My name is Laura Ackermann, the CEO/Founder of Advantage PR, and I'm thrilled to dive into the dynamic world of PR with you. With two incredible, experience-rich decades of navigating the PR landscape under my belt, I've crafted compelling campaigns for a diverse array of clients – from budding actors and authors to visionary CEOs and influencers.
At Advantage PR, we're all about securing standout, momentum-building "WINS" for our clients. Whether propelling a breakout talent into the limelight or conceptualizing and executing a strategic campaign for a seasoned CEO, our passion always lies in delivering results that not only meet but exceed expectations.
Public relations isn't solely a profession for me; it's a strategic endeavor that constantly evolves and adapts to the ever-shifting media landscape. Staying ahead of the curve is key, and that's where Advantage PR excels.
For those curious about the ins and outs of PR, here are just a few questions I'm looking forward to tackling for you!:
• When's the perfect time to enlist PR support?
• What can I be doing when I am not yet ready for a publicist?
• How long should your partnership with a publicist last?
• Who comprises the dedicated team managing your account day-to-day?
• How do we leverage our media connections on your behalf?
• What differentiates your PR firm from others?
• Who will use their relationships with the media on my behalf?
2 people like this
Thanks Laura, appreciate it.
2 people like this
Thank you so much for your time Laura
1 person likes this
Laura Ackermann thank you Laura for taking the time to support the Stage32 community. I have a couple of questions, if I may.
1) When should a filmmaker/production company employ the services of a Publ...
Expand commentLaura Ackermann thank you Laura for taking the time to support the Stage32 community. I have a couple of questions, if I may.
1) When should a filmmaker/production company employ the services of a Publicist; in the development phase or should they wait till pre-production?
2) When thinking of the film ‘The Zone of Interest’, they had a specialty distribution programme for the Education Institutions - Universities - around North America. What should the aforementioned production company be expecting from the Publicist, by way of packaging and presenting the film to those institutions, because this is not for the ‘normal’ cinema goer?