The Top 10 Dialogue Mistakes Writers Make

Hosted by Marilyn R. Atlas and Gerald Yelverton

N/A
On-demand coming soon
We're in the process of converting this LIVE webinar into the video for on-demand viewing. Please come back soon.
Rating   | Read reviews

Registration

ON-DEMAND COMING SOON!

This webinar had a live screening session recently and has not yet been converted into a video format.

This Next Level Education webinar has a 92% user satisfaction rate.

Marilyn R. Atlas and Gerald Yelverton

Webinar hosted by: Marilyn R. Atlas and Gerald Yelverton

Personal Manager/ Film Producer/ /Author at Marilyn Atlas Management

Full Bio »

Webinar Summary

Learn directly from dynamo team, Producer and Manager Marilyn R. Atlas, who produced Echoes, A Certain Desire, Real Women Have Curves (HBO) and The Choking Game (Lifetime) and her associate Elizabeth Lopez, VP of Literary Development who together have pitched, shaped, and sold 6 books by new novelists, as well as 2 pilots for ABC & ABC Family!

Filmed entertainment is visual, and though everyone loves a catchy line, it’s really an exceptional exchange framed by a character’s choice of action that we remember. Dialogue is one of the clearest ways of exploring your character’s agenda, frame of mind, and emotional state. The best dialogue is able to do even more (and succinctly, sometimes in just a few lines): It lets us know something about the overall theme of your script, as well as unresolved areas ripe for conflict between your protagonist and the other characters: friend, frenemy, and foe…

In this Stage 32 Next Level Webinar, hosts Marilyn Atlas and Elizabeth Lopez will walk you what professional dialogue looks and sounds like. They will then guide you through the top 10 biggest dialogue mistakes they see novices and sometimes even experienced writers make. These can happen when writers are stuffing their scenes with overlong conversations as a way of exhaustively framing the characters’ POVs, or as a misguided bid to amp up tension. Death by rambling monologue or page-long scene description is an unkind thing to wish on a reader!

You will leave the webinar knowing:

  • The top 10 most common dialogue mistakes writers make.
  • How to use dialogue to explore your character’s agenda.
  • How to use dialogue to convey your theme.
  • How to properly use subtext in your writing.
  • How to create differentiated, identifiable characters in your script.

Your hosts Marilyn R. Atlas and Elizabeth Lopez have a screenwriting guide called Dating Your Character coming out in the Fall by Stairway Press. Marilyn is a literary/talent manager who has produced Echoes, A Certain Desire, and Real Women Have Curves for HBO, and last year’s The Choking Game for Lifetime based on a YA book. Together with her associate Elizabeth, she has pitched, shaped, and sold 6 books by new novelists, including The Last Ride of Caleb O’Toole, Hungry Woman in Paris, The Ave Maria Bed & Breakfast, On the Move, and Chasing the Jaguar. They’ve also sold two mini-series, the Untitled Posse Pilot to ABC Family, and The Fabulous Fernandez Sisters Pilot to ABC, among others. Their clients have appeared in shows such as Star Trek, Fringe, Pretty Little Liars, 90210, Revenge, Hart of Dixie, NCIS:LA, True Blood, Dexter, Chuck, Castle, and Criminal Minds. In addition, her clients have worked on feature films such as Holes and Transformers. Marilyn herself has been in development on pilots for Showtime and ABC Family.


What You Will Learn:

We’ll do a few exercises to give you practice putting yourself in the mindset of your character.

  • Incorporating back story
  • Balancing mood and the reactions caused by the scene itself
  • Prioritizing goals – inner and outer


Once you’re warmed up, we’ll focus on subtext, which is what a conversation is really about under the surface. Characters are ostensibly talking about A, but are really dancing around B, and maybe C.

  • How to use vague, but emotionally resonant means of expression
  • How to pay attention to and guide the dramatic beats within the scene
  • How to button the scene so that it ends on a high or much lower low than how it began…

We’ll conclude with tips on how to differentiate the way each of your characters sounds and functions, so your script is peopled by clearly identifiable characters with their own goals and attitudes.

  • You’ll look at vocabulary, slang, “in the know” words, accents, rhythms
  • You’ll be aware of how direct/indirect, how aggressive/passive each character operates
  • You’ll make sure that you’re consistent in presenting characters as coming from a habituated practice of learned success/failure…

We will provide a handout, too, as a helpful takeaway to keep you on track.

