Anouk van Ghemen is a freelance financial consultant with an emphasis on film funding and tax incentive schemes in Germany and the rest of Europe. With her company ONE FOUR FILMS she works for both national as well as international clients, such as Sony Pictures Releasing, Radical Media and Wild Bunch Germany. Overall, Anouk has been involved in more than 40 film and media projects. Anouk holds a B.Sc. in „International Economics and Management“ from Bocconi University in Milan. She began her career in the film industry working as Assistant to Producer in Berlin and Paris and later became responsible for the funding and financing of a Berlin-based company‘s international films. Notable projects include the Indian-German co-production DON 2, the French-Canadian TV series TRANSPORTER, and the Korean thriller THE BERLIN FILE. In addition to her consulting services, Anouk recently began producing her own films with a number of projects currently in early stage development. She is a board member of Women in Film and Television in Germany. Full Bio »
With the gap between independent films and studio films constantly growing, it has become quite a challenge for independent producers to finance their films. As a result, more and more producers are looking outside of their home territories for additional sources of finance. Europe, in particular, is very attractive for international producers: not only does it have diverse landscapes and excellent crews, but the different European countries offer fantastic funding and tax incentive schemes that can be accessed by foreign producers to finance their films.
More and more filmmakers, producers, and even screenwriters are expanding their worldview by tailoring their projects and stories to make them more attractive for a potential European production and co-production. The fact of the matter is there is gold to be mined in this approach. Over the last few years, co-productions with European countries have not only become more common and successful, but the financial incentives have grown tremendously. Finding the right partners and understanding the landscape is not as difficult as one might thing. In fact, the information is readily available for those willing to put in a little legwork.
Anouk will take you into the world of European co-productions with great detail and flair. She will start by explaining European vs. international co-productions, bilateral vs. multilateral co-productions, co-production treaties and cultural tests. She will discuss the pros and cons of co-productions and how to identify whether your project fits with the upside potential for a European co-production. She will dive into the important aspects of your script and overall budgetary needs including story, locations, crew, overall costs and more. Then she will get into the most important questions: How do you get the money, how much money can you get, and what will make your application for funding and incentives get approved above all others. Anouk will also teach you how to find, approach and close the right partners to assure your European co-production is a winning one!
"A complete eye opener. I had no idea these options were available to me. It's like moving from a room where the walls are closing in to an open field. The possibilities are endless."
- Steven C.
"Invaluable information."
- Valerie L.
"I have 3 projects in various stages of development that have all but stalled. All 3 could certainly be rewritten or tweaked to fit a European co-production model. We'll be starting on doing just that tomorrow."
- Ricardo C.
"My job as a producer just got easier."
- Patricia M.
Anouk Van Ghemen
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Learn directly from Jen Grisanti, acclaimed Story/Career Consultant, Writing Instructor for Writers on the Verge at NBC, and a former 12-year studio executive, including VP of Current Programming at CBS/ Paramount and Spelling Television! Many writers wonder what it’s going to take to get them from being a non-working writer to a working writer. You’ve written great scripts. You’ve entered competitions and writing programs. You may have placed, been a finalist, or even won. However, you’re still waiting for your professional career to start. What is it that makes a TV pilot or screenplay hit it out of the ballpark and get sold? What can you do to your writing to make it more sellable? In this Stage 32 Next Level Webinar, your host Jen Grisanti will teach you the 7 Pillars of Story. What exactly is that? It's the fundamental story components necessary to take your script from good to great. Jen will teach you from the studio executive/analyst perspective how to see your story differently and identify what is currently missing in your script. Jen herself has gone through analyzing countless Oscar and Emmy award-winning scripts and has applied that to her writer's techniques. This has led to over 30 of her clients selling pilots, five of which went to series. After being mentored by Aaron Spelling for 12 years, Jen has emerged as a pro in breaking down story and helping you, as a writer, get the most out of your script. Plus, for Stage 32 members, she will provide case studies for you to learn from! She will be using examples from her clients’ work and how they successfully implemented the 7 pillars to get their scripts sold. Under the guidance of Jen, you will leave this webinar fully prepared to write a marketable story that can help you go from good to great and make the move from non-working to working writer! PRAISE FOR JENNIFER'S TEACHINGS: “It’s very simple, when Jennifer Grisanti talks, writers listen. And they listen because she gets it, can see where they missed it, and knows how to bring them to it.” - Steve Binder, Co-Executive Producer, NCIS“A lot of instructors preach ‘write what you know,’ but Jen’s method is more ‘write what you feel.’ She recognizes that every writer has unique experiences from which to draw, and she helps you access those experiences so you can turn them into stories that have a beating heart on the page.” - Rick Muirragui, Co-Executive Producer, Suits"Jen combines her passion for story with an astute understanding of what makes a story relateable. Nothing gets by her — whether it’s a question of character development, theme, or major story beats, her suggestions are spot on and have helped me realize each script more completely, I trust her instincts implicitly.” - Jude Roth, Feature/Television Writer, Page Int’l finalist, Slamdance and Cinestory semifinalist, Austin second rounder
