Crafting Killer Loglines, Query Letters & One-Sheets

Hosted by Danny Manus

$39.20 $49
Black Friday 20% Off Sale
Sale ends Nov 26 - 11:59 PM PST

On Demand Webinar - For immediate download. Unlimited access for 1 year.

Rating   | Read reviews

Start Learning

Please make sure you use the same email address as the one you use to sign in to Stage 32
apply

- or -

$39.20
TOTAL PRICE:
Overlay Icon

Satisfaction Rate:

Danny Manus

Webinar hosted by: Danny Manus

Script Consultant at No BullScript Consulting

About Danny Manus: Danny Manus is an in-demand script consultant and CEO of No BullScript Consulting (www.nobullscript.net), and was ranked in the Top 15 “Cream of the Crop” Script Consultants by Creative Screenwriting Magazine. He is the author of No BS for Screenwriters: Advice from the Executive Perspective and has taught seminars and workshops across the country at events and venues including Austin Film Festival, Great American Pitchfest, Screenwriting Expo, ShowBiz Expo, Santa Fe Screenwriting Conference, Willamette Writers Conference in Portland, Las Vegas Writers Conference, The Writers Store, Writers League of Texas in Austin, Vancouver Pitchmart, Scriptwriters Network, Sherwood Oaks College, etc., and to groups in LA, NY, Chicago, Dallas, Idaho, Iowa, Florida, etc. He’s appeared on the Film Courage radio show, Triggerstreet’s Script Reporter podcast and the On the Page podcast. Danny was the Director of Development for Clifford Werber Productions (A CINDERELLA STORY) where he sold the family adventure project “To Oz” to United Artists, and was instrumental in developing numerous projects including SYDNEY WHITE starring Amanda Bynes and the dark comedy JUST ADD WATER, starring Dylan Walsh, Jonah Hill, Justin Long, Melissa McCarthy and Danny DeVito. He continues to work with the company as a producer on several projects. Before launching No BullScript, Danny also worked as a script analyst for companies such as ScriptShark and Script Coach. Previously, Daniel was a Development Consultant for Eclectic Pictures (LOVELACE), which has a deal with Millennium Films, and the Director of Development for Sandstorm Films, run by writer/director J.S. Cardone, which had a first look deal at Sony Screen Gems and a development deal with Top Cow Comics. He was instrumental in developing a number of films for the company including THE COVENANT, 8MM2 and SNIPER 3. Danny also interned at Columbia Tri-Star in the Television Development department and at 20th Century Fox in Feature Casting. Danny has taken over 3000 pitches, written over 230 articles on screenwriting for numerous websites and publications including Business of Show Institute and Script Magazine, and has been a judge for the PAGE Awards four years running. He is currently working on his next book. Raised on Long Island, NY, in an amusingly dysfunctional household, Danny holds a B.S. degree in Television with a concentration in Screenwriting from Ithaca College. You can follow him on Twitter @Dannymanus. Full Bio »

Learn directly from Danny Manus, an in-demand script consultant and CEO of No BullScript Consulting!

You’ve written a killer script. Great. But now you’ve got to get someone to read it.

Success in Hollywood is often about making great first impressions. Your loglines and query letters are the first and sometimes only things an executive or agent is going to read of your work. So it’s critical that your logline and query letter are attention grabbing, tell them something of substance, make you look good, and most of all—make them want to read more.

Have you sent out hundreds of queries but haven’t gotten many script requests? Are you the type of writer who has no problem writing 120 page script but gets totally stumped by writing a 30 word logline? Have no fear – I’m here to help!

As a development executive, producer, and script consultant, I have read thousands of query letters and countless loglines. I have taken over 3,000 pitches, and I’ve helped thousands of writers craft their project’s logline to help them standout and stand above the rest!

