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Jason Mirch is Stage 32's Director of Script Services and host of the Writers' Room. Outside of this role, he is a feature film, television, branded entertainment, and digital content producer and executive with over 15 years experience. Most recently, he produced a 3D animated feature film starring Jacob Tremblay, Christopher Lloyd, Mel Brooks, and Carol Kane. Full Bio »
We will examine ways in which screenwriters tackle one of the most complex and difficult concepts in narrative storytelling, looking at projects like Edge of Tomorrow to discuss rules that are created, bent, and broken by writers.
Whether musical biopics like Rocketman, historical dramas like Extremely Wicked, Shockingly Evil and Vile or The Irishman from Netflix, or films loosely based on historic events like 1917 or Once Upon a Time in Hollywood... audiences are fascinated by true stories. During this super-sized 90-minute webcast, we explore films and series including Chernobyl, The Social Network, Munich, Molly's Game, Charlie Wilson's War, and more to find out what makes a good script based on true events or real people work.
There's a fine line between introducing a writer to a new world or ruleset and spouting exposition. We’ll break down how writers created the fantasy world of “Game of Thrones”, the frigid winter of WIND RIVER, the digital dystopia of THE MATRIX, and the 1919 England of "Peaky Blinders".
We love to hate them...or hate to love them! We're kicking off another month of a packed Writers' Room schedule with the Breakdown Webcast: Antagonists! During one of our character building webcasts, we noted that many of our examples of great characters, were characters who we traditionally see as antagonists! So let's dig in and really explore what makes these baddies so good. Stories need conflict, certainly, but conflict doesn't have to come at the hands of a cackling, mustache-twirling supervillain. There's more than one way to shape your story's antagonist! During this webcast we'll discuss 4 types of antagonists, 6 ways in which to develop a well-rounded and authentic antagonist, how to intrude your antagonists and explore our favorite antagonists from film and television, and a whole lot more!
Writers can't rely on jump-scares and creepy music, so how do screenwriters create tension on the page? We'll take a look at needling suspense of THE BABADOOK, the tension just below the surface in GET OUT, the apocalyptic horror of “The Walking Dead”, and the creeps and chills of IT.
Show, don't tell! We take a look at how screenwriters use silence in the horror film A QUIET PLACE, the caper film THE DEPARTED, the action-drama DRIVE, and the adventure of LORD OF THE RINGS.
We kicking off a brand new month this week with the Breakdown Webcast: Writing Compelling Characters! In this webcast, we talk about how to create compelling characters, how to infuse those characters with a specific point of view and a sense of purpose, and how these traits then affect how the character speaks, acts, and even thinks.