How to Shoot a Feature Film in 15 Days

and Survive to See Profits
Hosted by Stephen Mitchell

$49

On Demand Webinar - Available for immediate viewing and unlimited access.

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This Next Level Education webinar has a 92% user satisfaction rate.

Stephen Mitchell

Webinar hosted by: Stephen Mitchell

Director, Producer, Author

About Stephen Mitchell: In 1980, Stephen founded an entertainment industry think tank labeled The New Hollywood Studio System in the guise of a repertory company for film and television. He authored the Action/ReAction technique for actors and founded a film school with curricula for writers and directors. Stephen supervised the group until 2001. In 1985, Stephen launched his cable TV series (Interview). The series, lauded by critics, attracted a cult following that included Oscar, Emmy, Peabody and Grammy winners. It attracted buyers for Stephen's story ideas and generated a first-look deal for him with TriStar Pictures. In 2001, Stephen wrote How to Start a Hollywood Career Without Having to Go There: An Instruction Manual For Actors with Kathi Carey. He was a CableAce Awards judge for nine years. Over the years, Stephen has made a dozen independent movies none of which are on IMDB, but that's a story for a blog post and will be part of the discussion in his webinar for Stage 32. Stephen is producing a documentary on the Ferrari 250 GTO, one of which he used to own. He produced Carrera Panamericana (1950-54) and was a co-producer on Addiction Incorporated with Charlie Evans Jr. (The Aviator). He is currently producing a DVD series Elys'ee Wednesday: Drive! and a TV series Tennessee Long Haulers. Last year, he wrote his first novels, Ignorance is Bliss, and Ray D. Shosay's Journal: Dispatches from a (junior) suite in Paris and is now writing a book about his Ferrari GTO which is worth forty million dollars and is currently owned by Ralph Lauren. Full Bio »

Webinar Summary

Stage 32 presents a webinar by Stephen Mitchell on how to make movies using a logical, if unconventional, approach that will establish your brand as a filmmaker and accelerate your career.

There is nothing like having a movie producing credit to separate you from the crowd. Whether you are a writer, director or actor, the quickest way to move your career forward is to produce a movie. Find out how to get it done while everyone else is waiting for Divine Intervention.

Stephen Mitchell

This is an special webinar event exclusively for Stage 32 members.

What You'll Learn

What You'll Learn:

  • Why 'If the mountain will not come to Muhammad, there's no point to being Muhammad" should color everything you do as a filmmaker
  • How to use an actor's brand in order to make your film more compelling (or how to brand the actor if he or she doesn't appear to have one)
  • Why you must film your truth rather than your story
  • How saying you're sorry is better than asking for permission applies to the art of independent (and not-so-independent) filmmaking
  • Why it is better to film out of town regardless of where you live?
  • How to get impossible-to-get locations for your film shoots
  • Why are budgets extraneous
  • What to do when you discover that your leading actor a) gets a much shorter haircut a week into production or that b) he can't act
  • Find out why a book on marketing will be the most important book you ever read about advancing your film career
  • Why the senior dictate in Hollywood isn't "It's who you know" but rather "It's who knows about you."
  • Why you should know your own brand as a filmmaker before you shoot your first scene
  • That everything you put on the screen sends a message and how to make sure it is your message

About Your Instructor

About Stephen Mitchell:

In 1980, Stephen founded an entertainment industry think tank labeled The New Hollywood Studio System in the guise of a repertory company for film and television. He authored the Action/ReAction technique for actors and founded a film school with curricula for writers and directors. Stephen supervised the group until 2001.

In 1985, Stephen launched his cable TV series (Interview). The series, lauded by critics, attracted a cult following that included Oscar, Emmy, Peabody and Grammy winners. It attracted buyers for Stephen's story ideas and generated a first-look deal for him with TriStar Pictures. In 2001, Stephen wrote How to Start a Hollywood Career Without Having to Go There: An Instruction Manual For Actors with Kathi Carey. He was a CableAce Awards judge for nine years.

Over the years, Stephen has made a dozen independent movies none of which are on IMDB, but that's a story for a blog post and will be part of the discussion in his webinar for Stage 32.

Stephen is producing a documentary on the Ferrari 250 GTO, one of which he used to own. He produced Carrera Panamericana (1950-54) and was a co-producer on Addiction Incorporated with Charlie Evans Jr. (The Aviator). He is currently producing a DVD series Elys'ee Wednesday: Drive! and a TV series Tennessee Long Haulers. Last year, he wrote his first novels, Ignorance is Bliss, and Ray D. Shosay's Journal: Dispatches from a (junior) suite in Paris and is now writing a book about his Ferrari GTO which is worth forty million dollars and is currently owned by Ralph Lauren.

