RJ Collins is an award-winning writer/director, renowned for founding the trailblazing directing collective Everdream. Their viral Tesla spec commercial revolutionized branded content, demonstrating the immense potential of young filmmakers. His unique talent for blending narrative depth with commercial appeal quickly established him as a preferred director for top-tier brands, elevating the art of storytelling in the advertising industry. RJ has perfected the art of winning commercials through his unique approach to treatments and pitches. His creative prowess carried into narrative with his Streamy-nominated mini-series "Simi Valley," a personal reflection of his upbringing, and his acclaimed sci-fi script "Vapor," which won the ScreenCraft Grand Prize and earned praise from Oscar-winner Diana Ossana. He's also behind the buzzed-about horror-adventure short "Dropping," featuring talents like Reign Edwards, Devin Druid, and Mia Threapleton, with plans for a feature adaptation. Currently, RJ is working on his pioneering debut feature, "Left Alone," a screenlife thriller starring RJ Mitte, aimed at transforming disability representation in film. Full Bio »

A-List filmmakers such as David Fincher and Ridley Scott started their careers directing commercials. Directing commercials can be a great way to make a living, gain valuable experience working with cutting edge technology and prepare yourself to direct movies.
Plus! Receive an exclusive handout that will help you build your commercial directing career!
Whether you're an aspiring filmmaker, a seasoned director looking to transition into the lucrative field of commercials, or someone simply passionate about visual storytelling, directing commercials is an exciting and fruitful creative career path.
Many of the most well known film directors started working in commercials and honed their craft working on branded commercial content. And some directors have built long lasting and successful careers only directing commercials for an array of clients. However, how do you break into the commercial directing industry? And once you’re in, how do you forge a successful career for yourself?
In this exclusive Stage 32 webinar, you will learn how to create and build your career as a commercial director from an industry leader who built his directing career from the ground up. Teaching you everything you need to know about the business and craft of directing commercials is RJ Collins, the pioneering mind behind Everdream and the viral Tesla spec commercial that redefined branded content.
RJ has built a career at the nexus of deep narrative and commercial sensibility, becoming the director of choice for top brands through his innovative approach. His foray into film and TV includes the Streamy-nominated "Simi Valley" and the ScreenCraft-winning script "Vapor," earning accolades from Oscar-winning screenwriter Diana Ossana. His latest endeavor, the buzzworthy horror-adventure feature film "Dropping", is on track to roll cameras in summer 2024.
As a commercial director, there is a constant balance between honing your pitching skills to book work and developing your directorial style so you perpetuate a lasting career in the marketplace. In a jam-packed 90 minutes, RJ will teach you not only how to develop your style, brand, and relationships to ensure you have a successful commercial career, but also how you can leverage your work as a commercial director to move into film and television work.
This course is a golden opportunity for you to learn how to become a go-to director for clients across the commercial industry and use that to propel your directing career.
PLUS! You’ll receive an exclusive Director Treatment Template to create winning pitches to help hone your commercial directing work.
If you’re a director in any medium with a passion for visual storytelling, this webinar is a must!

RJ Collins
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All of us are storytellers. Are Your Ready To Write & Direct Your Feature Film? No matter what part of the film or TV making process you are involved in ultimately your job is to tell your story in the best way possible - on the page or on the screen. And, sometimes, if you get a story on the page you realize that there is no one better than you to be able to direct that vision. Maybe you have a vision for the way your characters look or how they talk. Maybe you have a vision for a set piece that you just know, if shot just right, will make a scene perfect. Ultimately what's in your Mind's Eye can catapult you to be an excellent director for your project. But, where do you begin? Becoming a first time writer/director takes a lot of risk on both sides creative and professional. Creatively, you may not have the experience to be able to correctly execute your vision in the way your mind sees it. Professionally, a producer or financier has to take a risk on you and believe in you to make sure that they make back the money they invest in you. Although this isn't an easy scenario for either side, the great news is that it can be done. And, we've brought in a Stage 32 Educator who has helped do just that for first time writer/directors Britt Poulton and Dan Madison Savage whose film THEM THAT FOLLOW got produced by Gerard Butler, starred Oscar-winner Olivia Colman and screened at Sundance! Josh Sathre is the Production Executive at Amasia Entertainment, where he was the executive on WILD MOUNTAIN THYME starring Jamie Dornan, Emily Blunt, Jon Hamm and Christopher Walken. He is also in active development on many of Amasia's projects with major studios. He is actively working with newer writer/directors and has seen incredible success...as long as they are prepared for the opportunity. In this exclusive Stage 32 on-demand webinar, Josh will teach you the ins and outs of what it takes to stand out as a writer/director in order for you to effectively get your shot at making your first feature film!
