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As part of the Writers' Room Wednesday Webcast Series, we hosted a monthly Script Breakdown where our Special Guest broke down a produced script to reveal the important parts to study and take with you into your screenwriting craft. For the Vertical Microdrama, the space was so new that scripts had not been released, but we had you covered! We spoke to the Vertical professionals, and they all agreed — if you want to learn from your favorite Vertical Microdrama, reconstruct the script as you watch it!
Our very own Kay Ross, screenwriter, filmmaker, and Stage 32 Writers' Room Producer, broke down her top three verticals! PLUS everyone who joined live was the first to receive the Script Reconstruction Checklist so they could follow her same process with their favorite verticals!
The Breakdown
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We're back in the Writers Room this afternoon for a special The Breakdown Webcast: Writing Adaptations with Special Guest, Writers' Room Member Stephen Potts! Stephen Potts is a screenwriter specializing in adaptations with one feature film produced (a Philip Pullman adaptation), four others optioned. Also author of children's adventure fiction (seven books published) and writer for stage and radio.
We’re back in the Writers’ Room for the Breakdown with Lauren Schuker Blum & Rebecca Angelo breaking down DUMB MONEY: THE GAMESTOP SAGA! This is a unique adaptation so join us as Lauren and Rebecca breakdown their script!
If you hang a gun on the wall in the first act, it better go off. In this webast, we took a look at the "Chekhov's guns" in the Winchester of Shaun of the Dead, the rock hammer in Shawshank, the coins in In Bruge, and more!
Dramedy is a compelling genre to write because many argue it best captures the realities of life. There are comedic moments in some of the most tragic of times and dramatic moments that give way to levity. During the webcast, we examine some of the most critically and commercially successful dramedies - including "FLEABAG", PARENTHOOD (1989), THE BIG SICK, and SILVER LININGS PLAYBOOK to understand why they work so well. We also discuss ways in which you can develop your characters and narratives so that your dramedy is as authentic as possible.
We're back in the Writers Room this afternoon for The Breakdown with Will McCance. Will McCance is currently Vice President of Production for Ian Bryce, producer of blockbusters like SAVING PRIVATE RYAN, ALMOST FAMOUS, the TRANSFORMERS franchise, and most recently Michael Bay's SIX UNDERGROUND for Netflix and the recent hit FINDING 'OHANA for Netflix. At Ian Bryce Productions, Will oversees the company's entire development slate. Will entered the entertainment industry as an Agent Trainee at United Talent Agency, supporting UTA in the Motion Picture Lit group, as well as in the Motion Picture Talent department. After UTA, he moved into development at Original Film's TV department, working on hit shows such as THE BOYS (Amazon) and PREACHER (AMC), as well as on SWAT (CBS) and HAPPY! (Syfy). Will has produced films such as the upcoming LOLA JAMES, starring Nicola Peltz and Oscar-Nominee Virginia Madsen, BERNARD AND HUEY, starring Jim Rash, David Koechner, and Mae Whitman, as well as Belarus's 2018 Oscar selection for Best Foreign Film, CRYSTAL SWAN, along with Vice. He is also a frequent guest lecturer at UCLA's school of Theater, Film, and Television. PRAISE FOR WILL'S LESSONS: "Thanks, Will, for your insights and time! And thank you Kay!" -Martha C. "Thank you, Will. Incredible. Just incredible." -Reenita H. "That was fabulous. Thank you Will!" -Becky B. "Thank you Will, fantastic Breakdown of Succession. Will be re-watching this webinar, then re-watching the pilot and reading the script. Thank you Kaye and Stage 32. Have a lovely week." -Lyndsay S.
We love to hate them...or hate to love them! We're kicking off another month of a packed Writers' Room schedule with the Breakdown Webcast: Antagonists! During one of our character building webcasts, we noted that many of our examples of great characters, were characters who we traditionally see as antagonists! So let's dig in and really explore what makes these baddies so good. Stories need conflict, certainly, but conflict doesn't have to come at the hands of a cackling, mustache-twirling supervillain. There's more than one way to shape your story's antagonist! During this webcast we'll discuss 4 types of antagonists, 6 ways in which to develop a well-rounded and authentic antagonist, how to intrude your antagonists and explore our favorite antagonists from film and television, and a whole lot more!