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As part of the Writers' Room Wednesday Webcast Series, we hosted a monthly Script Breakdown where our Special Guest broke down a produced script to reveal the important parts to study and take with you into your screenwriting craft. For the Vertical Microdrama, the space was so new that scripts had not been released, but we had you covered! We spoke to the Vertical professionals, and they all agreed — if you want to learn from your favorite Vertical Microdrama, reconstruct the script as you watch it!
Our very own Kay Ross, screenwriter, filmmaker, and Stage 32 Writers' Room Producer, broke down her top three verticals! PLUS everyone who joined live was the first to receive the Script Reconstruction Checklist so they could follow her same process with their favorite verticals!
The Breakdown
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We’re back in the Writers’ Room for the Breakdown with Lauren Schuker Blum & Rebecca Angelo breaking down DUMB MONEY: THE GAMESTOP SAGA! This is a unique adaptation so join us as Lauren and Rebecca breakdown their script!
We're back in the Writers' Room for the Breakdown Webcast: Tackling Tone. Tone is the most elusive element of screenwriting. Particularly because much of the tone of a project is conveyed by much more than just the script. Tone is really the culmination of every artistic and aesthetic choice made during the production process from the screenplay, the angles of the camera, the choices the actors make, cinematography, pacing of a scene, music, costume design, and more. During this webcast, we discuss how to capture tone on the page in ways that you are able to convey a vision that can be interpreted by the other artists who will come to work on the project. We examine some of our favorite films and television series to see how tone was captured on the page and then realized on the screen. We also discuss tips on how you can achieve balance and clarity in your tone.
Director of Script Services Jason Mirch dissects scenes from some of our favorite films and TV series including Bad Times at the El Royal, "Game of Thrones", The Sting, The Sixth Sense, and more! During this webcast, Jason discusses how screenwriters craft compelling plot twists and how you can use the principles in your own writing. We will also discuss practical tips and ideas on how you can create a twist that is worthy of a, "Whoa!" instead of a "huh?"
Oscar-nominated POOR THINGS has been taking the award season hype by storm. Written by Tony McNamara and directed by Yorgos Lanthimos, it is a bizarre wonder of a film starring Emma Stone, Mark Ruffalo and Ramy Youssef. This film has captivated audiences and gotten the critics talking. Join us on Wednesday March 6 as our Stage 32 Executive Liaison Nick Phillips breaks down the script of POOR THINGS. We'll learn how this wacky weird movie has entered into pop culture and why the script works so brilliantly.
We're back in the Writers Room this afternoon for The Breakdown Webcast with Producer and Writer, Nick Waters. Nick Waters is a Producer and Writer of the horror film, MARGAUX starring Vanessa Morgan and Madison Pettis, currently in post production at Paramount Pictures. Nick is also Producing a comedy with Chloe Grace Moretz, and a psychological thriller he wrote and is producing with a top horror company. Nick produced the horror feature SHELTER IN PLACE in 2020 with The Komack Company - the producers of DEADPOOL and VAN WILDER. He continues to develop other projects to bring to that company. Nick is currently directing and producing a documentary with some of the world's top ballroom dancers. Prior to transitioning into Producing, Nick was in front of the camera as an actor - bringing with him valuable relationships with talent and filmmakers.
We're kicking off the first Writers' Room of 2020 with a deep dive into antiheroes - one of the most difficult character types to write. During this supersized 90 minute webcast, Director of Script Services, Jason Mirch explores the complexities of characters from some of our favorite films and television series including Joker, Kill Bill, The Social Network, The Irishman, "Fleabag", "The Sopranos", "Sherlock" and more to find out what makes them tick...and why we love them. We discuss the how screenwriters craft compelling antiheroes and I will give you specific types of antiheroes to consider when writing as well as tips on how to write them!