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Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute educational broadcasts that take place online using a designated software program from Stage 32. Your webinar will be taught by a working industry professional with in-depth teaching on a topic. If you are able to attend live you will be able to ask your Stage 32 Educator questions during Q&A.

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Thanks for your loyalty to Stage 32 Education. We value having you in the Stage 32 community.

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Testimonials

Testimonials:

"I originally started working with Stephen as an actress, but he very quickly decided that I needed to learn writing, producing and directing. I protested, at first, but boy am I glad he insisted. Under his guidance and mentorship I learned everything I use today in my career as a filmmaker. To date, I have had two films go out worldwide on the festival circuit that I wrote, produced and directed, both of which won numerous awards and accolades and the second of which was in the pool to be nominated for an Academy Award in 2011. I currently have two more films that are just starting their festival journeys, along with several projects in development. Stephen's approach combines real-world practicalities with proven techniques, so you're not just learning a methodology taught from a book or a classroom, you're learning practical, useful tools that you can immediately apply to your own work." - Kathi Carey, Stage 32 member, Actress/Writer/Producer/Director 

"I had the opportunity to work with Stephen on EW:Drive! and really enjoyed the way he approached directing. His natural ease behind the camera put all of us in front of it at ease while driving some very expensive classic supercars. Stephen knows how to bring out the best in a moment and let the performer's personality shine through, while highlighting the important points in the storyline. I think I speak for all of us involved when I say that I look forward to filming the next episode with him!" - Kira Gurnee, Stage 32 member, Actress/Producer/Director

"Stephen Mitchell is a lover of cinema . From my chats with Stephen, I have learned so much about the magic of cinema, especially about the subliminal on the screen and breaking down scenes that make audience members swoon--from acting, directing, producing and writing. He has enriched me with breakdowns on blocking, cinematography, actors actions and reactions, to branding and why is important and how to connect with as many constitute groups in the audience as possible. Stephen is an encyclopedia about movies, from old Hollywood to the new and beyond, mixed with interesting stories about the industry and the stars themselves! Take a webinar with Stephen and you will walk away much wiser and entertained!" - Rachael Wegener, Stage 32 member, Actress/Producer/Director

"The gift of being around and working with Stephen is not only to witness how his brilliant, avant-garde mind works but to also be the beneficiary of his innate filmmaking intelligence." - Tom Gurnee, Stage 32 member, Actor/Writer, author of Moving to L.A. for Acting

Questions?

If you have a generic question about Stage 32 education you can take a look at our frequently asked questions section on our help page, or feel free to contact support with any other inquiries you might have.
 

Reviews Average Rating: 4.5 out of 5

Other education that may be of interest to you:

International Co-Productions: Picking the Right Partners, Funds & Strategy for Success

As the world becomes flatter and technology brings us closer together, opportunities for international cooperation continue to abound. For producers or creatives looking to find or bolster their next indie project, there’s a huge amount of potential in joining forces with companies or teams from other countries and pooling your resources together, creating something larger than the sum of its parts. Forming an international co-production can give you access to more funding and financing opportunities, more access to locations, actors and crew, and more sales and distribution opportunities after the film is finished. But while international co-productions can reap great rewards, they also present unique challenges. After all, each country has its own set of rules and regulations, its own red tape, and its own processes for getting things done. Navigating this transnational world requires a set of skills and wherewithal that can be hard earned but is hugely valuable. International co-productions are becoming more common in both mainstream cinema and the indie space. If you have your sights set outwards and are interested in working across country lines to create your next film, be prepared for some unique hurdles. For one, how do you even get started? How do you find international talent or partners in the first place? And once you find them, how do you woo them into working with you? How do you manage financing and how do you make compromises that make all parties happy? After all, collaboration is challenging no matter what, but working with people in another country, people who might not even share the same first language as you, amps that challenge up to another level. Birgit Kemner is a French-German producer who has headed up successful co-productions for nearly a decade. All her productions have been selected and awarded in renowned festivals such as the Cannes or Venice Film Festival. Birgit was previously Head of Marketing and Festivals at the MK2 group and has worked on international releases of over 50 films directed by filmmakers such as Gus van Sant (ELEPHANT, LAST DAYS, PARANOID PARK), Olivier Assayas (SUMMER HOURS) and Gela Babluani (13 TZAMETI - Lion of the Future at Venice, Jury Prize at Sundance and European Discovery at the European Film Awards) as well as numerous international film retrospectives of directors such as Charlie Chaplin, François Truffaut and Claude Chabrol. Birgit is bringing her years of successful co-production experience exclusively to the Stage 32 community. In this exclusive Stage 32 on-demand webinar, Birgit will use her extensive background to walk you through every step of creating a successful international co-production. She will begin by discussing tips on how to choose good projects in the first place and how to identify the right partners for you and your vision. She’ll teach you how to network and attract partners, especially in international markets when you often have ten minutes or less to make an impression. Birgit will then go over the challenges of funding and the resources available, especially in European markets. She will then talk about strategies and tips for your transnational partnership to survive and thrive, including tools to communicate, effective contracts, cash flow schedule, and how to determine who does what when. Finally, Birgit will delve into steps to take after the film is complete to bring it to the international market, get it into festivals, and optimize both marketing and sales. Simply put, you will be learning from one of the best. Birgit will illustrate all of these points by using two of her own films as case studies, HUMAN CAPITAL, which played in competition at Tribeca Film Festival, and EL ARDOR, which was an official selection at Cannes Film Festival.   Praise for Birgit's webinar: "Birgit gave me more information about international co-productions than I even knew existed. I now feel totally prepared and energized to tackle my next project" -James R. "Great slides and great information!" - Marisé S. "Awesome! Birgit covered the bases and inspired me to look outside the box." -Clint A. "Very informative, helpful information and guidance to take our next step into making our film. Thank you!" -Anastasia C.