Who Should Attend?

  • More advanced writers who have written 2 or more scripts/plays.
  • Writers who may have been optioned, but not sold.
  • Writers who have demonstrated a dedication to their craft and want to continue to improve, specifically by tethering character dialogue to behavior.
  • Writers who are hoping to attach a particular A-list actor and are writing the lead role expressly for him.
  • Any writer who wants to brush up on their dialogue skills.

About The Webinar Format:

Webinars take place in Los Angeles time. They are done online using a designated software program from Stage 32. You can participate from the comfort of your own home and you will be able to communicate directly with your instructor during the webinar. If you cannot attend the live webinar, you can still participate! The webinar will be recorded and you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year. More information can be found below.

About Your Hosts Marilyn Atlas and Elizabeth Lopez:

An award-winning producer and personal manager of actors and writers, Marilyn R. Atlas is equally at home in the worlds of film, television, and live theater. Among her credits as film producer are Real Women Have Curves for HBO, which won the Audience Award at the Sundance Film Festival, A Certain Desire, starring Sam Waterston, and Echoes, which won the Gold Award at the Texas International Film Festival. In addition to producing a variety of programming for the cable/ pay TV market, Marilyn served as a production consultant on the film Call Me. She was also involved as a producer in the development of the MOW Nightwalker and Playing for Keeps.

Her clients have appeared in shows such as Star Trek, Fringe, Pretty Little Liars, 90210, Revenge, Hart of Dixie, NCIS:LA, True Blood, Dexter, Chuck, Castle, and Criminal Minds. In addition, her clients have worked on feature films such as Holes and Transformers. Marilyn herself has been in development on pilots for Showtime and ABC Family.

In live theater, Marilyn co-produced the West Coast premiere of the musical God Bless You Mr. Rosewater byAshman and Menken (the writers of both Enchanted and Tangled). She also co-produced the award-winning play To Gillian on Her 37th Birthday, which was made into a film starring Michelle Pfeiffer and Peter Gallagher. Her additional credits as a producer in live theater include Today’s Special and As I Sing.

Marilyn is a member of the National Association of Latino Independent Producers. She has spoken at their Writers’ and Producers’ retreats, the DGA-sponsored LA Asian Film Festival, as well as various other symposia for the Sherman Oaks Experimental College. She is a founding member of Women in Film’s Luminas Committee, which supports the portrayal of women in non-stereotypical roles in film and television. She has spoken at events such as The San Francisco Writers Conference, the Santa Fe Screenwriters Conference and Richard Krevolin’s USC Screenwriting Retreat. Marilyn has also taught several actor workshops. Additionally, she was a guest lecturer in the USC Writing Program, where she also teaches a class every year on creating three-dimensional, non-stereotypical characters. She has spoken at the Texas Bar Association and was a guest lecturer at Whittier Law School.

In addition to Marilyn’s film/TV credits, she has sold (first time) novels Chasing the Jaguar to HarperCollins, Hungry Woman in Paris to Grand Central Publishing, Ave Maria Bed & Breakfast to Hachette Publishing, and Last Ride of Caleb O’Toole to Source Books.

Recently, Marilyn has been developing the Brides’ March for Lifetime Television as well as a limited television series. She previously produced the musical version of Real Women Have Curves in Los Angeles in 2009 and is involved in the current development of Real Women Have Curves for 2015. In the fall of 2012 she co-produced the play Detained in the Desert at the Guadeloupe Theater in San Antonio. As of late, her Lifetime movie The Choking Game based on the YA book by Diana Lopez aired in summer 2014. She is also featured in the book Write Now! from Penguin/Tarcher. She was also recently a speaker at the International Women’s Writer Festival in Italy in 2014.

Elizabeth Lopez attended Vassar College, majoring in English Literature. She started her Hollywood career as a story analyst for talent managers and production companies, including Vincent Cirrincione & Associates and The Little Company. As VP of Literary Development at Marilyn Atlas Management, she has been managing writing talent. She was a screenwriting fellow of the L.A. Latino Film Festival and has had several articles published online and in print for entertainment-oriented magazines such as Gideon’s Screenwriting Tips. She is the co-author of a relationship-based, screenwriting guide called Dating Your Character, about an organic approach to character creation for Stairway Press’s Summer 2015 catalog.