Learn directly from Franco Sama, 15-year expert of film financing and distribution with 25+ successful independent feature films to his name, including Guns, Girls and Gambling (Gary Oldman, Christian Slater and Dane Cook) and Petunia (Thora Birch, Brittany Snow and Academy Award winner Christine Lahti)! As a filmmaker you may find yourself at the mercy of distributors and the existing archaic, chaotic convoluted distribution system(s) that ultimately ends up costing the you profits and, more importantly, creative and financial control of your project. With many new options becoming available for your project to be seen, self-distribution is becoming an increasingly beneficial option. In this webinar we go over the self-distribution model of limited theatrical and limited platform release. We've brought in 15-year financing and producing expert Franco Sama to draw on his experience with over 25 successful indie films in which he has secured distribution. Franco will teach you step-by-step how to release your film in multiple theaters across multiple cities throughout the Unites States. Plus, he will take it a step further and show you exactly how to incorporate the release into your business plan as part of your development process so you can benefit your investors and increase your film’s international value. You will leave this webinar armed with knowledge and ready to self-distribute your film via limited theatrical or platform release. PRAISE FOR FRANCO'S TEACHINGS: “Head & shoulders above the usual webinars on film distribution and finance. Franco actually knows his stuff and has a track record to back it up. Really good presentation.” – Scott B. “This webinar gave me a TON of information and things to consider as we move forward with our first feature project. Thank you Stage32 for providing these excellent training opportunities.” – LeAnn M. “Franco was very informative. I've already produced a ton of stuff but have been challenged by the distribution side (although my 1st feature HAS finally gotten distribution!). He gave me some great nuggets of information. I would definitely take another webinar with him.” – Stephanie B. “I thought that this seminar presented a wealth of useful information in a short period of time.” – Glen P. “The material provided is informative and appreciated!” – Andry P.
Learn everything you need to know about television showrunning so you can become a successful showrunner from a veteran showrunner who has worked with Disney, The CW, ABC, and more! PLUS! Receive multiple production documents from the hit series SHADOWHUNTERS, which the host was the showrunner on, including an episode outline, script, shooting schedule, prep memos, casting memos, set drawings, location pictures, post-production schedule and more! A series showrunner is the most essential and complex role on a television show. The showrunner is responsible for all facets of the production - from pre-production, shooting, post-production, and even marketing. If you want to be a showrunner, you need to be able to handle both the creative and business sides of a television show. While the demands on a showrunner are quite high, there is little that first time showrunners can do to prepare themselves for the job. Until now... This intensive on-demand 4-session class will teach you how to showrun a scripted drama television show, from hiring the pilot director, casting the show, assembling your production and post-production team, hiring and managing the writing staff, managing pre-production and production, editing the show, delivering that final cut, marketing the show, doing press, and of course live tweeting the premiere. You will learn from veteran showrunner/writer/director Todd Slavkin, who will share his advice and personal anecdotes to help guide you through the process of showrunning. Todd's experiences showrunning series for Disney, The CW, ABC, and more have provided him with an arsenal of showrunning tools that he will share with you to prepare you for your own career as a showrunner. Todd has worked in all different kinds of genres and has been involved with many popular television shows, including SMALLVILLE, SHADOWHUNTERS and most recently THE MYSTERIOUS BENEDICT SOCIETY, for which he was nominated for two Emmys. He has written pilots for ABC, NBC, FOX, FREEFORM and The CW, where he developed and was the showrunner of MELROSE PLACE 2.0. Other television credits include NO ORDINARY FAMILY, ALPHAS, DEFIANCE, DOMINION and GUILT. He began his career in features, penning DARK REFLECTION and CONTROL, starring Ray Liotta, Willem Dafoe and Michelle Rodriguez. PLUS! Todd will provide you with exclusive handouts from an episode of his hit series SHADOWHUNTERS to help guide you as a showrunner. Downloads include: Episode Outline Episode Script Shooting Schedule Prep Memos Casting Memos Set Drawings Location Images Post-Production Schedule And More! This class will teach you the creative and practical aspects of the job of showrunning as well as the necessary psychology needed to manage both artists and executives while keeping yourself creatively anchored and inspired. It’s not an easy task, but through in depth learning and real-world examples you will walk away from this class with the knowledge to effectively showrun your own series. The best way to learn showrunning is from a showrunner and this is a rare opportunity for you to do just that. Praise For Todd's Teaching "Todd's experience and expertise shine through. If you've ever wanted to be a showrunner on a TV series then learn all you can from him." -- Rahime B. "I never realized how much fell on the showrunner before working with Todd. He's a fantastic educator!" - Meg L.