Learn everything you need to know about how to source and use music in your productions from Alan Brewer, who is the President of New Brew Entertainment. Alan has extensive experience in every aspect of music for film and television including Music Supervision, Music Clearance & Licensing, Music Production, Score Composition, and Music Publishing! PLUS! You'll receive a Music in Motion Pictures: Rights and Licensing exclusive handout! We all agree that music can make or break a film. From Spike Lee to Steven Spielberg to Greta Gerwig to Quentin Tarantino, the best filmmakers rely heavily on music in their films to create a particular tone and evoke a certain emotion from the audience. The music you choose for your film can literally make or break your project. However, most budding filmmakers have no clue where to begin in getting the necessary legal rights to use music in their films. While many independent filmmakers spend a great deal of time learning about the various aspects of the craft and business of filmmaking, most emerging filmmakers, even those who have gone to prestigious film schools, have little to no knowledge about the administrative and legal requirements for the inclusion of music in their projects. Furthermore, most independent filmmakers don’t know how to best navigate the creative music search with respect to finding songs and/or composers suitable for their productions and appropriate to their budgets. All too often, independent filmmakers find themselves in a bind, learning late into post-production that they don’t actually have permission to use the music they were planning to include in their project. Without the proper legal authorizations for the use of the music, your film will not be accepted to film festivals or get released on any platforms. We’re here to help! In this exclusive Stage 32 webinar, you will learn how to ensure that the music in your film satisfies the necessary legal requirements in order to be included in your project. You will learn everything from the different types of rights you need for music and how to obtain them, to how to work with a composer and your music team, the differences between using existing songs or creating original music for your film, how and when you need to create music cue sheets, and more. Teaching you everything you need to know about the use of music in your film is Alan Brewer, President/Owner of New Brew Entertainment. Alan has worked as a Film Producer, Score Composer, Music Supervisor and Soundtrack Producer on feature films and television productions for Universal, MGM, Fox, Warner Bros., Bold Films, CBS Television, Orion Pictures, Miramax, Summit Entertainment, Shochiku-Fuji Films, Anonymous Content, IFC Films, CMT, and VH-1, and others. He produced the Universal Pictures release PLAYING FOR KEEPS (starring Daniel Jordano, Matthew Penn, Marisa Tomei). His feature credits include the Warner Bros release, AMERICAN PASTIME, COME EARLY MORNING (starring Ashley Judd, Laura Prepon, Jeffrey Donovan, Tim Blake Nelson), David Bowie’s ZIGGY STARDUST & THE SPIDERS FROM MARS, Paul McCartney’s ROCKSHOW, horror classic THE BURNING, TRAILER PARK OF TERROR, TOKYO POP, and SECRET POLICEMAN'S OTHER BALL (featuring the members of Monty Python, Peter Cook, Rowan Atkinson, Pete Townshend, Sting and others). Over an information-packed 90 minutes, Alan will cover the full range of information you must have in order to effectively and legally include music in your production whether you are working on a feature project with a substantial budget or a micro-budget short film intended only for festivals. Additionally, not only will this course be highly informative and useful for individuals working in film & television (producers, directors, production managers and post-production supervisors) but also for those songwriters, composers and music artists with a focus on creating music for film & television or placing their existing music in current projects. PLUS! You'll have a Q&A with Alan and receive exclusive handouts to help you best work with music for your project. Downloads include: Music in Motion Pictures: Rights and Licensing "I'm excited to share with the Stage 32 community my accumulated knowledge resulting from many years of experience in all aspects of the music for film & television process. Having worked all my life as both a music "provider" and a music "user” for film, I look forward to providing the facts regarding what has to be done as well as the language and terminology that will help facilitate communication between all parties involved in the use of music in a film project.” - Alan Brewer Praise for Alan's Work “(Brewer is) a sort of artistic systems resource manager, ever balancing aesthetics and the bottom line." - MIX Magazine “One of the most diversified artists in the industry.....There’s a lot to be learned from such a revered professional as Brewer.” - The Music Paper “Brewer worked to develop a creative consistency despite the diversity of the musical artists. The result is pure state of the art sound throughout.” - Valley Advocate/New Haven Advocate
