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L.T. Verrastro is a seasoned entertainment industry development executive and producer. He has helped developed and produce films for Laurence Mark Productions (Jerry Maguire, As Good as It Gets, Julie & Julia) including The Greatest Showman, Flatliners, and Lady Chatterley's Lover. In television, he worked in production and in the writers rooms of series including Portlandia (IFC), Man Seeking Woman (FX), Moonbase 8 (Showtime), Made for Love (HBO Max), and Baskets (FX). As an executive producer, L.T. most recently co-created and developed an upcoming show for Disney Channel. In addition, he is pitching a new comedy series with the producers of Ginny & Georgia (Netflix). He has optioned a feature script to Star Thrower Entertainment (King Richard, The Post) and developed it with Oscar-winning director Ed Berger, and he has written a puppet-based holiday movie for the Jim Henson Company and Universal. L.T. has also worked as a staff writer on HBO Max's reboot of Degrassi, as well as with writers like Tim Heidecker (Tim & Eric Awesome Show), Patrick Somerville (Station 11, The Leftovers), Samuel D. Hunter (The Whale), Jonthan Krisel (Portlandia, The Kroll Show), Karen Kilgariff (My Favorite Murder, Ellen), Lara Azzopardi (The Bold Type, 9-1-1), and Jed Elinoff & Scott Thomas (Raven's Home, Day of the Dead). L.T. began his career at ICM. He has also worked at CAA and in commercial production (including spots for Dr. Pepper, Fruit of the Loom, and Spotify). Full Bio »
We’re back in the Writers’ Room for the Breakdown with LT Verrastro (Writer). We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as writer/producer LT Verrastro breaks down his Season 4 Episode 4 of BASKETS.
The Breakdown
L.T. Verrastro is a seasoned entertainment industry development executive and producer. He has helped developed and produce films for Laurence Mark Productions (Jerry Maguire, As Good as It Gets, Julie & Julia) including The Greatest Showman, Flatliners, and Lady Chatterley's Lover. In television, he worked in production and in the writers rooms of series including Portlandia (IFC), Man Seeking Woman (FX), Moonbase 8 (Showtime), Made for Love (HBO Max), and Baskets (FX).
As an executive producer, L.T. most recently co-created and developed an upcoming show for Disney Channel. In addition, he is pitching a new comedy series with the producers of Ginny & Georgia (Netflix). He has optioned a feature script to Star Thrower Entertainment (King Richard, The Post) and developed it with Oscar-winning director Ed Berger, and he has written a puppet-based holiday movie for the Jim Henson Company and Universal. L.T. has also worked as a staff writer on HBO Max's reboot of Degrassi, as well as with writers like Tim Heidecker (Tim & Eric Awesome Show), Patrick Somerville (Station 11, The Leftovers), Samuel D. Hunter (The Whale), Jonthan Krisel (Portlandia, The Kroll Show), Karen Kilgariff (My Favorite Murder, Ellen), Lara Azzopardi (The Bold Type, 9-1-1), and Jed Elinoff & Scott Thomas (Raven's Home, Day of the Dead).
L.T. began his career at ICM. He has also worked at CAA and in commercial production (including spots for Dr. Pepper, Fruit of the Loom, and Spotify).
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"Thanks, L.T. for this fun and educational breakdown!" -Martha C.
"Thank you, L.T. This was really helpful. Interesting and informative. The comparisons were really fascinating." -Cecile G.
"Thank you L.T. - wonderful to share your real journey and writing to film." -Debbie J.
"This was fascinating, thank you so much for sharing your experience with us!" -Ingrid W.
We're back in the Writers Room this afternoon for The Breakdown Webcast with Matt Ember! Matt Ember is a writer/producer who has worked on over 20 feature films and television shows including THE CONNERS on ABC, THE WAR WITH GRANDPA with Robert Deniro, GET SMART with Steve Carell and Anne Hathaway and FAILURE TO LAUNCH with Matthew McConaghey and Sarah Jessica Parker and many more.
We're back in the Writers' Room for the Breakdown Webcast: Writing Ensembles! An ensemble film is different from most lone protagonist-driven movies because it has a lot of main protagonists (some who are depicted as supporting characters though) that have roughly the same amount of "screen time" and importance in the screenplay. During this webcast, we discuss the challenge of giving every character in your ensemble a human turn while placing them in the context of the narrative. We examine some of our favorite projects including PRINCESS BRIDE, PARENTHOOD, "BRIDGERTON", THE LORD OF THE RINGS, THE USUAL SUSPECTS, and more to see how the characters - and their goals - come together. We also discuss tips on how you can balance all of the characters in your ensemble piece while crafting compelling obstacles for them to overcome (either together or separately).
We’re back in the Writers’ Room for the Breakdown with Lauren Schuker Blum & Rebecca Angelo breaking down DUMB MONEY: THE GAMESTOP SAGA! This is a unique adaptation so join us as Lauren and Rebecca breakdown their script!
Writing action isn't easy! It takes nuance and skill. We’ll break down the action on the page for the heavy-hitting JOHN WICK, the action-comedy THE NICE GUYS, and the slow-building action of HELL OR HIGH WATER.
We’re back in the Writers’ Room for the Breakdown with Julia Harter. We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as Julia breaks down their episode of GHOSTS.
We’re back in the Writers’ Room for the Breakdown with Marla Sokoloff. We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as Marla breaks down their script of THE MERRY GENTLEMEN.
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