Hello everyone,
My name is Aleisha Moore, I am an actor and Business Analyst, originally from New Zealand, and now an Australian citizen. I’ve been part of this incredible community for a while now, and I’m always struck by how much "movie magic" is hidden in the history of our craft. For instance, did you know that in my favourite film, Jurassic Park, the iconic water-in-the-cup ripple scene was created using practical effects, specifically by a guitar string attached to the car and plucked from underneath? It’s a perfect reminder that in this industry, we are all about layering different elements to create one believable truth.
That philosophy is exactly how I approach my work.
I never actually intended to be an actor. Growing up quite shy, I was more comfortable in the background (but I did perform some jazz dances to close family members) - until a literal "tap on the shoulder" changed everything. While walking through a convention in Auckland at 17, a talent agency director spotted me and asked if I’d ever thought about being on screen.
That one moment of serendipity turned into a career spanning New Zealand and Australia. I started in commercials and local TV, eventually finding my way to Brisbane in 2011. Since then, I’ve been fortunate enough to work on a variety of film projects, including a career highlight: playing a lead role in an ensemble cast in a feature film opposite the legendary John Jarratt.
The "Analyst" Edge:
When I’m not on set, I work as a Business Analyst / Implementation Specialist in computer software. While some might see IT and Acting as opposites, I see them as two sides of the same coin: one is about the integrity of data, and the other is about the integrity of human emotion. My BA background means I bring a high level of preparation, punctuality, and "whole-product" thinking to every production I join.
The Vision & Influences
I have a deep passion for high-stakes storytelling - the kind of "grit and heart" found in procedural and sprawling dramas. My North Star is often found in shows like The Pitt, Silo, Sons of Anarchy, and Yellowstone, or the epic scale of Game of Thrones.
When it comes to film, I’m drawn to the immersive, "big-screen" experience. My tastes range from the technical genius of Jurassic Park and Inception to the raw emotional stakes of Saving Private Ryan, The Shawshank Redemption, and Parasite. I love projects that aren't afraid to be bold, intense, and deeply human.
If you are working on a project that needs a dedicated actor who can blend vulnerability with professional precision, I would love to collaborate. You can find my reel and credits here on my profile, and on IMDB: https://www.imdb.com/name/nm4101656/
A Quick Recommendation:
If you're looking for inspiration on your own journey, I highly recommend the Masterclass series - it’s been a fantastic tool for me to keep my craft sharp between roles.
I wish you all immense success in your upcoming projects. As the great Steven Spielberg says, "Every time I go to a movie, it's magic, no matter what the movie's about."
Let's make some magic together.
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Hey Aleisha, this is Suzanne from the Stage 32 team. I just wanted to let you know I moved your post from Acting to Introduce Yourself, as it fits much better there. Let me know if you have any questions, and all the best to you!
Hey Aleisha, the movies you were in, are they on any streaming channels
Hey Bavly,
That’s a great question!
A few of the projects I’ve been involved in have had various streaming and broadcast runs across different regions. One of the more notable projects I was lucky enough to be involved in earlier in my career was The Insatiable Moon. It’s a film with a lot of heart, and you may be able to find it on local streaming services or via a quick search, depending on your region. The film is available on 'Prime Video, Apple TV, Google Play', here in Australia.
I also have a curated selection of my favourite work from my various film projects in my showreel, which is available right here on my Stage 32 profile. It gives a good overview of the range and high-stakes characters I’ve been playing recently.
Regarding my recent feature, Frenzy (where I played a lead role opposite John Jarratt), it is not available on streaming services. It was an incredibly intense and rewarding project to work on, and I'm really looking forward to its full release soon.
I’d love to hear more about what you are working on currently. What kind of projects are you developing at the moment?
Best,
Aleisha
Beautifully said - movie magic! So great to meet you and hear about your journey Aleisha Moore I hope you bring lots of movie magic to life - you're in the best place for it.
Hi Aleisha, this is a beautifully articulated introduction, and what stood out to me most is your instinctive understanding of layering truth — both technically and emotionally.
The Jurassic Park example is more than a great anecdote; it’s actually a perfect metaphor for storytelling itself. That ripple in the glass works because it translates an unseen threat into a tangible, visual signal. In script terms, that’s what I’d call externalized tension — when the audience feels something before it fully arrives.
What’s particularly interesting about your journey is the intersection of Business Analysis and acting. From a story architecture perspective, that combination is extremely powerful. Strong performances don’t just come from emotion — they come from clarity of function within the scene.
In many scripts I work on, one of the most common issues is that characters feel real but don’t drive the narrative. This usually comes down to three invisible layers:
• Intent vs. Obstacle — not just what the character wants, but what actively resists them in the moment
• Behavior under pressure — the micro-choices that reveal character when control is lost
• Narrative function — why this character exists in this specific scene, in this specific story
Actors who understand these layers don’t just perform — they elevate the material.
Your mention of “integrity of data vs. integrity of emotion” is actually closer than it seems. In high-level storytelling, both are about internal consistency. If the emotional logic of a character breaks, the audience disconnects just as quickly as they would from broken system logic.
Also, your attraction to high-stakes, layered worlds (Silo, Yellowstone, Game of Thrones) suggests a strong alignment with ensemble-driven narratives, where character arcs and thematic structure need to operate simultaneously. That’s where actors who can think structurally become incredibly valuable.
If you’re ever exploring scripts that aim to balance emotional truth with strong narrative engines, I’d be genuinely interested in exchanging perspectives. I spend a lot of time working on story structure, character dynamics, and sharpening the underlying dramatic spine of projects.
Either way, it’s refreshing to see someone articulate both craft and mindset with this level of clarity.
Wishing you continued momentum in both worlds.