Our silent short film "The Trumpet" is AIRING TONIGHT on the Art Loft show on WPBT2 at 7:30pm EST. Follow the discussion afterward on Twitter with #48HfpArtLoft
Our silent short film "The Trumpet" is AIRING TONIGHT on the Art Loft show on WPBT2 at 7:30pm EST. Follow the discussion afterward on Twitter with #48HfpArtLoft
http://video.pbs.org/video/2365069419 This documentary on the rise of digital cameras and editing was very interesting to me. I think most will enjoy hearing how digital options have changed things, even effecting acting. To me it seems unnecessary to ever pit digital motion picture platforms and te...
Expand posthttp://video.pbs.org/video/2365069419 This documentary on the rise of digital cameras and editing was very interesting to me. I think most will enjoy hearing how digital options have changed things, even effecting acting. To me it seems unnecessary to ever pit digital motion picture platforms and techniques against traditional film platforms. Digital workflows allow for more creative control. Shouldn't artists be allowed to use the tools that best help them bring their vision to life?
The reason digital was compared to film is that both are in theatres being shown to audiences. The important things is to know enough to be able to choose for a real reason. Film and digital workflows...
Expand commentThe reason digital was compared to film is that both are in theatres being shown to audiences. The important things is to know enough to be able to choose for a real reason. Film and digital workflows are different. The creative control should rest in the hands of those capable of bringing the intended story to the screen. The plethora of controls available throughout the digital workflow has certainly done one thing, it has multiplied the number of self-described experts who can change what will be seen on the screen. At times those changes have been irreparable. Nobody is stopping anyone from using any tools, but the misconceptions that the internet has spread have resulted in a surfeit of projects with a dearth of quality. The documentary was ok. Too much stress on some areas not enough in others and parts that had me shouting at the screen which I would have preferred had been left off. The errors in the content are glaring. Of course the thoughts and ideas from the main players are interesting, as always. Well worth watching, thanks for posting the link.
At your first sentence Andrew Sobkovich, I could only smile. Thank you very much for looking at the post and for commenting. Which parts made you want to scream loudest or did you find most inaccurate...
Expand commentAt your first sentence Andrew Sobkovich, I could only smile. Thank you very much for looking at the post and for commenting. Which parts made you want to scream loudest or did you find most inaccurate? I find it all interesting because the technical end of things is new to me, and I have never been intimately involved in a film workflow, only digital. The one film project I was even a bit close to was shot on film but converted to digital files for editing. And yes I agree that people should be using their tools with a method to their madness. However, technology moves so fast that it is entirely possible that technical support for film could become obsolete similarly to what has happened to the storage and playback options for music. One person's beautiful is another person's imperfect. One person's perfect is another person's sterile. No one however, complains about cost effective recording and on-demand distribution. I have the feeling though that a lot of the money saved on film ends up going to the editing department weeding through all that footage and adding special effects.
Much of the reaction was to a few of the salesmen that were inexplicably included. "Salesmanship" and reality again have little in common. Truth vrs fiction is perhaps a more apt description and certa...
Expand commentMuch of the reaction was to a few of the salesmen that were inexplicably included. "Salesmanship" and reality again have little in common. Truth vrs fiction is perhaps a more apt description and certainly politer that what I yelled at the screen. Without going into the myriad problems just the description of "resolution" which was straight out of the advertising BS from a particular company was enough for me to say, believe nothing other than the interview content that makes sense to you and remember that it is opinion. Up to the advertising launch of a particular camera, resolution was a description of what the camera could actually record under perfect circumstances. Hint, the number of photosites on the camera chip is not resolution but merely the number of photosites. Think, about a scene in focus and the same scene out of focus, which has more resolution? According to the inventive advertising, both shot on the same camera must have the same resolution since they were generated by the same number of photosites. Ahhhh.... "Houston we have a problem". Further nothing was mentioned about the resolution of film transferred to digital and how that resolution is different than the Fibbing F***s who use the same words as a description. Watch the doc and enjoy it. There is much to be learned here. Think about what people are saying and carefully think about why they are saying it. The statements and reasons are not always based upon the same motivation. Sadly, not just from the salesmen. $$$$ motivates speech.
I've been a working pro screenwriter for 25 years, now, and I'm waiting for someone to realize it was all a big mistake and send me back to my old job driving a forklift. I went from having a bunch of films made for cable nets like HBO, Showtime, USA Network, Cinemax, etc... to having a bunch of scr...