**This video presentation contains English closed captions. To view the webinar without captions, click here. Stage 32 + Netflix join forces to bring you an exclusive television pitch workshop Learn best practices to make your pitch work and what your pitching document should look like You do NOT want to miss this! For many, the holy grail of television has become Netflix. It’s a titan in the industry, and with over 200 million subscribers worldwide, no one can put out content quite like them. Just look at the recent hit show BRIDGERTON, which has already been seen by a massive 80 million households (!!) since its release. If you’re a writer or creator, getting your series onto Netflix’s platform can spell success in a big way. But first there’s the matter of getting your series in front of them and pitching it effectively. It should be a comfort to know that you’re not the only one who wants your series on Netflix. Netflix wants that too! Netflix execs are constantly on the lookout for exciting new voices and new series to fill their slate. Yet it takes more than just a good series or a good pilot script to get on Netflix’s radar; you need to be able to communicate it well and pitch it in a way that will get their team excited. This certainly takes some work, but it’s absolutely achievable. If you’re interested in getting your show on Netflix, it’s time to learn directly from the source what it will take to make that happen. In an effort to reach more writers and find more content, Netflix has joined forces with Stage 32 to present a FREE and invaluable workshop on what it is that they’re looking for in new shows and how you can best pitch your series to their executives. In Stage 32's continued effort to help level the playing field for content creators worldwide, we felt it's important that we help you get tools you need to be able to make sure that you can pitch effectively. Kicking off the workshop will be Stage 32 CEO, Richard "RB" Botto (@rbwalksintoabar), and hosting this presentation will be Stage 32's Managing Director Amanda Toney with Netflix’s Director of Creative Talent Investment and Development for International Originals Christopher Mack. Christopher was previously Senior Vice President of Scripted Content for Stage 13, overseeing all of the brand’s original scripted series and development slates across multiple genres, including Emmy nominated Netflix series’ SPECIAL and IT'S BRUNO. Before Stage 13, Chris headed the Warner Bros. Workshop, the writing and directing program for professionals looking to start and/or further their careers in television. Over a period of 10 years in this role, Chris curated a roster of close to 100 writers and 50 directors representing the breakthrough emerging voices working on high-profile television shows today. In addition to these responsibilities, Chris has covered hit shows such as TWO AND A HALF MEN and SMALLVILLE for the Current Programs department. Prior to joining Warner Bros., Chris spent seven years writing on various one-hour dramas including ER, THE PRACTICE and THE NEW TWILIGHT ZONE. After graduating from Loyola Law School, Chris got his start in television at NBC Studios as an associate and he quickly rose to becoming an executive. During his time at the newly created NBC Studios, he oversaw a varied list of shows including: THE FRESH PRINCE OF BEL AIR and IN THE HOUSE, among others. In this exclusive Stage 32 workshop, Christopher will delve into what exactly makes a television pitch work at Netflix. He’ll discuss the essentials you’ll need to catch Netflix’s eye and will zero in on how to write an effective pitch document. He’ll pose questions you be able to answer and communicate for your series and give you ideas on how best to communicate your show’s overview, world, tone, and characters. Christopher will then discuss how season summaries should be built and give you ideas on how to think about and present potential episodes. Finally, you will have the invaluable opportunity to ask Christopher your own questions. You will leave this presentation with the understanding of how to structure and present your series, not in theory, but directly from the source.
