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Laurie Ashbourne got her start in the industry with Walt Disney Studios, she is a writer-producer, artist, and script doctor with over 25 produced credits to her name and many in various stages of production right now, including a sitcom with Kenan Thompson, an animated feature with the director of MULAN, and an original story she wrote (10-31) was recently purchased and fast-tracked to production with acclaimed producers Eli Roth and Roger Birnbaum. A feature length Christmas comedy she wrote and produced is in post production for release in 2022. She also acts as a creative producer in the documentary space, with renown directors such as David Modigliani (RUNNING WITH BETO, 61 BULLETS, CRAWFORD) and Robert Greenwald (XANADU, STEAL THIS MOVIE) and his Brave New Films banner where she co-produced, SUPPRESSED - the fight to vote (2020), and RACIALLY CHARGED (2021), featuring two-time Oscar winner, Mahershala Ali. She also runs a busy development services company for independent creators. Full Bio »
We're back in the Writers Room this afternoon for a special The Breakdown Webcast with Industry Veteran Producer and Writer, Laurie Ashbourne!
Laurie Ashbourne is a writer-producer, artist, and script doctor with over 25 produced credits to her name and many in various stages of production right now, including a sitcom with Kenan Thompson, an animated feature with the director of MULAN, and an original story she wrote (10-31) was recently purchased and fast-tracked to production with acclaimed producers Eli Roth and Roger Birnbaum.
The Breakdown
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Show, don't tell! We take a look at how screenwriters use silence in the horror film A QUIET PLACE, the caper film THE DEPARTED, the action-drama DRIVE, and the adventure of LORD OF THE RINGS.
We're back in the Writers Room for a special Breakdown Webcast: Breaking Down Career Goals for 2021! We're officially on the back-half of 2021 and this is a perfect time to assess what we have accomplished so far - and our goals for the remainder of the year. Are you on track? Are you ahead of where you thought you would be at this time? Do you need a bit more of a push and support from your fellow members? During this webcast our members discussed what they have accomplished so far this year, as well as their creative and professional goals for the rest of 2021.
Whether musical biopics like Rocketman, historical dramas like Extremely Wicked, Shockingly Evil and Vile or The Irishman from Netflix, or films loosely based on historic events like 1917 or Once Upon a Time in Hollywood... audiences are fascinated by true stories. During this super-sized 90-minute webcast, we explore films and series including Chernobyl, The Social Network, Munich, Molly's Game, Charlie Wilson's War, and more to find out what makes a good script based on true events or real people work.
We kicking off a brand new month this week with the Breakdown Webcast: Writing Compelling Characters! In this webcast, we talk about how to create compelling characters, how to infuse those characters with a specific point of view and a sense of purpose, and how these traits then affect how the character speaks, acts, and even thinks.
Isn't it ironic? In this Breakdown Webcast we discuss Dramatic Irony - when the audience knows more information about the circumstances the characters find themselves in than the characters do themselves. There are actually several different types of "irony" in storytelling and we will be looking at most of them during this packed hour. We will pay special attention to Dramatic Irony which can be used for dramatic, comedic, suspenseful or tragic effect. During this webcast we'll discuss different ways of utilizing dramatic irony and how it effects the emotional connection we have with our characters and the heightened tension and stakes it creates.
We're back in the Writers Room this afternoon for a special Breakdown Webcast: "Well This is Awkward..."! We all know those incredibly cringeworthy scenes in film and television when moments between characters get very awkward. Whether played for Comedy or Drama, we will examine moments in film & TV when characters just can't seem to get out the right words.