you can use to help you make the most out of networking! You want to be a professional filmmaker, but how do you make connections to get your foot in the door? We’re all in the business of telling stories, but we’re also in the business of building relationships. Without those relationships, the entertainment industry can seem daunting. So how do you meet new people and make meaningful professional connections? In this webinar, we’ll throw the stereotypical “networking” pretenses aside, and focus on what it takes to begin crafting real partnerships and collaborations, with the hopes of elevating each other’s careers. The old adage holds true - it’s not just about what you know, it’s about who you know too… But who you know is ultimately up to you. This is an industry that is built on relationships. But far too many aspiring filmmakers don’t spend nearly enough time meeting new people and building those relationships. Just like writing, meeting people takes time, effort, and focus. The onus is on you to reach out and stay in touch. It’s not just about meeting people who want to do the same thing as you (i.e. writers meeting other writers). It’s about meeting people that can be helpful to your career, and who you, in turn, can be helpful to theirs. The bottom line is that your chances of success improve exponentially when you combine skill with a network of like-minded colleagues. In this exclusive Stage 32 on-demand webinar, you will learn the skills and tools you need as a screenwriter to network effectively and build and maintain long lasting business relationships to help you shape your career. Teaching you everything you need to know about networking as a screenwriter is Steve Desmond. A longtime member of Stage 32, Steve co-wrote KNOCK AT THE CABIN, which was directed by M. Night Shyamalan and released theatrically by Universal Studios. It opened at # 1 at the box office, and subsequently #1 on VOD on Peacock. Steve is one of the writers on the upcoming Transformers franchise prequel, TRANSFORMERS ONE starring Scarlett Johansson and Chris Hemsworth, which will be released in theaters in fall, 2024 by Paramount Pictures. His screenplays have been voted onto the prestigious industry Black List four times, including THE SATURDAY NIGHT GHOST CLUB which he is attached to direct with Brad Fuller (A QUIET PLACE) producing. He sold his sci-fi adventure screenplay, HARRY’S ALL-NIGHT HAMBURGERS, to Warner Bros in a bidding war, with Oscar nominated producer Andrew Lazar attached. His short film, MONSTERS, that he wrote and directed, has amassed over two million views online and screened in over 100 film festivals worldwide, winning 46 awards. Steve is represented by APA and Ziffren-Brittenham LLP. In an information-packed 90-minutes, you will learn how to make the most out of in-person and virtual networking events, how to utilize social media for networking purposes, and strategies to maintain relationships once you make them. Steve will teach you who you should be targeting when networking (hint: it’s all about who can actually buy your script!) and how you can research and get in touch with writers, producers, and reps in an organic way. PLUS! You'll receive a query letter template you can use to help with your own networking! In today’s ever connected world, it is easier than ever to network to improve your career, you just need to know how! Praise for Steve's Stage 32 Teaching "No wonder Steve's career has taken off. It's clear he has a strong sense of how to write and also how to handle the business of the industry. Learned a ton from him." - Anthony M. "Incredibly valuable webinar for everyone to take - not just writers. Networking is a tricky thing that I've never felt comfortable with, but Steve's approach and recommendations honestly make it way less daunting." - Laura L. "It's the well known truth that you have to network to make it in the film industry. But even approaching networking is a hard thing to do. Steve broke it down in a sensical and practical way that I think can work for everyone." - Matt C.