Whether it’s penning a feature screenplay or finding a staff position on a TV series, many actors have found new and continued success by venturing into writing. And there’s a good reason why. Transitioning from one part of the industry to another can feel daunting. But if you’re an actor, you’re not starting from scratch – you are pivoting. And in order to do so you need to recognize your strengths, utilize your previous acting experience, and build on your established relationships. Most importantly, as an actor, you already have inherent superpowers that will help you excel as a writer. Actors are storytellers so it makes sense that at some point they may want to write their own stories. But will you be taken seriously? Can you move from being in front of the camera to behind the computer screen successfully? You absolutely can. And you don’t have to give up acting in order to do so. Ultimately, you will be able to write, pitch, and produce better because of your previous experience. So let’s hone those skills and get you ready to make that pivot! After starting out her career as an actress, most notably starring as Emily in the cult classic 3 NINJAS, directed by Jon Turteltaub, Kate Sargeant has become an accomplished television writer, working on over 100 episodes of network TV on shows like CASTLE, CSI: CYBER, NCIS: NEW ORLEANS and BLINDSPOT. She has also written, directed, and produced a few of her passion projects including three short films: CHANGING LANES, FACING LIFE, and ANOTHER FOREIGN CONCEPT. In addition, Kate launched an original comedic series that she wrote, directed, and produced called YOU CAN’T DO THAT ON THE INTERNET about our obsession with social media. Most recently Kate served as a Supervising Producer on a one-hour drama for Sony entitled OBLITERATED. Kate just launched a new half-hour comedy series on YouTube entitled VIRTUALLY SINGLE, which she created, wrote, produced, and stars in. Kate has successfully navigated the pivot from acting to writing and is excited to share what she’s learned during this transition. Exclusively for Stage 32, Kate will teach you how you can make the jump from acting to writing, not by starting over, but by using the superpowers you’ve already developed as an actor to take the next step. She’ll explain her own story and how she made the jump herself before explaining how you can do the same. She’ll discuss what it really means to become a writer and will then show you the superpowers you have as an actor that you might not realize that can help you with every element of writing, from dialogue writing to pitching. She’ll discuss specific challenges you’re going to need to face as an actor and will give you tools and strategies to take the first steps towards writing. She’ll finally reveal how you can use your writing to boost your acting career. If you’ve always wanted to write but have never been sure how to make the leap, Kate will give you the tools and inspiration you’ve been looking for
Free webcast exclusively for Stage 32 members with Ivory Coast/American actor Bambadjan Bamba (BLACK PANTHER, SUICIDE SQUAD, THE GOOD PLACE) - bring your questions! No matter who you are or where you’re from, the journey to becoming a full-time and successful actor in America is a difficult one. Yet if you’re from a different country and are contemplating moving to America, or if you’ve already moved here and are dealing with one of a variety of immigration statuses, your path is that much harder. You have to figure out how to legally live in America with this profession and work with studios and networks when payment might be more complicated than for actors that are American citizens. And that’s on top of the everyday struggle of finding and landing roles, which can also be harder if you do not have an American accent. There is no question that there are serious obstacles to overcome as an immigrant actor, but it’s still a path that can be achieved, and has been achieved many times before. For as much emphasis that is often put on the sheer luck of breaking through as an actor and finding success, there is another element that is often underemphasized, which is the strategy and planning necessary for actors to build their career. Luck certainly can play a part, but these lucky breaks are much more likely to come to actors who do the work ahead of time to have a game plan and can better put themselves in the right place and the right time Whether fair or not, this goes double for immigrant actors and actors planning on moving to America. There is a large amount of strategy and planning necessary to find success, including how to get a visa, find sponsorship, get representation, use support networks and initiatives available to you and building your career piece by piece. It can be overwhelming, but the good news is you never have to be alone in this journey. There are communities and organizations that offer support as well as fellow immigrant actors who have gone down the path you’re on and can give you tips and strategies to help you achieve your dreams. Bambadjan Bamba is an award-winning actor, filmmaker, and activist from the Ivory Coast who has worked in prominent roles on numerous hit television shows like THE GOOD PLACE and GREY’S ANATOMY, and in blockbuster films like BLACK PANTHER and SUICIDE SQUAD. He was recently featured in Will Smith’s Netflix series AMEND: THE FIGHT FOR AMERICA. His writing has been published in Variety, the Washington Post, NBC, and CNN to name a few, and he is a contributor in the New York Times bestseller "American Like Me: Reflections on Life Between Cultures" by award winning actress America Ferrera. In 2017 Bambadjan publicly disclosed that he was a recipient of the federal Deferred Action for Childhood Arrivals program (DACA) that is in danger of being terminated. Ever since, Bambadjan has used his inspirational story to advocate for immigrant rights. Bambadjan is also the recipient of the Courageous Advocate Award from the ACLU and the Courageous Luminary award from the National Immigration Law Center. In this free Stage 32 webcast, Bambadjan will give you some insight of how to strategically prepare for your move, maneuver around common obstacles that international actors face, and find your community and representation to give yourself the best shot to be successful. He’ll first explain the pros and cons of moving to America to pursue acting as well as when the right time to move is. He’ll then go through the legal roads you can pursue and how to navigate different immigration statuses you may have. Bambadjan will lay out different organizations and initiatives that you can take advantage of as you get started and will give you advice on how to find representation and sponsors from abroad and how to work legally as an undocumented immigrant. He will also lay out how to work even if you do not have an American accent, as well as how to work on improving your American accent. Finally, Bambadjan will give you tips and strategies on dealing with the emotional challenges associated with being an immigrant. In partnership with The Lee Strasberg Theatre & Film Institute