So if I were to write a one-page synopsis for my show, would it be smart for me to use most of that in my pitch session that I have coming soon? I hear one page synopsis were pretty important in the industry. Also I wanted to make sure the person I’m pitching to understands that I’m pitching more than just my pilot. The synopsis will be about the entire series and first season. Lastly, what are all the key points to include in the one page? Thanks in advance for any help and feedback!
Screenwriting : One Page Synopsis by Brandon Corbin
Other topics in Screenwriting:
Check out Trending Discussions
Register / Log In
2 people like this
What you are saying sounds very wise to me. When it comes to TV, you are always selling the show and not the pilot. A synopsis is a great way to bridge the gap between the logline and a read through.
As to what to include, I'd try to make it more about the characters and their dilemmas more than anything else. Plot is easily changed. I'd also try to convey tone as that creates an idea of the intended audience.
IN PERSON PITCH:
I think, you would need to make your synopsis intriguing enough for whomever you are talking to ask questions. Beat around the bush for him to ask, "What about?" Then you hit him with a pitch that gets it in his brain to keep asking questions. Get him or her involved.The written synopsis will have the main points: Set up; Plot Point 1 (Inciting Incident), PINCH 1, Middle, PINCH 2, Plot Point 2, and Resolution.
Don't make it seem it's read from you synopsis. Good luck.