About Your Instructor

Marilyn R. Atlas is a talent and literary manager, author, and award-winning producer. Among her credits as a film producer are “Real Women Have Curves” for HBO, which won the Audience Award at the Sundance Film Festival and is currently being developed as a Broadway musical for 2022. “A Certain Desire,” starring Sam Waterston; and “Echoes,” which won the Gold Award at the Texas International Film Festival. In addition to producing a variety of programming for the cable/pay TV market, Marilyn has produced live theater. She co-produced the West Coast premiere of the musical “God Bless You Mr. Rosewater” by Ashman and Menken (the writers of “Enchanted” and “Tangled”). She also co-produced the award-winning play “To Gillian on Her 37th Birthday,” which was made into a film starring Michelle Pfeiffer and Peter Gallagher. In 2014, she co-produced the play “Detained in the Desert” at the Guadalupe Theater in San Antonio, TX. Her additional credits as a producer in live theater include “Today’s Special” and “As I Sing.”

Previously, Marilyn developed the “Brides’ March” for Lifetime Television as well as a limited television series. Additional credit was the Lifetime movie “The Choking Game” based on the YA book by Diana Lopez aired in Summer 2014. She produced the musical version of “Real Women Have Curves” in Los Angeles in 2009. “Real Women Have Curves” is currently in development as a musical for Broadway.

Marilyn has long been committed to issues surrounding diversity in Hollywood. As a member of the National Association of Latino Independent Producers, she spoke at many of their writers’ and producers’ retreats. Atlas is a mentor in DIVERSE WOMEN IN MEDIA INITIATIVE. She has lectured at the DGA-sponsored LA Asian Film Festival, as well as various other symposia for the Sherman Oaks Experimental College. She is a founding member of Women in Film’s Luminas Committee, which supports the portrayal of women in non-stereotypical roles in film and television. She has spoken at events such as The San Francisco Writers Conference, the Santa Fe Screenwriters Conference and Richard Krevolin’s USC Screenwriting Retreat.

Marilyn has been a guest speaker at various colleges and writers’ conferences all over the country, including at Harvardwood, UCLA, USC, Emerson, Providence College, University of Incarnate Word, University of Redlands, and the University of Wisconsin. She has spoken at the Texas Bar Association and was a guest lecturer at Whittier Law School. She has served as the professional-in residence (in theater and film) at Ball State University and was the speaker at the International Writer’s Conference at Hollins University. Additionally, she was a guest lecturer in the Writing Program at USC, where she previously taught a class every year on creating three-dimensional, non-stereotypical characters. In Italy, she spoke at the International Women’s Writer Conference in 2014 and Publishing Day in 2016.

In addition to Marilyn’s film/TV credits, she has sold (first time) novels “Chasing the Jaguar” to

Harper Collins, “Hungry Woman in Paris” to Grand Central Publishing, “Ave Maria Bed & Breakfast” to Hachette Publishing, and the “Last Ride of Caleb O’Toole” to Source Books.

Marilyn is currently developing a TV pilot based on the Gary Phillips series of novels “High Hand” and “Shooter’s Point” featuring strong-willed African-American protagonist Martha Chainey. She is additionally developing a Chinese historical epic with the Metan Development Group and the Wolper Organization, as well as “The Trouble with Dreamers” in association with NEO Studios.

Marilyn is featured in the book “Write Now!” from Penguin/Tarcher. She is also the co-author of a relationship-based, screenwriting guide called “Dating Your Character,” about an organic approach to character creation for Stairway Press’s 2016 catalog.

 

Marilyn focuses on TV and book adaptations for tv streaming. Gerald is open to sci fi or horror.

 

Please note: By using this service, you are not submitting your project to Marilyn Atlas Management nor are you submitting your project to Marilyn as a representative of Marilyn Atlas Management. You are submitting for feedback from Marilyn as an individual.

 

Contacting Marilyn via email or any social media with an unsolicited submission outside of Stage 32 is a violation of their privacy and our user policy and could result in suspension from the site. They will not reply to any friend requests, network requests, or emails they receive. They have been instructed to forward all unsolicited contact to Stage 32 administration for review.

