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Sarah Cornelius is an Actor, Screenwriting Coach, and Executive at Whitewater Films. She made her screen debut in the acclaimed short film LEAVE YOU IN ME. Her vulnerably raw work in the film garnered her Best Actress Award wins at the NYC PictureStart Film Festival and LA's Show Off Your Short Film Festival. She's guest starred on numerous television series and recently appeared in a supporting role in the Lifetime TV movie DESPERATE WIDOWS. On the producing side, Whitewater Films recently released their latest film, SMALL ENGINE REPAIR with Jon Bernthal, which was produced by Rick Rosenthal and developed by Sarah. Last year, they premiered their feature Thriller THE BOY BEHIND THE DOOR on the premium streaming platform SHUDDER. In 2019, they released STANDING UP, FALLING DOWN starring Billy Crystal & Ben Schwartz with first-time director Matt Ratner. Whitewater's film, THE LAST SHIFT premiered at Sundance 2020 with two time Oscar-nominee Richard Jenkins. In addition they produced FIRST GIRL I LOVED (Sundance winner), HALFWAY THERE (Sundance Episodic Showcase winner), SMALL ENGINE REPAIR (SXSW premiere). Full Bio »
Sarah Cornelius is an Actor, Screenwriting Coach, and Executive at Whitewater Films. She made her screen debut in the acclaimed short film LEAVE YOU IN ME. Her vulnerably raw work in the film garnered her Best Actress Award wins at the NYC PictureStart Film Festival and LA's Show Off Your Short Film Festival. She's guest starred on numerous television series and recently appeared in a supporting role in the Lifetime TV movie DESPERATE WIDOWS. On the producing side, Whitewater Films recently released their latest film, SMALL ENGINE REPAIR with Jon Bernthal, which was produced by Rick Rosenthal and developed by Sarah.
The Write Now Challenge
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"I really enjoyed this webcast last night, and got a lot out of it. Thank you so much Sarah, you are great! I loved the opportunity to look at the process from a different perspective, and keep on learning. And Amanda Toney huge shout out - it can't be easy to continually find new content, and new ways to present critical information for writers, yet you succeed time and again. NOTHING is stale here, and I love that and appreciate you very much for all you do for this community. Thank you!" - Tia P.
"So this was my FIRST webcast as a Writer's Room Member, and I thought it was a heck of a lotta fun. It was good to see familiar faces. Loved the approach with sides and discussing exposition writing vs. good dialogue. I look forward to popping in with all of you again!" - Joleene D.
In this challenge, you were asked to use The Breakdown Webcast: What the *&%$ is a Dramedy? as a guide to write a short scene (1-5 pages) that uses all of the principles discussed. Make sure to watch the Breakdown Webcast for those tips! You can find that by clicking here. We received some excellent submissions that all attempted to ride that fine line of truly being a "Dramedy."
The Stage 32 team brings you an exclusive special event you won't find anywhere else! Christopher Lockhart, who works with Denzel Washington, Michelle Williams, Ben Affleck, Matt Damon and more is known around town as the logline whisperer. He will be breaking down effective loglines and will be listening to logline pitches to critique and help yours get better! You don't want to miss this opportunity to learn from an industry heavyweight like Chris, exclusively in the Stage 32 Writers' Room!
We're back in the Writers' Room this afternoon for the Write Now Challenge Webcast: Your Goals for the Remainder of 2021 For this challenge, using the Breakdown Webcast: Goal Setting Worksheet as your guide, write down three screenwriting goals you have for the remainder of 2021.
Welcome to the final Writers' Room webcast of 2019! The last broadcast of the year was the Write Now Challenge: Plot Twists! This month you were challenged to write a scene in 3-5 pages that tells a story with a major plot twist. This is no easy feat and perhaps the most difficult challenge we have faced to date! There is also a special question and answer session during the broadcast, where members asked me anything about the industry, the craft, the business, your screenwriting career or any other burning questions you may have!
If you're ready to break through some of your most challenging writing issues, this is the webcast for you.
Write a 1-3 page scene that you will actually be able to shoot within the rest of 2022. Make sure it is producible for a reasonable budget. Limit characters, locations, and action - but give us a compelling story in 3 pages!