Netflix raised the bar in original programming almost ten years ago, forever changing the television landscape. Since then, Netflix has maintained its status by growing globally, investing in quality, adapting to its audience’s needs, and often setting the trends. Many creatives strive to launch shows with this streamer, and this webinar will show you exactly what Netflix is buying and how to close the deal. When it comes to streaming and “bingeable” television, no platform or network comes to mind faster than Netflix. Netflix has been the home to some of the most-watched original series for almost a decade, including SQUID GAME, BRIDGERTON, STRANGER THINGS, MURDERVILLE, THE CROWN, GINNY & GEORGIA, and countless others. Netflix stays ahead of the curve in television programming by hunting for new voices, unexplored worlds, and backing a wide range of genres and formats. Their needs are constantly changing and largely only known to those close to the platform. So, if you want to know where Netflix is heading next, you’ll need insight from a current industry executive. Taking you through Netflix’s distribution plans is Kristin Harris, SVP of Production at Vertical Entertainment. Kristin has held key acquisition, development, and production roles at Starz Media, Overture Films, and Cinedigm Entertainment Group. She is also the former VP of Distribution and Acquisitions at Good Deed Entertainment, where she oversaw all aspects of the company’s distribution arm and managed the release slate, which included EXTRA ORDINARY, JOURNEY’S END, Spirit Award-nominated TO DUST, and the Academy Award-nominated LOVING VINCENT. Kristin is sharing her insight into the streaming giant exclusively in this Stage 32 webinar. She’ll take you through where Netflix has been and where they’re headed, showing you its current operations and business model. She’ll also cover originals vs. licensed content, release windows, how to effectively tailor your pitch to their brand, and what you need to know about deal structures so you can navigate negotiations. This webcast gives you a new approach to understanding and pitching, and the knowledge needed to close the deal with one of the world’s leading streaming entertainment service. Praise for Kristin's Webinar "Kristin is amazing! She is so knowledgeable and I learned so much today. She is realistic and honest and I so appreciate that!" --Maggie G. "Awesome amount of information and very helpful. Thank you!" -- Jody C. "Great insight into how distribution works." -- Lisa M.
Learn directly from David Landau, 30 year Lighting director and Director of Photography. The story could be the greatest in the world, but if the lighting is poor viewers will assume it’s amateurish and not take it seriously. Good lighting makes things look real, while real lighting often makes things look fake. Good lighting supports the emotional moment of the scene, contributes to the atmosphere of the story and can augment an artistic style. So, no matter how good a script, how good a director, how good the actors – the lighting needs to be as good if not better. The fact is, we can’t usually make good pictures without good lighting, no matter how good the newest cameras are. Yes, we can sometimes get lucky. But while shooting under available light gives exposure, it often lacks depth, contrast, contour, atmosphere and often separation. Well-crafted lighting helps establish the illusion of reality that is necessary for the viewer to forget they are watching a screen and get lost in the story. In this Stage 32 Next Level Webinar, host David Landau will go over the ten things all filmmakers need to know about lighting, sharing some of the techniques to artistic and effective lighting that he has learned both from working with a wide range of cinematographers and through his own career as a Lighting Director and Director of Photography. David will demonstrate live from the Fairleigh Dickinson University sound stage lighting techniques that will make your images shine like a Hollywood feature without a big Hollywood budget. David Landau has over thirty years of professional lighting experience working on feature films, TV shows, sit-coms, game shows, commercials, documentaries, industrial films, music videos and direct-to-consumer DVDs. David worked as one of the gaffers on the TV series Project Runway and is a five-time Telly Award winner for lighting and cinematography. He is a member of IATSE Local 52 (gaffer) and the University Film & Video Association and Media Communications Association International. He also is the author of the new book Lighting for Cinematography: A Practical Guide To The Art And Craft Of Lighting For The Moving Image from Bloomsbury Press.