In this Stage 32 Next Level Webinar, I will show you specific, proven, easy-to-use formulas and tips to construct tight, professional loglines, engaging query letters, and visual one-sheets. We will go over what to include and what not to include in each, the difference between loglines and taglines, words to use that will make your loglines pop, what executives are looking for, how to query for representation and TV, and how and where to send queries to actually get them read.

We’ll also go over loglines for some of Hollywood’s hottest movies, one-sheets that made me request the script, and I’ll share with you some of the best and worst queries I’ve ever received so you don’t make the same mistakes. Plus, Q&A.

And as a special BONUS, if you register for the LIVE Webinar, you will also be able to submit your logline to me for a critique and fix after the Webinar (details below).

If you’re trying to get professionals to notice your project, if you’re trying to submit your script anywhere, or even if you’ve posted or wanted to post your loglines in the Stage 32 Lounges and Forums, this Webinar is for you!

Whether you are a screenwriter, novelist, producer, director or exec, your project deserves to make the right first impression. Let me show how.

**Please note that the free logline critique Danny mentions in the webinar is not available for On-Demand. It was only available for members who attended the live webinar.**


What You'll Learn:

What You'll Learn:

  • How to make a great first impression with your logline and query letter.
  • Specific tips, formulas, templates and guidelines to create a tight, professional logline for any story.
  • A deep understanding as to what executives are looking for in a logline and query letter and what you should never include.
  • The difference between loglines and taglines.
  • Words to include in your loglines to make them pop.
  • Guidelines and formats to query letters that grab attention and sell.
  • What to include and what not to include in your query letter submissions.
  • Strategies for querying for Representation and TV
  • Examples of great (and awful) query letters.
  • You’ll learn how to make your story stand out in your logline and query letter, and how to use these tools to better brainstorm your story!
  • What is a one-sheet and why you need it.
  • What needs to be included to have a memorable, visual one-sheet.
  • How to bring out your voice in your loglines, queries and one-sheets.
  • New ways to query and get read.

About Your Instructor:

About Danny Manus:

Danny Manus is an in-demand script consultant and CEO of No BullScript Consulting (www.nobullscript.net), and was ranked in the Top 15 “Cream of the Crop” Script Consultants by Creative Screenwriting Magazine. He is the author of No BS for Screenwriters: Advice from the Executive Perspective and has taught seminars and workshops across the country at events and venues including Austin Film Festival, Great American Pitchfest, Screenwriting Expo, ShowBiz Expo, Santa Fe Screenwriting Conference, Willamette Writers Conference in Portland, Las Vegas Writers Conference, The Writers Store, Writers League of Texas in Austin, Vancouver Pitchmart, Scriptwriters Network, Sherwood Oaks College, etc., and to groups in LA, NY, Chicago, Dallas, Idaho, Iowa, Florida, etc. He’s appeared on the Film Courage radio show, Triggerstreet’s Script Reporter podcast and the On the Page podcast.

Danny was the Director of Development for Clifford Werber Productions (A CINDERELLA STORY) where he sold the family adventure project “To Oz” to United Artists, and was instrumental in developing numerous projects including SYDNEY WHITE starring Amanda Bynes and the dark comedy JUST ADD WATER, starring Dylan Walsh, Jonah Hill, Justin Long, Melissa McCarthy and Danny DeVito. He continues to work with the company as a producer on several projects. Before launching No BullScript, Danny also worked as a script analyst for companies such as ScriptShark and Script Coach.

Previously, Daniel was a Development Consultant for Eclectic Pictures (LOVELACE), which has a deal with Millennium Films, and the Director of Development for Sandstorm Films, run by writer/director J.S. Cardone, which had a first look deal at Sony Screen Gems and a development deal with Top Cow Comics. He was instrumental in developing a number of films for the company including THE COVENANT, 8MM2 and SNIPER 3. Danny also interned at Columbia Tri-Star in the Television Development department and at 20th Century Fox in Feature Casting.

