Cinematography : The Push In by Michael Fitzer, Mfa

Michael Fitzer, Mfa

The Push In

As a DP, I'm always looking for ways to enhance the story, and more often than not, the best way to bring that extra emotion, clarity, or focus to a frame is by executing the simplest of moves.

For instance, I love a good push-in. Not a zoom, mind you, and not an optical enlarging of the frame, but an honest-to-goodness, tell your AC to get ready, dramatic dolly toward the subject.

You see this move all the time in films like A Few Good Men, American Beauty, Jaws, and countless other great pieces of cinema. No 12-minute oners, no complicated camera hand-offs mid-flight... Just a simple push-in to tell the audience that "THIS" is important.

What are some of your favorite, yet simple, camera techniques to amplify the story? Tell me in the comments.

Lindbergh Hollingsworth

Good, simple medium shot where we can see much of the character and their emotion. Especially for a hard emotional hit or silent revelation. Many times there's a close up cut to capture the emotion when it's unnecessary.

Jackson Scott

I agree, the amount of emotion in something as small as a push in is so impactful. I also love a good tracking shot to convey energy and motion, nothing too fancy like from the show Adolescence but something to keep the scene flowing and moving.

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