How to Make a Great Sounding Podcast From Your Home At Any Budget

The world of podcasts has been exploding over recent years. Over 100 million Americans listen to podcasts on a regular basis, and individual shows can have tens of millions of fans. We’re not just talking about nonfiction works like THE DAILY or SERIAL; fiction podcasts are also having a moment as more writers are turning to the audio medium to tell incredible stories. Forebearers like HOMECOMING, LIMETOWN, THE BRIGHT SESSIONS, and WELCOME TO NIGHT VALE have opened the door for a cavalcade of new, exciting, innovative, and truly great audio storytelling. And as the number of fiction podcasts increases, so does this medium’s fan base as millions of people consistently tune in to their favorite fiction programs. Even as film and television production has slowed down or come to a halt, the doors are still wide open for recording podcasts since they can easily be produced remotely and from the comfort of one’s own home. The water’s warm when it comes to creating your own podcast and joining this vibrant community, but it’s still important you make something that’s not only written well but sounds great. The prospect of sound design and audio quality can be daunting for those considering venturing into podcasts. It’s not unusual to believe that you’ll be unable to make a high quality and sharp sounding podcast without expensive equipment and a state-of-the-art recording studio. How good can a podcast sound if it’s being recorded in your closet or kitchen, after all? As it turns out, it can sound pretty good, and it can sound good without you needing to break the bank. But it’s not something you can just put together willy nilly. There’s a delicate, precise science to sound design and it’s something that requires a good amount of wherewithal, and forethought. Yet with this understanding in place, it is absolutely possible to create a professional sounding podcast wherever you are and under any budget. Mischa Stanton is an award-winning and sought after podcast sound designer & producer who has created immersive soundscapes for some of the biggest and most popular podcasts of all time, including LEVAR BURTON READS, Marvel Entertainment’s blockbuster podcast MARVELS, and celebrated science fiction podcast cult hit THE BRIGHT SESSIONS, which is currently in development to be adapted as a television show. Their work has been featured by Wired, Vox, Polygon, Popular Science, The AV Club, and The New York Times, and has garnered 10 Audio Verse Awards for Podcast Sound Design in just 4 years. Mischa has quickly become one of the foremost experts on podcast audio and is prepared to share what they know exclusively with the Stage 32 community. Mischa will walk you through what you need to know to make your own podcast sound professional on a limited budget, from preparation all the way through editing and finalizing. They will begin with a quick introduction of the human ear and a rundown of what psychoacoustics is and why you should consider it moving forward. They will teach you how to build your own home studio, including finding the right place in your home, the inexpensive but effective ways to sound proof your space, and additional purchases you can make to improve acoustics. Next Mischa will give you a rundown of the recording equipment you will need and smart purchases that can work with your budget. This will include microphones, interfaces, mixers, and headphones. Then they will delve into actual techniques to use while recording your podcast, including near/far and mono/binaural techniques and how to effectively record your podcast remotely. They will provide tips on directing your podcast from an audio perspective, including how to properly cast to ensure everyone sounds different and finding the balance between stage and screen styles. They will then walk you through actually running a recording session, how to make the most of your rehearsals, and documents and spreadsheets you should follow. Mischa will also explain how to edit pacing and feel the flow while directing your sessions. Next they will teach you about sound design, including where to get sounds and effects and how to actually lay out a session. They will run down specific techniques you can use to improve your podcast’s soundscape, including EQ, reverb sends, and accessibility. They will also explain the best and worst editing software to use. With Mischa’s knowledge under your belt, you’ll be able to create your own podcast with a sound quality that can stand toe-to-toe with the best of them.   Praise for Mischa's Stage 32 Webinar: "This was a tremendously informative and helpful webinar -- well done and time very well spent!!!" -Peggy K. "Well done! Tons of good info!" -Kathleen O. "It was very informative, especially how Mischa explained and demonstrated step by step the process on making a podcast." -Sandra R.    