 

Marilyn and Marilyn Atlas Management do not accept or consider unsolicited submissions of any kind. Do not submit Unsolicited Materials to Marilyn via any means (including, without limitation, via Social Media, Mail, Fax or E-mail).

 

Marilyn will not treat Unsolicited Materials as confidential and will not review, keep, acknowledge or return the submission or any related materials. Any Unsolicited Materials will become sole property of Marilyn Atlas Management. All Unsolicited Materials are deleted or discarded without being reviewed.

FAQs

Q: How do I watch my webinar live?
A: If you received a confirmation that your webinar is on Go to Webinar, you will receive an email from Go to Webinar with further instructions for participating in the live webinar. You can also access your webinar link in your purchase history located under settings in the top right-hand corner of your Stage 32 profile.

If you received a confirmation that your webinar is on Zoom, you will receive a separate email from Zoom with further instructions for participating in the live webinar. Your login link will not be in your Stage 32 profile. If you did not receive your link via Zoom please email support@stage32.com.

Q: How do I watch my webinar on demand?
A: You will be able to watch your webinar on demand as many times as you’d like inside your Stage 32 profile. The recording is processed and posted between 24-48 hours after the webinar concludes. You can follow the instructions below.

YOU MUST HAVE A STAGE 32 PROFILE TO WATCH YOUR VIDEO – STAGE 32 IS FREE TO JOIN If You Already Have a Stage 32 Profile:

  1. Log into your Stage 32 profile
  2. Click "Settings" in the top right-hand corner (gear icon)
  3. Click "Purchase History"
  4. Choose this webinar and click the link to view
If You Do Not Have a Stage 32 Profile:
  1. Go to www.stage32.com
  2. Create a profile using the SAME email address you used to sign up for this webinar. The email addresses must match in order to watch the webinar.
  3. Once you have your profile set up, you can view the webinar by clicking "Settings" in the top right hand corner (gear icon)
  4. Click "Purchase History"
  5. Choose this webinar and click the link to view

Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute educational broadcasts that take place online using a designated software program from Stage 32. Your webinar will be taught by a working industry professional with in-depth teaching on a topic. If you are able to attend live you will be able to ask your Stage 32 Educator questions during Q&A.

Q: What are the system requirements to watch my webinar live?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.

If you have Windows XP, Windows Vista and Mac OS X 10.9 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer.

Q: What if I cannot attend the live webinar?
A: If you cannot attend a live webinar or purchase an on demand webinar, you will have access to the entire recorded broadcast, including the Q&A.

Q: Will I have access to the webinar afterward to re-watch?
A: Yes! Like all Stage 32 education, after the purchase of a live or on demand webinar, you will have on-demand access to the recording.

Q: How do I get a copy of the handouts provided?
A: If the webinar you take included handouts you can find them as downloads underneath your on demand video. You must be logged into your Stage 32 profile to view the video and get the handouts by clicking settings in the top right hand corner, then clicking purchase history.

Q: What if I need accessibility and accommodations?
A: Email support@stage32.com to request accommodations.

Thanks for your loyalty to Stage 32 Education. We value having you in the Stage 32 community.

If you have any further questions, we are always happy to help. Please contact Stage 32 support at support@stage32.com.

Questions?

If you have a generic question about Stage 32 education you can take a look at our frequently asked questions section on our help page, or feel free to contact support with any other inquiries you might have.
 

Reviews Average Rating: 4.5 out of 5

Other education that may be of interest to you:

Masters of Craft: Writing Feature Films with Oscar Nominated Alec Sokolow (Toy Story)

