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Rich "RB" Botto is a producer, writer, and actor himself, and he and Jason have been on both sides of the table of hundreds of General Meetings. During this webcast, RB and Jason discuss how screenwriters should approach a general meeting, how to prepare for a general meeting, what to expect once you are in the room, and how to follow up so the first meeting turns into another meeting. This is essential information that every writer should be aware of!
"Awesome session! These sessions keep me going. Thank you for taking the time RB! Was awesome stuff. Thanks Jason for continuing to do this for us man. Everyone here shared great stuff and asked helpful questions." - Imo C.
"I appreciate this session! The Writers' Room is truly value I couldn't find access to anywhere else. - Petula L.
We're kicking off the first Writers' Room of 2020 with a deep dive into antiheroes - one of the most difficult character types to write. During this supersized 90 minute webcast, Director of Script Services, Jason Mirch explores the complexities of characters from some of our favorite films and television series including Joker, Kill Bill, The Social Network, The Irishman, "Fleabag", "The Sopranos", "Sherlock" and more to find out what makes them tick...and why we love them. We discuss the how screenwriters craft compelling antiheroes and I will give you specific types of antiheroes to consider when writing as well as tips on how to write them!
Remember that every line of dialogue matters, every image has a purpose, and there are no wasted bullets in the gun! We're kicking off another month of a packed Writers' Room schedule with the Breakdown Webcast: Exposition as Ammunition! Many writers struggle with how to get out critical information and backstory to the audience in an organic way. So during this webcast, we discuss how to get the audience the information they need without a lecture they don't want. During this webcast we'll discuss different ways of getting out information in a way that feels organic to the narrative and the characters. We examine some of the best - and worst - examples from film and television!
Love is in the air in the Writers' Room! We are kicking off a brand new month this week with the Breakdown Webcast: Writing Romantic Comedies! Jason was speaking with a Senior Vice President of Development at an A-List production company who said, "Every studio executive is asking me for Rom Coms!" If you look at recent trends, it is clear they are on a come back. We will break down the beats of a Romantic Comedy so that you as a writer approach writing without falling into the trap of tired cliches. We will also explore how to take the storytelling conventions and turn them on their head. We will examine films and series including When Harry Met Sally, 500 Days of Summer, The Apartment, Knocked Up, What Women Want and more to find out what makes these projects work and how we can apply those same principles to our writing!
Show, don't tell! We take a look at how screenwriters use silence in the horror film A QUIET PLACE, the caper film THE DEPARTED, the action-drama DRIVE, and the adventure of LORD OF THE RINGS.
Isn't it ironic? In this Breakdown Webcast we discuss Dramatic Irony - when the audience knows more information about the circumstances the characters find themselves in than the characters do themselves. There are actually several different types of "irony" in storytelling and we will be looking at most of them during this packed hour. We will pay special attention to Dramatic Irony which can be used for dramatic, comedic, suspenseful or tragic effect. During this webcast we'll discuss different ways of utilizing dramatic irony and how it effects the emotional connection we have with our characters and the heightened tension and stakes it creates.
We kicking off a brand new month this week with the Breakdown Webcast: Writing Compelling Characters! In this webcast, we talk about how to create compelling characters, how to infuse those characters with a specific point of view and a sense of purpose, and how these traits then affect how the character speaks, acts, and even thinks.