Danny has taken over 3000 pitches, written over 230 articles on screenwriting for numerous websites and publications including Business of Show Institute and Script Magazine, and has been a judge for the PAGE Awards four years running. He is currently working on his next book. Raised on Long Island, NY, in an amusingly dysfunctional household, Danny holds a B.S. degree in Television with a concentration in Screenwriting from Ithaca College. You can follow him on Twitter @Dannymanus.


Frequently Asked Questions:

Q: What is the format of a webinar? 
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.

Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.

Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer 

Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A. 

Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year! 


Testimonials:

Testimonials:

"The presentation today by Danny Manus was excellent and very valuable!!! Glad to see this info will continue to be available and all the rest that you do is fantastic for all of us working on all levels." - Stevanne Auerbach

"I’ve been to a lot of script doctors with a lot of scripts and by far, Danny Manus is the best! He has a real command of the requirements of the craft and the needs of a script, regardless of genre, without injecting sophomoric, antiquated or clichéd opinions. You can’t go wrong with him!" - Kevin Grevioux, Screenwriter of I, Frankenstein and Underworld

"Danny was an invaluable asset and collaborator in both the production and creative elements of the films we produced. His knowledge was critical to the development of our scripts and his original ideas and approaches were a major factor in our development and decision making process. I have only the greatest respect for his talents, which is why I continue you to work with him on my own material." - J.S. Cardone, Screenwriter/Director (Prom Night, The Covenant, Stepfather, The Forsaken, etc)

"Danny’s got some of the best story instincts around and the enviable ability to enhance every script he works on. As an exec, he knows the business, the players and the marketplace and is able to bring this knowledge to his work as a script consultant. We’ve worked on many projects together and he’s still the person I ask for story and casting input." - Clifford Werber, Producer (Cinderella Story, Sydney White, Just Add Water)

"Danny’s worked with studios and independents and knows how to handle writers at every level. He loves discovering and working with new writers and making their material shine as best it can… He cuts through the crap and at the end of the day, any writer or producer would be lucky to have him in their corner." - Scott Einbinder, Producer, (Killer Joe, Bad Country, The Covenant, Sniper 2 & 3)

"My comedy spec was a perennial quarter finalist screenplay until it landed with Danny Manus. Over several drafts and pages of notes, he managed to turn it into a true contender. His knowledge of the craft, experience in the industry, and attention to details can ready any screenplay for today’s market. I’m proud to say that my script is now making its rounds through Hollywood’s elite!" - Richard Dane Scott, Screenwriter (My Dog the Champion, My BFF)

"Wow, GREAT notes! Absolutely everything you say makes sense. This is literally my first draft and normally I wouldn’t let anyone see anything at this early stage, but I know there’s potential, and coming to you was the smartest thing I could have done – a huge help. THANK YOU!!!" - Margaret Riseley, Optioned Screenwriter of "Kissing Dynamite" and ScreenwritingU 2013 Most Recommend Writers

Questions?

If you have a generic question about Stage 32 education you can take a look at our frequently asked questions section on our help page, or feel free to contact support with any other inquiries you might have.
 

Reviews Average Rating: 4.5 out of 5

  • It was just what I was looking for! The detailed outlines and examples were very helpful. Danny made the webinar both educational and entertaining.

Other education that may be of interest to you:

Deconstructing the Script: Her

Learn directly from Danny Manus, an in-demand script consultant and CEO of No BullScript Consulting. He will cover the 10 lessons you can learn from one of the best films of 2014. Everyone wants to write that Academy Award-winning original screenplay, right? The best ways to learn how to write great scripts of that caliber is to READ great scripts of that caliber, study those movies, and learn the lessons these projects can teach. Nominated for 5 Oscars, one of the most acclaimed films of 2013 is HER, written and directed by Spike Jonze, who has already won the Golden Globe and WGA Award for Best Original Screenplay, and is a frontrunner for the Academy Award. In this Webinar, we will go deeper into many different aspects of the film and I will break down the script and go through 10 lessons you can learn from one of the best, most original films of the year that will help you improve your own writing and scripts, no matter what genre you write. Note: If you haven’t seen the movie already, there will be spoilers throughout the class.