  Bonus! You will receive a download of the TOY STORY script, written by your host, Alec!    The biggest global streaming services and movie studios are actively looking for family-friendly blockbusters to fill out their upcoming slates. Why? Because G and PG-rated projects are among some of the highest-grossing films in theaters and these films attract this profitable family demographic to their streaming services. So what are the key points a writer needs to know to craft a blockbuster family film? In this exclusive Stage 32 webinar, acclaimed screenwriter and Academy Award-nominee for TOY STORY, Alec Sokolow, will give writers and filmmakers an overview of what a family-friendly blockbuster script needs to sell. Using his screenplay for the first TOY STORY movie as a hands-on guide, Alec will walk attendees through the writing process with a look at the project’s background, plot points, character development, and tone. Next, he’ll delve into what choices he made when writing the original film and most importantly why these creative decisions were made. Writing a family-friendly blockbuster with global appeal is more difficult than it seems but Alec will break down the structure and setting to help any writer feel more confident working in this extremely popular genre. A writer must be able to create imaginative, relatable, and specific characters set in a vibrant world but now, more than ever, must make their scripts feel universal with a global appeal. Writers often get caught up in thinking about the success of their script or of their big plot idea but they really need to focus on the dynamics and success of their characters. Everything is character-driven. If you get the characters and their dynamics right then all of the action falls into place and the characters, themselves, drive the plot. Once you have that concept mastered, your scripts will all feel bigger and more universal, leading to the success you want.

How to Get Past the Gatekeepers: Give Your Script the Best Chance for Success

It's hard to get past the gatekeepers and know your script is in a decision maker's hands. If a writer's sample script is excellent enough, the pieces start to fall into place: an entire script read, the writer recommended, the manager's decision to represent, the long and fruitful thousand-mile career. If a producer's script is perfect for the marketplace, a reader will get excited, move it up the ladder and then the wheels start in motion for finding financing, attaching talent and going into pre-production. None of it happens, though, if the script never makes it to the decision maker's desk. While the agents and managers of Hollywood excel at their jobs, they only have so much time in the day and most of it is not spent seeking out new talent. That job falls to the "Gatekeepers", the assistants and pro readers who tackle stacks of scripts every week hoping to find the diamond in the rough: a script they can confidently recommend. So, who are these gatekeepers, how do you even get to them and, more importantly, how do you win their endorsement to help move your script up the ladder? It's time to find out.  Gabriel Chu works with artists, writers, and directors to identify and develop new ideas and stories, shepherding them from page to screen. As a story analyst at Sony Pictures, he works on current projects alongside the executive team and helps to field incoming submissions and identify new talent for the studio. Prior to joining Sony Pictures, he was an executive at Vertigo Entertainment, working closely with award winning directors and writers on both animated and live action film projects for Warner Bros., Lionsgate, and Fox Animation. Gabriel started his career at Bad Hat Harry Productions, and has also worked at Summit Entertainment and Mandalay Pictures. Through his career, Gabriel has served as a gatekeeper in multiple roles and knows intimately what it takes for a script to break through and make it to the right person’s desk, and he’s ready to share what he knows with the Stage 32 community. Gabriel will give you a rundown of how gatekeepers manage script submissions and what you can do to give your own script the best chance to be noticed and make it past those first rounds of coverage to make it to the eyeballs you’re aiming for. Gabriel will begin by explaining how scripts are able to get submitted to studios and other gatekeepers in the first place, including through agents and manager, through script competitions, other types of referrals, and through networking. He will also explain how taking the assistant route at an agency could help your chances of getting that script noticed. Next he’ll outline how coverage actually works at production companies and studios. He’ll explain the differences between the procedures at production companies, studios, and other organizations and what their differing expectations might be. He’ll delve into what roles read your script at what point in the process, focusing on the verticals at production companies and studios. He’ll explain the roles of interns and assistants, coordinators, story analysts, and finally executives, and what each role looks for when reading scripts. Gabriel will teach you the common formatting errors that knock scripts out of the running before people even start reading for content, including title page expectations, font and spacing, dialogue formatting, and other issues. He will share real examples of scripts that exhibit these errors to share what they look like on the page. Next he will go over narrative issues that can also sideline a submitted script. Finally, he’ll share other strategies that can make your script stand out to readers in these positions. Through demystifying the process of script reading and coverage as well as the people behind it, Gabriel will leave you with a concrete sense of how to get your script in front of the people you want to read it, and practical ways to help your chances. Praise for Gabriel's Stage 32 Webinar: I was very pleased with the webinar. The speaker got right to the point and explained exactly how the screenplay selling process works. Steven W. I loved how Gabriel didn't pull any punches and gave a realistic assessment of the realities of breaking into the industry as a writer. -Peter M. I loved this webinar because Gabriel talked about a variety of things from how to approach agents/managers/producers, to what not to do in a script. I learned a lot! -Melissa P. Amazing. I liked the "no sugar coating" approach. -Candice E.

