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Verite Entertainment is a production company based in Los Angeles, that is renowned in voiceover, dubbing, and localization for animation, video games and documentary films. They have taken that experience and used it to build a multinational production studio that has partnered with financing companies all over the world to produce original content. Verité Entertainment develops concepts for multiple platforms and has a diverse slate of content for animation, film, digital, scripted and unscripted television. They recently just announced their first original feature animation project! Full Bio »
Rene Veilleux and Donald Roman Lopez talk about how they built Verite Entertainment from the ground up, how they develop original IP, what it means to be "Glocal" and the time we worked with comedy legend Mel Brooks!
The Executive Hour
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Join us for the Executive Hour, led by Producer and Stage 32 Director of Development Geoffroy Faugérolas, as we welcome Actress and Head of Development at Superbe Films, Alice Coulthard, to the latest webcast on June 11th at 4 pm PST! Alice will be discussing her transition from acting to Story Development in an executive role while answering questions from our LIVE audience! Education you can only get at Stage 32!
This week, Jason speaks with producer Natalie Qasabian, who has forged a successful career producing independent films which have had tremendous commercial success! Natalie began her career producing three films for the indie film duo the Duplass Brothers, including Duck Butter directed by Miguel Arteta, Natalie went on to produce All About Nina starring Mary Elizabeth Winstead and Common. Later, Natalie produced Searching, a thriller starring John Cho and Debra Messing which was acquired by Sony at Sundance in 2018 and went on to gross $75M at the box office! Currently she's producing Run, starring Sarah Paulson for Lionsgate as well as the sequel to Searching for Sony. Natalie talks about starting her career as a Line Producer and Production Manager, and how that allowed her to make independent films for a modest budget. Natalie shares her insights on the effectiveness of proof of concept videos, how first-time filmmakers can attract financing, and the inside story of how she sold Searching to Sony at Sundance!
Stage 32’s ever-popular Executive Hour returned with a webcast full of insight, and viewers walked away with a clearer understanding of how to think globally about their careers. International producer Katharina Suckle shared practical strategies for navigating the international marketplace with intention, showing writers and filmmakers that success beyond their home country is not simply luck, but it’s the result of smart positioning, strategic partnerships, and a strong understanding of how the global industry operates. Drawing from her own production experience, Katharina broke down how projects actually travel across borders. She used her work on Radius-Trijya, which was picked up by MUBI and covered by Screen International, to demonstrate how the right festival exposure and distribution partner can elevate a project internationally. She also revealed how strategic announcements in trades like Variety can create industry momentum, citing her work setting up Once Upon a Crime in Borivali with Lotus Visual Productions. For viewers, the lesson was clear: visibility, timing, and industry relationships can dramatically influence a project’s global trajectory. Katharina also shared powerful lessons from her experience producing LOEV, which reached audiences in 180 countries through Netflix, and the international co-production The Road to Mandalay, which earned the Fedora Award at the Venice Film Festival and the Licorne d'Or in Amiens International Film Festival. Attendees learned that international co-productions thrive on cultural awareness, creative financing, and a smart festival strategy. Katharina also spoke about championing emerging voices by example with her recent Stage 32 pitch session, where she requested three scripts and scheduled eight meetings. Katharina offered insight into developing television globally through her work on The Big B for Disney+ Hotstar. By the end of the session, viewers had gained a practical roadmap for positioning their stories and their careers on the world stage.
Our guest on this Executive Hour is Chris Hicks, the author of I Am Not Alone, the record-breaking short story sold to Netflix. Misha Green has been attached to write the script, direct, and produce. Jessica Chastain is attached to star and produce, and Simon Kinberg is producing. Chris's story, “All You Can Eat,” is currently in development with Wonder Worldwide and Big Light Productions. Millions of readers have read his stories on Reddit’s NoSleep, where they are among the most popular stories of all time. Join us and further your education right here on Stage 32!
We return to the Executive Hour, found only in the Writers' Room, with George Salinas, Executive Producer and CEO of Bridge Works Entertainment (BWE), responsible for the acclaimed Netflix series "Julie and the Phantoms," a collaborative triumph that George packaged, sold, and helmed the US iteration as an executive producer, which garnered accolades, including multiple Daytime Emmy wins and an MTV award.
In this Executive Hour, Screenwriting Jon Stahl talks about moving from production on projects like Young Adult to the Writers' Room of the HBO award-winning series, "VEEP." Jon has in writers' rooms for NBC, Nickelodeon, and HBO. Jon talks about his next creative endeavor, writing and producing a podcast radio play starring Tony Hale of "Arrested Development" and "VEEP"!