Learn how to make a fantastic sizzle reel that can sell your television series from an award-winning executive producer, known in Hollywood for delivering world-class sizzle reels in all genres. One of the biggest challenges you’ll face when selling your TV series is conveying your idea to the buyer. You may have a great idea, a great piece of talent, or exclusive IP attached, but without the right pitch elements, a buyer won’t fully understand what your final project will be. This is where your sizzle reel comes in. A sizzle reel is a visual representation of your idea that unscripted and scripted series creators often use to sell their projects to buyers or potential partners. Sizzle reels often pack a stronger punch than many written or verbal pitches because television is a visual medium, and these short video reels will show the buyer exactly what your project is about and how it will look and feel. With so much competition in today’s market, a sizzle reel is a great way to stand out from the crowd. And a strong sizzle reel can easily be passed around to help sell your show to other executives, reps and buyers when you aren't there to pitch yourself. It's an important and powerful tool. In this exclusive Stage 32 on-demand webinar, you’ll learn everything you need to create a great sizzle reel to sell your television show. From the elements you need to include, to how to use a sizzle reel to keep creative control, to what to do with your sizzle reel when it's completed and beyond. Helping make your TV concept sizzle is Jeff Fisher, an award-winning producer, director, and editor with over 20 years of experience, and has a reputation in Hollywood for delivering world-class sizzle reels in all genres. From scripted to long-form docs and doc series, Jeff has worked with every major network and most of Hollywood’s high-profile production companies, including NBC Universal, ABC, Fox, The Travel Channel, Nickelodeon, HLN, and more. Jeff recently produced the psychological thriller DON’T HANG UP starring Wendell Pierce and Lauren Holly for the Bounce Network, which has become the network’s highest-rated film. He currently has multiple projects in development, all of which he has crafted sizzle reels for as he takes them out to buyers. Not only will Jeff show you everything you need to know about sizzle reels, but he will also provide examples of successful sizzle reels that you will learn from. By the end of this webinar, you’ll know every element of a great sizzle reel, how to craft your reel, how to use the reel as your sales tool, and more. Don’t miss out on this great chance to learn how to pitch your show with a sizzle reel so buyers can truly see your vision.
Learn directly from Nikki Hevesy and Anne Marie Gillen, Producers with over 20 years of experience each in developing and financing media projects. Nikki is a director, producer and media strategist with an expertise in integrating faith-based content into mainstream media, and Anne Marie is an expert on film finance, having successfully raised over $100M for projects worldwide. With the recent successes of films like Heaven Is For Real, Son Of God, God Is Not Dead, and all of the faith oriented films coming down the pike like Mark Burnett’s Ben Hur, Mary Mother Of Christ and The Shack, Faith and Family based projects have grown from a niche market to a box office phenomenon.TV has also jumped on the bandwagon with the recent Red Tent, Preachers of LA and Mark Burnett’s The Bible and A.D. However, alongside these successes are huge controversies in the faith community, such as those surrounding Paramount's Noah and Ridley Scott’s Exodus. Faith and Family based material is like a soufflé – if you get even the smallest ingredient wrong, the entire soufflé collapses. In this Stage 32 Next Level Webinar, hosts Nikki Hevesy and Anne Marie Gillen will walk you through the development and financing phases of creating a successful faith and/or family based project. Drawing from their 20 years of experience, Nikki and Anne Marie will teach you how faith and family based projects get funded and who the financiers, studios and distributors are that specialize in this genre so you know who to target. They will also teach you how to easily find and reach your desired audience and what type of marketing is successful for this genre. Whether you’re a producer, filmmaker or writer, knowing what goes into a faith and family project in the development stage, team building stage and financing and distribution stage is key to your project’s success in the marketplace! PRAISE FOR ANNE AND NIKKI'S TEACHINGS: “Amazing! …I’ve taken many webinars on the subject, but none really compares to this. …I have the right tools to move forward into producing my project. Thank you so much!” – Diane M.“Invaluable... packed with information … The explosion that's happening with these types of films is just the tip of the iceberg... this workshop was one of the smartest things I've ever done!“ – Suzanne L.“Unparalleled insights, information, and resources … a comprehensive program to jump start your project.” – Denene C.“Although I have extensive experience as a Line Producer on studio films, Anne Marie Gillen gave me the map of how to successfully negotiate the strange land of independent film production. She showed me which doors to knock on and how to get them to open. In three months, I went from being a clueless indie neophyte to negotiating with foreign sales agents bolstered by the confidence that comes with knowledge.” - Robert B.“Your insight cleared up my eyesight... What a great seminar! The information you provide on the business principles and practices of the entertainment industry is an invaluable tool for producers.” – Karen B.