How to Navigate the Film Director / Producer Relationship

History is littered with the bones of many failed films which fell apart due to conflicts between the director and producer. While you'll often hear how important it is for a filmmaker to have relationships with all the vital players and department heads on his or her set (and it certainly is), the reality is that the relationship between the director and the lead producer is the one that will begin the earliest and last the longest throughout a particular project. A healthy, cohesive relationship between the film director and the producer will show the cast and crew that a united front has been formed and that everyone is pulling in the same direction. An unhealthy, bifurcated relationship will put the cast and crew on their heels, which will inevitably hurt the project.  Directors and producers are often people of vision and power. Harnessed correctly and collaboratively, that combination can bring out the best in everyone and help to make a project stay on time, on budget, and on message and voice.  Harnessed incorrectly, ego and hubris take over. It may seem obvious that communication is the key to assuring that the relationship flourishes, and that's not totally untrue. But the key to a productive and positive relationship between the director and producer is understanding all aspects of what needs to get done, recognizing what the other person's needs are, defining what's worth standing up for and what's worth letting go, and recognizing that at the end of the day, you're both fighting for the same result. As President of Production at Zero Gravity Management, Tai Duncan oversees film projects from inception to completion encompassing all aspects of development, casting, finance and production. Zero Gravity is a production and management company based in Los Angeles that boasts a strong client list of screenwriters, directors, actors and financiers for feature films and television. Tai recently produced PROUD MARY for Screen Gems starring Taraji P. Henson and HOW IT ENDS for Netflix starring Theo James and Forest Whitaker, HONEST THIEF starring Liam Neeson and THE MARKSMAN starring Liam Neeson. Zero Gravity produced the Warner Brothers, Ben Affleck starring action/thriller THE ACCOUNTANT, the drama A FAMILY MAN starring Gerard Butler and Willem Dafoe and Executive Produced the hit Netflix television show OZARK starring Jason Bateman.   Needless to say, as an on set producer, Tai knows a thing or two about the director/producer relationship including the pitfalls and the paths to glory. Beginning with pre-production, Tai will take you what steps you will need to take from moment one to forge a productive relationship that will last through post and beyond. Tai will talk about the steps you need to make to assure you are communicating clearly and effectively. He will talk you through script notes, casting, hiring crew, location scouting and scheduling. Moving on to production, Tai will teach you how to keep things smooth on set, how t manage disagreements, scheduling and money issues, and the push and pull between what a director wants and what he or she has in the can. Tai will then move on to post, and how to manage expectations during the assembly cut and the director's cut. He will discuss scoring, sound and color, sales and marketing, festival approaches, and even distribution strategies so that everyone is fully communicating and staying on the same page throughout.   "Don't allow a failed relationship, miscommunication or misplaced ego sabotage all the work and effort that's gone in to putting a project together. Cohesiveness begins at the top and must continue throughout the project. I'll show you how to get it done." - Tai Duncan  

Stage 32 4-Part Writing Class: A Showrunner’s Guide To A Writing Career In Television