How to Develop a Treatment That Will Sell Your Project

Learn directly from Conrad Sun, TV Literary Manager & Development Executive at Meridian Artists! Somewhere between your logline and your full script lies your treatment. Treatments are extremely important sales tools for you as a writer. Access to executives and decision makers is easier than ever these days through The Stage 32 Happy Writers, so what happens when you've peaked the interest of an executive off your logline, but they're not quite ready to read your whole script? You need a comprehensive, well thought out treatment. Whether you’re a writer, producer or a manager/agent, it’s vital to know how to properly put the right elements in a treatment in order to sell your project. In this Stage 32 Next Level Webinar, Conrad Sun will share with you some of the effective ways to structure your treatment so that your reader will say “I Want To Read More” and will hopefully lead to the sale of your script. Whether you’re new to the writing game or a long time veteran, your project deserves to make the right first impression, and Stage 32 Next Level Webinars is here to show you how. Conrad Sun is currently working as a TV Lit Manager and Development Executive at Meridian Artists in Los Angeles and represents TV writers in both the comedy and drama space. Conrad has also worked in content development with companies like Epix, Hasbro Studios, Gran Via Productions (Breaking Bad), New Wave Entertainment and Motion Theory Films.

How to Find & Adapt Comic Book, Video Game, Book & Article IP for Film & TV

State of the industry Why the majority of TV/Film comes from pre-existing IP "The Executive Bias" Pre-existing Fan Base/Fleshed Out World Adapting Books/Articles Where to Go! How To Choose Material Who To Contact For Film/TV Rights How To Close The Deal Case Study: Game of Thrones, Sex and The City Case Study: The Wedding Sting in the Atlantic, now going to be a film at Paramount Adapting Comic Books / Video Games Where to Go! How To Choose Material Who To Contact For Film/TV Rights How To Close The Deal Case Study (Comics): Guardians of the Galaxy (Marvel/Disney, lesser known/less successful comic became a blockbuster) Case Study: Jessica Jones (Marvel / Netflix) Case Study (Video Games): Assassin's Creed (FOX, to be released this December) Making it your own Most say DO NOT adapt your own material (leads to being too protective of your work/not as open to change) Fun thing about IP, when you build a world, it can keep being adapted into other mediums (Example: Orphan Black the comic book was one of the best-selling comics last year, adapted from TV show. Goes in both directions) The heart of this, however, is making sure the new versions are different enough from the old, AND have your voice in them. LIVE Q&A with Maggie!

How To Find Distribution For Your Indie Film

When making an independent film, finishing the film is only half the battle. You need people to actually see the film you’ve worked so hard on. When it comes to distribution, it’s important to know how to get your film into the worldwide marketplace. Once it’s there, you need to know how to generate interest toward it so the film can make its money back for the investors and back-end participants. Distribution comes in all shapes and sizes, but what kind of distribution is right for your indie film? Sometimes it means getting your film distributed by a studio; sometimes it’s creating a self-distribution path. Sometimes —- most typically — the distribution lands somewhere in between. Every film is different and therefore requires a different marketing plan, release strategy, and team behind it that have the passion and drive to get the most out of its release amongst the myriad other movies available. In this on-demand Stage 32 Next Level Webinar, host Tiffany Boyle will get into the details of what the independent distribution process looks like. She will go over how to get the right representative, foreign sales agent, and domestic distribution, and the different options for each based upon the size, genre and execution of a film. She will also discuss what the key points are to look at when reviewing a foreign sales agent and/or domestic distribution deal. Filmmakers should be making an informed decision when choosing who will be handling the licensing of their film for the next 3-25 years, and Tiffany is here exclusively for Stage 32 to help you navigate the ever-evolving world of indie distribution. Tiffany Boyle is the Vice President of Packaging Sales at Ramo Law and works with producers, financiers and writer clients to bring their new material to life. Having been a Director of Sales at Crystal Sky Pictures, Tiffany has an extensive background in foreign sales. She now works with the attorneys to review, collaborate, develop, submit and supervise creative materials on behalf of clients within the firm. Tiffany has worked on over 100 features including, Stuck In Love, Pawn, Gimme Shelter, Maladies, and I-Lived. She has been to AFM, Berlin, Tribeca, TIFF, Sundance, and Cannes and is constantly expanding her knowledge of how to match films with production and distribution companies.

