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We're back in the Writers' Room for the Breakdown Webcast: The First 10 Pages! The first 10 pages - or the opening sequence of the script - is so important and a good "First 10" will establish the tone and genre, introduce the main character, clarify the world of the story and the status quo, indicate the theme, and above all set up the dramatic question. That is why we will be breaking down some of the most memorable scenes and sequences found with the first 10 pages of our favorite film and TV series. We will also explore 7 types of openings and how they can launch your narrative - without falling into the trap of being cliche or derivative. As part of the webcast, you can download the complete scripts we discuss by clicking here. Once you have wrapped up the webcast, make sure to head on over to the Private Writers' Room Lounge to discuss your favorite opening scenes from film and television. And let us know why! Full Bio »
We're back in the Writers' Room for the Breakdown Webcast: The First 10 Pages! The first 10 pages - or the opening sequence of the script - is so important and a good "First 10" will establish the tone and genre, introduce the main character, clarify the world of the story and the status quo, indicate the theme, and above all set up the dramatic question.
That is why we will be breaking down some of the most memorable scenes and sequences found with the first 10 pages of our favorite film and TV series. We will also explore 7 types of openings and how they can launch your narrative - without falling into the trap of being cliche or derivative.
As part of the webcast, you can download the complete scripts we discuss by clicking here.
Once you have wrapped up the webcast, make sure to head on over to the Private Writers' Room Lounge to discuss your favorite opening scenes from film and television. And let us know why!
The Breakdown
We're back in the Writers' Room for the Breakdown Webcast: The First 10 Pages! The first 10 pages - or the opening sequence of the script - is so important and a good "First 10" will establish the tone and genre, introduce the main character, clarify the world of the story and the status quo, indicate the theme, and above all set up the dramatic question.
That is why we will be breaking down some of the most memorable scenes and sequences found with the first 10 pages of our favorite film and TV series. We will also explore 7 types of openings and how they can launch your narrative - without falling into the trap of being cliche or derivative.
As part of the webcast, you can download the complete scripts we discuss by clicking here.
Once you have wrapped up the webcast, make sure to head on over to the Private Writers' Room Lounge to discuss your favorite opening scenes from film and television. And let us know why!
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"Thank you Jason--this webinar was PHENOMENAL--I never heard anyone break down first 10 like this--I loved the way you described each way it's done, then the clip, and then the screenplay. It gives us frameworks for watching the first 10 of movies, and options for ways to look at our own scripts. You are a genius instructor!" - Ricki L.
"Jason - you have raised the bar AGAIN with this breakdown. Thank you so much." - Stephen P.
"Ditto, Stephen" - Jenny R.
"Jason, thanks for breaking down the first 10 pages in a new way with so many great examples! So much food for thought as I examine and rethink the openings of my screenplays!" - Martha C.
We’re back in the Writers’ Room for the Breakdown with Laurie Ashbourne. We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as Laurie Ashbourne breaks down an episode of True Detective: Night Country.
We're back in the Writers Room this afternoon for a special Breakdown Webcast: "Well This is Awkward..."! We all know those incredibly cringeworthy scenes in film and television when moments between characters get very awkward. Whether played for Comedy or Drama, we will examine moments in film & TV when characters just can't seem to get out the right words.
We love to hate them...or hate to love them! We're kicking off another month of a packed Writers' Room schedule with the Breakdown Webcast: Antagonists! During one of our character building webcasts, we noted that many of our examples of great characters, were characters who we traditionally see as antagonists! So let's dig in and really explore what makes these baddies so good. Stories need conflict, certainly, but conflict doesn't have to come at the hands of a cackling, mustache-twirling supervillain. There's more than one way to shape your story's antagonist! During this webcast we'll discuss 4 types of...
We're back in the Writers' Room for the first Breakdown Webcast of 2021! At some point we have heard a note that “your story feels flat" or "your second act is weak" or "this won’t sustain for 100 minutes." If that is the case, there is a good chance that you have an underdeveloped (or perhaps no) B-Stories or Subplots. That is why we will be breaking down story structure to find out exactly what B-Stories and a Subplots are, and how we can incorporate them into our writing. Using clips from INCEPTION, BACK TO THE FUTURE, and DIE HARD, we'll examine how the B-Stories and Subplots of these narratives help drive...
If you hang a gun on the wall in the first act, it better go off. In this webast, we took a look at the "Chekhov's guns" in the Winchester of Shaun of the Dead, the rock hammer in Shawshank, the coins in In Bruge, and more!
Oscar-nominated POOR THINGS has been taking the award season hype by storm. Written by Tony McNamara and directed by Yorgos Lanthimos, it is a bizarre wonder of a film starring Emma Stone, Mark Ruffalo and Ramy Youssef. This film has captivated audiences and gotten the critics talking. Join us on Wednesday March 6 as our Stage 32 Executive Liaison Nick Phillips breaks down the script of POOR THINGS. We'll learn how this wacky weird movie has entered into pop culture and why the script works so brilliantly.
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