Learn the craft of writing for television and how to build and navigate a successful career as a television writer from a veteran showrunner who has worked with Disney, The CW, ABC, and more! PLUS! You'll receive exclusive handouts including series pitch documents, outlines screenplays, and screenplays from real television series including MELROSE PLACE, HE MYSTERIOUS BENEDICT SOCIETY, SHADOWHUNTERS, ADJUSTMENT BUREAU, and the pitch document for Fox's SOAR!   Millions of people dream of becoming a television writer in Hollywood. You want to write the next hit television show and have high hopes of seeing your stories come to life on the screen. Sharing your creative vision with the world is one of the most rewarding experiences there is. However, becoming a Hollywood television writer is hard. Very hard. There is a craft and technique to writing a dramatic television series and working in writer's room that take time and hard work to acquire. Not to mention, navigating a career as a writer. How can you sustain your life as a writer when you don't know what you'll be working on next? How can you stay creative over years of writing and hard work? And during all of this, how can you consistently create good material that studios and networks want to buy? Stage 32 is here to help you answer all of this and more.  In this exclusive Stage 32 4-part class, you will learn the craft and process of writing for scripted drama television and how to navigate a career as a television writer. Taught by veteran television/film writer and showrunner Todd Slavkin, you will learn the creative and practical aspects of writing and producing a television pilot, writing and producing on the staff of a television show where most of the work happens in the writers room, and navigating a long, illustrious career. Todd's experiences showrunning series for Disney, The CW, ABC, and more have provided him with an arsenal of showrunning tools that he will share with you to prepare you for your own career as a showrunner. Todd has worked in all different kinds of genres and has been involved with many popular television shows, including SMALLVILLE, SHADOWHUNTERS and most recently THE MYSTERIOUS BENEDICT SOCIETY, for which he was nominated for two Emmys. He has written pilots for ABC, NBC, FOX, FREEFORM and The CW, where he developed and was the showrunner of MELROSE PLACE 2.0. Other television credits include NO ORDINARY FAMILY, ALPHAS, DEFIANCE, DOMINION and GUILT. He began his career in features, penning DARK REFLECTION and CONTROL, starring Ray Liotta, Willem Dafoe and Michelle Rodriguez. Each session of this 4-part class will include industry guests, mainly successful writers with high levels of experience, all sharing their own stories and tips for success. You will have the rare opportunity to learn from a handful of industry experts how to navigate a television writing career in Hollywood so that you can make the best decisions for yourself and your career. Trust us, you don't want to miss this! PLUS! Todd will provide you with exclusive handouts to help you with the craft and business of television writing in Hollywood. Downloads include: Pitch document for SOAR Fox Pilot & Series Document for MELROSE PLACE Pilot Outline and Teleplay for ADJUSTMENT BUREAU Pilot, Outline and Teleplay for SOAR FoxPilot, Teleplay for MELROSE PLACE Pilot Outline and Teleplay for an episode of SHADOWHUNTERS & Story Area, Outline andTeleplay for an episode of THE MYSTERIOUS BENEDICT SOCIETY You will walk away from this class with a treasure trove of knowledge about the art and craft of writing professionally for television, and the insight into how you can build a sustainable career for yourself as a successful television writer. Praise For Todd's Teaching "Todd's experience and expertise shine through. If you've ever wanted to be a showrunner on a TV series then learn all you can from him." -- Rahime B. "I never realized how much fell on the showrunner before working with Todd. He's a fantastic educator!" -- Meg L. "You brought to the zoom screen the qualities I’m sure you excel at as a showrunner – humour, vulnerability, candidness, insight, patience, wisdom, respect, humility, confidence, inclusion. Each of these words have been selected specifically!" -- Jan R. "I just wanted to send a quick note to say THANK YOU for the wonderful showrunner class! The amount of information given in the 4 classes was incredible and you can tell by the stellar guest speakers that Todd you are truly admired for not only your work, but also for being a kind, thoughtful human :)" -- Sage P "Todd is an absolute angel! This was the most wonderful class I’ve ever taken! If we ever does another class, I’d love to join." -- Lauren M. "I loved Todd's class. Todd is so enthusiastic and informative, he has a true love of teaching. I would take future classes with him, no question. I really came away with an understanding of how showrunning works and the responsibilities and career paths." -- Allyson M.