8 Week Intensive TV Drama Pilot Writing Lab

Learn directly from Morgan Long, TV Literary Department for a “Big Six” Agency This lab is designed for beginner and intermediate screenwriters looking to build a pilot from scratch or expand on an existing idea. With the TV market exploding right now, one of the most in demand formats is the 1-hour TV drama pilot. Many, if not all, managers and agents are looking for writers that can write in this space, and with more and more production companies heading into TV, knowing how to write a strong 1-hour TV drama pilot will give you a competitive advantage and help you find success as a TV writer! Due to popular demand, Stage 32 is thrilled to bring back our 8 Week Intensive TV Drama Pilot Writing Lab taught by Morgan Long, a TV development coordinator at a “Big Six” Agency! This hands-on intensive lab will guide you through picking a concept, creating engaging characters, structuring and outlining your pilot and writing the first draft! The main objective of this 8-week lab will be to have a first draft of your script. You will meet online with Morgan for 2 hours a week in a class setting, plus have phone consultations during some of the weeks when you don't have an online class. This will be accompanied by weekly homework assignments to guide you on your way to creating a marketable, unique pilot that will grab the industry's attention. Payment plans are available - please contact julie@stage32.com for more information.  This Lab is Limited to 20 People. Please Note: Participating in this lab does not mean you are writing for or pitching to Morgan or her company.  PRE-CLASS PREP - Read your syllabus and plan out your writing ideas. Begin to think about 1-2 ideas that might be a good idea for your drama pilot. Start to prepare for your pilot pitch.

Crash Course: High Concept Writing

Learn directly from acclaimed author and screenwriter Max Adams who has worked with companies such as Columbia Pictures, Touchstone Pictures, Universal Pictures, Walt Disney Studios, and Tri-Star Pictures and Max’s students have won three Academy Nicholl Fellowships, two Austin Film Festival Screenwriting Awards, a Stage 32 Happy Writers Award and more! We continuously hear from the executives that we work with that concept is the most common mistake in spec scripts today. Readers see so many spec scripts that have no chance of becoming films not because the writing isn’t great, but because the writer did not spend enough time on concept. It is one thing to fall in love with a story idea. It is another to stick with it during the uncomfortable phase of working on that idea to make it bigger, badder, better and more enticing to the world. How can you ensure you consistently develop ideas that excite readers and push your script toward a sale? How do you know if your idea is “high concept” enough? What exactly does “high concept” even mean? Stage 32 Next Level Webinars is thrilled to bring you acclaimed screenwriter and writing coach Max Adams to teach you how to create compelling concepts and re-craft existing concepts so that they garner instant attention through one sentence descriptions alone. Dubbed “Red Hot Adams” by Daily Variety for selling three pitches over a Christmas holiday, she will teach you how to pull a story out of the “been there seen that no thanks” file and into the “I have got to read that” file. You’ll learn how to break your story into individual components to find its strengths and weaknesses, which gives you tools to analyze your future writing projects and raise stories’ impact. This will be your complete crash course in high concept writing, and you will leave this webinar knowing how to make your stories more interesting and enticing for readers, buyers, producers, editors, representatives, cast and industry players!

register for stage 32 Register / Log In