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L.T. Verrastro is a seasoned entertainment industry development executive and producer. He has helped developed and produce films for Laurence Mark Productions (Jerry Maguire, As Good as It Gets, Julie & Julia) including The Greatest Showman, Flatliners, and Lady Chatterley's Lover. In television, he worked in production and in the writers rooms of series including Portlandia (IFC), Man Seeking Woman (FX), Moonbase 8 (Showtime), Made for Love (HBO Max), and Baskets (FX). As an executive producer, L.T. most recently co-created and developed an upcoming show for Disney Channel. In addition, he is pitching a new comedy series with the producers of Ginny & Georgia (Netflix). He has optioned a feature script to Star Thrower Entertainment (King Richard, The Post) and developed it with Oscar-winning director Ed Berger, and he has written a puppet-based holiday movie for the Jim Henson Company and Universal. L.T. has also worked as a staff writer on HBO Max's reboot of Degrassi, as well as with writers like Tim Heidecker (Tim & Eric Awesome Show), Patrick Somerville (Station 11, The Leftovers), Samuel D. Hunter (The Whale), Jonthan Krisel (Portlandia, The Kroll Show), Karen Kilgariff (My Favorite Murder, Ellen), Lara Azzopardi (The Bold Type, 9-1-1), and Jed Elinoff & Scott Thomas (Raven's Home, Day of the Dead). L.T. began his career at ICM. He has also worked at CAA and in commercial production (including spots for Dr. Pepper, Fruit of the Loom, and Spotify). Full Bio »
We’re back in the Writers’ Room for the Breakdown with LT Verrastro (Writer). We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as writer/producer LT Verrastro breaks down his Season 4 Episode 4 of BASKETS.
The Breakdown
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"Thanks, L.T. for this fun and educational breakdown!" -Martha C.
"Thank you, L.T. This was really helpful. Interesting and informative. The comparisons were really fascinating." -Cecile G.
"Thank you L.T. - wonderful to share your real journey and writing to film." -Debbie J.
"This was fascinating, thank you so much for sharing your experience with us!" -Ingrid W.
The Script Breakdown Webcast returned with special guest Sean Wathen, Screenwriter & Producer, who broke down key elements of his hit script, SNIPER: THE LAST STAND, for Destination Films, a subsidiary of SONY. Sean also talked about his career and experiences in the industry and his other projects, including THE 2022 LIONSGATE film, ESCAPE THE FIELD.
We’re back in the Writers’ Room for the Breakdown with Laurie Ashbourne. We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as Laurie Ashbourne breaks down an episode of True Detective: Night Country.
We're back in the Writers Room this afternoon for The Breakdown Webcast with Laura Woodworth. With 15+ years of award-winning television and film production experience, Laura Woodworth is the Development Executive at Cooke Media Group, a production company based in Burbank, California which has produced media programming in nearly 60 countries around the world, helping some of the largest nonprofit organizations and leaders in the world use the media to tell their story in a changing and disrupted culture. A writer-producer-director, Laura’s production experience extends to award-winning film and television, radio and new media. Laura was directly involved in a television show which won 3 Regional Emmy Awards and 65 Telly Awards. Her professional strengths include project management, content development, public and media relations and traditional as well as digital marketing. Laura did her postgraduate work in UCLA’s Professional Program in Producing Film and Television. She is a member of the Alliance of Women Directors in Los Angeles.
Dramedy is a compelling genre to write because many argue it best captures the realities of life. There are comedic moments in some of the most tragic of times and dramatic moments that give way to levity. During the webcast, we examine some of the most critically and commercially successful dramedies - including "FLEABAG", PARENTHOOD (1989), THE BIG SICK, and SILVER LININGS PLAYBOOK to understand why they work so well. We also discuss ways in which you can develop your characters and narratives so that your dramedy is as authentic as possible.
As we enter the final month of 2021, it seems appropriate that we breakdown the final of the three acts. The Third Act can make or break your story. During this webcast we will use clips and scripts from your favorites to uncover what makes a 3rd Act work.
We’re back in the Writers’ Room for the Breakdown with Kay Ross. We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as Kay breaks down TO ALL THE BOYS I'VE LOVED BEFORE.