How to Adapt a True Story as a Film or Series

What do the singer Elvis Presley, the actress Pamela Anderson and the phycisist Albert Einstein all have in common?  Their true life stories have been adapted into major feature films and TV series in recent years.  True story adaptations find success largely because the writers and creators understand where to find the story within these real lives to adapt. They efficiently honed in on an angle that pulled the audience in while developing emotional arcs that kept viewers invested. Writing is a craft, no doubt, and one that must be managed differently when pen hits paper and for adaptations. It takes work and a deep understanding of your story as well as the medium you’re adapting it for, but it’s something you can achieve for your own true life passion project, especially with the proper understanding and guidance. Kate Sharp is a producer and literary manager at Bellevue Productions. Prior to joining Bellevue, Kate was the VP of Development and Production at Occupant Entertainment, producing short-form content for Showtime, MTV, Verizon, Facebook, and U2, and was an Executive Producer on the Hulu original, Emmy-nominated TV series BEHIND THE MASK. Her film credits include PEEP WORLD, BETTER LIVING THROUGH CHEMISTRY, MADAME BOVARY and THE HALLOW. Kate is currently producing THE BURNING SEASON with Naomi Watts and STRANGER THINGS’ Sophia Lillis attached to star. Kate has worked with countless writers on adapting their true story projects of all types and knows what it takes to turn a true story into a script that producers, reps, studios and execs will be interested in. In this exclusive Stage 32 on-demand webinar, Kate delves into the craft of adapting a true story to a film or series, and how to put words to the page to make this happen. She defines the three types of true story or biopic adaptations so you can determine which option is best for you and give you the tools to decide if your story should unfold as a feature or limited series so you can determine which option is best for you. She will also walk you through best practices for researching, finding your own angle to the story, and how to write your script so it feels authentic while still possessing emotional arcs and narrative liberties to ensure your script is marketable and successful in the market. You'll walk away from this webinar with confidence and write an adapted script based on a true story that gets the attention it deserves. Praise for Kate's Previous Stage 32 Webinar: "Kate Sharp was incredible. She's a great instructor, and also looks like a very special person to have as a manager, who loves what she does and would be a great partner for a writer! Thank you for sharing her gifts with us!" -Ricki L. "The information was straightforward and practical. I made loads of notes to go back over. Thanks!" -Gillian R. "BRAVO, KATE!!! She provided a wonderful presentation fueled by stellar "real world" facts and scenarios" -Bill B.

How to Build a Successful Writer-Producer Relationship

Learn directly from Gotham Award-winning Producer Shaun O’Banion who's worked with Steven Spielberg, James Cameron, Joe Wright and Judd Apatow.  Everyone will tell you filmmaking is a collaborative process and comes down to relationships. Possibly the most important relationship? The one between the writer and the producer or exec. This partnership is critical and is often the first spark that can get a project going. But this relationship doesn’t just materialize without any work put in. The truth of the matter is the collaboration and trust that’s built between the writer and producer, starting with the optioning or hiring process and going through all of development and production can be just as important as the script and production itself in how successful the film turns out to be. If you’re a writer, it can be challenging to find a producer who is the right fit and actually get on their radar or get them to read your work in the first place. As a producer, getting your hands on the script that you actually connect with and that you can feel confident in producing can be quite an undertaking. And whether you are the writer or the producer, navigating this creative relationship through the murky development process is complicated but absolutely crucial. So how does a successfully writer-producer relationship actually work? How do producers find scripts and how can you set up your own screenplay for success? And once you’re on your way, what steps can you take to ensure the relationship, and therefore the entire project, doesn’t fall apart during development? Let’s explore. Shaun O'Banion is an award-winning producer and the founder of production company Ravenwood and has worked with writers and filmmakers such as Steven Spielberg, James Cameron, Joe Wright and Judd Apatow. O’Banion produced DAKOTA SKYE which became a cult hit and remained in the Top 100 Most Viewed on Netflix. He also produced GIRLFRIEND, the first film in North America to star an actor with Down Syndrome in the lead role. The film premiered at the Toronto International Film Festival, sold to Strand Releasing and won O’Banion an IFP Gotham Award. He joined the Producers Guild of America and co-produced THE AUTOMATIC HATE which made its World Premiere at the SXSW Film Festival. The film was released theatrically by Film Movement. Shaun has also worked as a post production project coordinator on some of the industry's leading films in recent years including JOJO RABBIT, TERMINATOR: DARK FATE, THE AFTERMATH and OPHELIA. Shaun is well versed on building relationships to get films made and is ready to break down what he knows In this exclusive two-part on-demand Stage 32 class, Shaun will walk you through process of getting material produced from the producer's perspective. He’ll go through what producers look for, how doing your research matters, and how collaboration with your new partner is the key to it all. Plus, expect to learn the differences between setting up a short and setting up a feature. Shaun will also delve into the development process and give you a new set of tools to get your material in top form.   The development process is murky and hard to navigate, but Shaun will go in-depth on how exactly to see it through to the end by building a strong relationship with your producer.   Praise for Shaun’s Stage 32 Class "Loved the up-front examples of how long it took to develop different films and whys behind it. Super informative." - Gina G. "For people trying to break into the business, these kind of webinar chats where the info and experience rolls off the cuff is important and very effective for me. If you can't be around the industry and executives, having the opportunity to 'be in the room' and hear about process and how things are done is really important." - Diana L.  

register for stage 32 Register / Log In