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Jason Mirch is Stage 32's Director of Script Services and host of the Writers' Room. Outside of this role, he is a feature film, television, branded entertainment, and digital content producer and executive with over 15 years experience. Most recently, he produced a 3D animated feature film starring Jacob Tremblay, Christopher Lloyd, Mel Brooks, and Carol Kane. Full Bio »
This week Host & Director of Script Services Jason Mirch reads and critiques Write Now submissions written by Writers' Room members. Jason offers insights on how the writers executed the inciting incidents in their projects.
The Write Now Challenge
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When your characters each have their own voice, you should be able to tell them apart by their dialogue alone. We challenged you to write a scene removing all character names and descriptions so that each character is distinguishable by their dialogue alone.
We're back in the Writers' Room this afternoon for the Write Now Challenge Webcast: Your Goals for the Remainder of 2021 For this challenge, using the Breakdown Webcast: Goal Setting Worksheet as your guide, write down three screenwriting goals you have for the remainder of 2021.
The Stage 32 team brings you an exclusive special event you won't find anywhere else! Christopher Lockhart, who works with Denzel Washington, Michelle Williams, Ben Affleck, Matt Damon and more is known around town as the logline whisperer. He will be breaking down effective loglines and will be listening to logline pitches to critique and help yours get better! You don't want to miss this opportunity to learn from an industry heavyweight like Chris, exclusively in the Stage 32 Writers' Room!
Based on the Breakdown Webcast by Writers' Room member Stephen Potts, write a pitch for a producer explaining the piece of IP you want to adapt and why.
In this challenge, members were asked to tell an entire story, in one page of script, using precisely four scenes. Far too many screenwriters waste pages. Good screenwriting is about making every single sentence count. There shouldn’t be any moment of a movie or television series which isn’t important on some level. The scenes can have dialogue - or no dialogue - depending on what you choose. What is important is that it has a beginning, middle, and an end. When you are done watching the webcast, head on over to the Private Lounge and discuss your favorite submissions!
One of the common complaints with scripts is on-the-nose writing. This month, we're challenging you to convey a series of emotions without using the actual words (or synonyms - no cheating!).