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L.T. Verrastro is a seasoned entertainment industry development executive and producer. He has helped developed and produce films for Laurence Mark Productions (Jerry Maguire, As Good as It Gets, Julie & Julia) including The Greatest Showman, Flatliners, and Lady Chatterley's Lover. In television, he worked in production and in the writers rooms of series including Portlandia (IFC), Man Seeking Woman (FX), Moonbase 8 (Showtime), Made for Love (HBO Max), and Baskets (FX). As an executive producer, L.T. most recently co-created and developed an upcoming show for Disney Channel. In addition, he is pitching a new comedy series with the producers of Ginny & Georgia (Netflix). He has optioned a feature script to Star Thrower Entertainment (King Richard, The Post) and developed it with Oscar-winning director Ed Berger, and he has written a puppet-based holiday movie for the Jim Henson Company and Universal. L.T. has also worked as a staff writer on HBO Max's reboot of Degrassi, as well as with writers like Tim Heidecker (Tim & Eric Awesome Show), Patrick Somerville (Station 11, The Leftovers), Samuel D. Hunter (The Whale), Jonthan Krisel (Portlandia, The Kroll Show), Karen Kilgariff (My Favorite Murder, Ellen), Lara Azzopardi (The Bold Type, 9-1-1), and Jed Elinoff & Scott Thomas (Raven's Home, Day of the Dead). L.T. began his career at ICM. He has also worked at CAA and in commercial production (including spots for Dr. Pepper, Fruit of the Loom, and Spotify). Full Bio »
We’re back in the Writers’ Room for the Breakdown with LT Verrastro (Writer). We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as writer/producer LT Verrastro breaks down his Season 4 Episode 4 of BASKETS.
The Breakdown
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"Thanks, L.T. for this fun and educational breakdown!" -Martha C.
"Thank you, L.T. This was really helpful. Interesting and informative. The comparisons were really fascinating." -Cecile G.
"Thank you L.T. - wonderful to share your real journey and writing to film." -Debbie J.
"This was fascinating, thank you so much for sharing your experience with us!" -Ingrid W.
We love to hate them...or hate to love them! We're kicking off another month of a packed Writers' Room schedule with the Breakdown Webcast: Antagonists! During one of our character building webcasts, we noted that many of our examples of great characters, were characters who we traditionally see as antagonists! So let's dig in and really explore what makes these baddies so good. Stories need conflict, certainly, but conflict doesn't have to come at the hands of a cackling, mustache-twirling supervillain. There's more than one way to shape your story's antagonist! During this webcast we'll discuss 4 types of antagonists, 6 ways in which to develop a well-rounded and authentic antagonist, how to intrude your antagonists and explore our favorite antagonists from film and television, and a whole lot more!
Whether musical biopics like Rocketman, historical dramas like Extremely Wicked, Shockingly Evil and Vile or The Irishman from Netflix, or films loosely based on historic events like 1917 or Once Upon a Time in Hollywood... audiences are fascinated by true stories. During this super-sized 90-minute webcast, we explore films and series including Chernobyl, The Social Network, Munich, Molly's Game, Charlie Wilson's War, and more to find out what makes a good script based on true events or real people work.
We're back in the Writers Room this afternoon for a special The Breakdown Webcast: Writing Adaptations with Special Guest, Writers' Room Member Stephen Potts! Stephen Potts is a screenwriter specializing in adaptations with one feature film produced (a Philip Pullman adaptation), four others optioned. Also author of children's adventure fiction (seven books published) and writer for stage and radio.
In this breakdown webcast, Jason discusses how the process for writing animated features has evolved from Walt Disney's first animated feature Snow White and the Seven Dwarves to Pixar's most recent 3D animated releases. Jason discusses how writing for animation is similar to live action and where the process differs. Using scenes and scripts from Up, Wall-E, Bug's Life, "The Simpsons" and more as examples, Jason explains how to apply the principles of animation writing to your work.
In this Break Down we are seeing what it takes to build a world during the Breakdown Webcast: World Building! This comes as a request from several of our members who want to discuss how to build worlds in your writing...and pre-writing. World Building is one of most important tasks in writing - it lays the foundation for everything that occurs in your story. So how can you do it within your screenplay without feeling expository or over the top? We're going to talk about how to avoid common mistakes in World Building, key ways to get better at World Building, and even look at some examples of World Building from both script and screen to see how your favorite screenwriters and filmmakers tackled this difficult task. During this webcast, we watch clips and analyze the scripts for features including TITANIC, BLADE RUNNER, JOKER and more!
We're back in the Writers Room this afternoon for The Breakdown Webcast with Producer and Writer, Nick Waters. Nick Waters is a Producer and Writer of the horror film, MARGAUX starring Vanessa Morgan and Madison Pettis, currently in post production at Paramount Pictures. Nick is also Producing a comedy with Chloe Grace Moretz, and a psychological thriller he wrote and is producing with a top horror company. Nick produced the horror feature SHELTER IN PLACE in 2020 with The Komack Company - the producers of DEADPOOL and VAN WILDER. He continues to develop other projects to bring to that company. Nick is currently directing and producing a documentary with some of the world's top ballroom dancers. Prior to transitioning into Producing, Nick was in front of the camera as an actor - bringing with him valuable relationships with talent and filmmakers.