How to Nail the First Act of Your Television Pilot - With Pilot Downloads (Killing Eve, Atlanta, This is Us, Marvelous Mrs. Maisel, One Day at a Time, The Expanse)

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I am writing my first one hour drama pilot so this webinar was packed with the exact information that I will be immediately putting to use in my rewrite. The slides were clear, concise and informative. The speaker was excellent at conveying the information I needed." -Bobby C. "It was really great information. Anna was a terrific host, very knowledgeable and shared a lot of information and tips." -Marla H. "Comprehensive, insightful. Combined a lot of material I had heard snippets of on character, world dev, etc. but artfully stitched together in one presentation." -James F. "It was amazing, enlightening - completely. I learned soooo much - especially as a feature writer who's been asked to turn a feature script into a pilot!! Thank you soooooo much." -Kristin G.

Netflix + Stage 32 Present: Television Pitch Workshop

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Advanced Financing Webinar: How To Put Together A Recoupment Schedule For Your Film or TV Project

As creatives, we tend to focus on the writing, the directing, the creative producing, basically all the creating aspects of a film or television series. But it’s important to understand what happens after a film is released or TV series is aired. All those big box office numbers sound great, but who gets all that money and in what order? Who gets paid and in what order is called the “recoupment schedule” also known as “the waterfall.” It’s important to understand this schedule, so that you know your place in the waterfall. Some people may find the recoupment schedule confusing, because there are several factors and various agreements that go into determining the order of recoupment. Those includes sales agency agreements, co-production agreements, finance agreements, talent agreements, interparty agreements, security agreements, and collection account management agreements. Plus there’s the consideration of domestic and international revenue, and what gets allocated through the waterfall. But if your head is already spinning, fret not. With the right guidance, all of this will make much more sense and David Zannoni is the best at breaking this down. David Zannoni is an international business specialist for Fintage House in the US, Europe, Canada and Latin America territories. Fintage House, the world's most respected company for revenue and rights protection for industry professionals and companies. David negotiates agreements for films and television series and is involved in business development and relationship management globally on hundreds of productions. David is continuously present to make deals and speak at international film markets, festivals and conferences, including: the Cannes Film Festival, the European Film Market (EFM) in Berlin, the American Film Market (AFM), Ventana Sur, the Bogota Audiovisual Market (BAM), and the Toronto International Film Festival (TIFF), and travels regularly to the United States, the Netherlands, Europe, and all over Latin America. David is going to help you understand the ins and outs of a recoupment schedule and how to make sure you are on top of your finances for your own project. He will first go into what exactly a recoupment schedule looks like and what kind of projects they are normally used for. He will delve into the agreements that recoupment schedule is based on. He will also go into how the payments are executed, how to determine the order of payments, and which funds you should be allocating. You’ll walk away with a solid foundation and understanding of “the waterfall” and where you may fall in the waterfall.

Post-Production: Finding The Film

Learn directly from Shaun O’Banion, an award-winning independent producer! As a producer, post-production is a part of the process you’re rarely involved in from day-to-day, and yet it is one of the most integral parts of the filmmaking process (if not the most important). A lot of questions can be asked from a filmmaker like how to shape the film, how to define roles in post, what to do with VFX, how to handle the footage you have and ultimately how to develop a great film after it’s been shot. It’s not easy to do and it takes a lot of practice and experience to perfect. We will discuss the pieces that make up the whole, from assessing the relationships in the edit suite, to bringing all of the elements together and how it all happens. From the technical to the emotional, this webinar will attempt to demystify the process in a way for you to easily understand what to do to “find the film” in post. Post Production: Finding the Film is presented by 20 year industry veteran, Shaun O’Banion, who has worked with the likes of Steven Spielberg, Christopher Walken, Courtney Cox and David Arquette, Ben Stiller, Jack Black, Judd Apatow and Peter Hedges. He has won numerous awards for his films, including the prestigious IFP GOTHAM Award for GIRLFRIEND. PRAISE FOR SHAUN'S TEACHINGS: "Thanks for the wonderful class. A phrase comes to mind when I think about it: 'Tell it like it is'. You directly shared what it is like in the industry. I don't know how others in the class are affected, but I am left with the motivation and recognition that one must love - have a passion for creating films to be in the industry - as it should be. So, your effort is an inspiration. You are someone who is 'following his bliss' as Joseph Campbell would state it." - Don D. "Thank you again for teaching a terrific filmmaking class! You have valuable practical real-world experience that is hard to find in theory based teaching today." - Rene S. "There was so much information in your class that I think I’ll have to come back next session and take it all over again - gladly! Great class!" - Daniel T.

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