Expand postI've been a working pro screenwriter for 25 years, now, and I'm waiting for someone to realize it was all a big mistake and send me back to my old job driving a forklift. I went from having a bunch of films made for cable nets like HBO, Showtime, USA Network, Cinemax, etc... to having a bunch of scripts sold or commissioned and not get made (but I still got paid). I just sold a spec a few months ago, and we're currently going through the rewrite process on it, turning it into something completely different than they bought. I used to be the West Coast Editor of Script Magazine, and had a regular column in the (print) magazine for 20 years. Just over fifteen years ago I wrote a book SECRETS OF ACTION SCREENWRITING, which a bunch of screenwriters more important than me recommend. An Oscar winner, a guy who is #3 when it comes to all time box office for stuff he's written, one of the guys who wrote PITCH BLACK, a guy who wrote a STAR WARS movie, etc. They like it. That book went out of print in paper, and actually sold on ebay for $999.00! I got none of that! It's back as an ebook for much less. I also have some other screenwriting ebooks on Amazon, including the #2 best seller in Screenwriting today, HOOK 'EM IN TEN Blue Book. I've been on a bunch of film festival juries, and done panels at Austin and all kinds of other stuff. The Film Courage website did a series of interviews with me and I collected them all on my blog: http://sex-in-a-sub.blogspot.com/2014/12/film-courage-interviews.html Also on the bog I have links on Monday, look at film trailers on Tuesday, rant on Wednesday, look at an episode of the old THRILLER TV show on Thursday, and have a series of articles on Hitchcock on Fridays. I try to keep busy so that I don't get into any trouble... like the last time... Bill
Okwuchukwu Victor Eze - - your comment is inappropriate. This is not a dating site. Join Tinder or Match or something. Sheesh.
Bill: episode where a wife (Vera Miles) says she was raped and, after she spots the man, the husband kills him by beating him with a wrench (in dumb show). It was mentioned Hitch never showed violence...
Expand commentBill: episode where a wife (Vera Miles) says she was raped and, after she spots the man, the husband kills him by beating him with a wrench (in dumb show). It was mentioned Hitch never showed violence, blood. But wasn't that also because he had to follow the Motion Picture Code and FCC restrictions on violence?
Hi Bill! Nice to meet you.
Hey people, this is Shane Wheeler. I've been here a little over a year, and always trying to tackle a few more projects. Editing second feature & getting my scripts polished for 2015. If you need someone to help you with story, I'm (almost) always available for a read through!
Editing and writing take a lot of time. Thanks for making yourself available (almost) always :)
I recently came across this book promotion article which I think is just dead on in many ways with its simple analysis of behavior with regard to getting things done. Instead of doing the challenging work required to accomplish our goals, we do displacement activities and have shadow careers which a...
Expand postI recently came across this book promotion article which I think is just dead on in many ways with its simple analysis of behavior with regard to getting things done. Instead of doing the challenging work required to accomplish our goals, we do displacement activities and have shadow careers which amount to nothing more than fantasies. http://99u.com/articles/7192/are-you-trapped-in-a-shadow-career-the-arti...
Love it. If you are interested in turning your wildest dreams in the entertainment industry into a reality send me a message. We can help you and are interested in setting up a meeting. Let me know.
The Rise of Karina. Marcelle Foster (JG Muller) an FBI agent who specializes in human trafficking has an intense conversation with Karina (Johanna Cure) possibly a human trafficking victim possibly a hooker possibly a lot of things.
I just cracked the shell on Stage32 a few hours ago and I'm very impressed. I'm taking it all in and I look forward to connecting to so many of you. I am an actor in NYC as well as an athletic conditioning coach. I enjoy meeting creatives who are passionate and open to collaboration. I study acting...
Expand postI just cracked the shell on Stage32 a few hours ago and I'm very impressed. I'm taking it all in and I look forward to connecting to so many of you. I am an actor in NYC as well as an athletic conditioning coach. I enjoy meeting creatives who are passionate and open to collaboration. I study acting continuously and love to climb into great character work. I have worn several crew hats over the years, I am an avid writer and I even directed a feature film in 2012. But acting is what does it for me. Performing is living out loud. Let's connect. Please let me know what I might be able to do to help your project. Enriq
Thank you, Dawn!
Welcome Eric! I'm an actor and fitness coach as well. I like to keep moving and love working on both sides of the camera.
Great to connect. Check out my new feature film "Lack of Cockery" - www.vimeo.com/ondemand/lackofcockery
In the picture, we're on shoot day 7c for the film Doub Sis Domino Efekt where the detective I portray finally gets up close to a criminal she loathes. This is a project for which I've been working in front and behind the camera. It's been a beautiful experience and even more so with every challenge...
Expand postIn the picture, we're on shoot day 7c for the film Doub Sis Domino Efekt where the detective I portray finally gets up close to a criminal she loathes. This is a project for which I've been working in front and behind the camera. It's been a beautiful experience and even more so with every challenge. The Writer and Director, Kreyol; Director Perry Cassagnol; Assistant Director Serge Jean; and every member of the cast and crew - many now new friends - have been a pleasure to share our long days with. The film is written in a mix of Haitian Creole and English, the writer/director's first time undertaking such a project. https://www.stage32.com/photos/964154438610593735
On the set of the film Doub Sis Domino Efekt. JG Muller as Detective Antoinette with Mecca Grimo as Cliff Joseph
This project was completed as part of a promotonal film competition for New Amsterdam Vodka as residents of the City of Miami. JG Muller served as one of the subjects of the film as well as the final narrator.
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