Stage 32 Job Board Page 9

DRIVE BABY, DRIVE

Seeking financiers in New Delhi, India and Mumbai, India

I’m seeking a Producer, Director and Financier for Drive Baby, Drive — a dark social comedy-drama with a sharp emotional core. The project is a completed, feature-length screenplay that explores empowerment, family, and survival in a society caught between tradition and change. Set on the highways of New Delhi, the story follows a fierce female trucker and her brother, whose impulsive decisions spiral into scandal, arson, and jail time. Through humor and drama, the film unpacks issues of gender roles, identity, loyalty, and the price of breaking barriers in male-dominated spaces. Logline: A female trucker’s driving course veers off track when her brother’s students’ affair sparks scandal, arson, and jail time. Budget: This is a low-budget feature designed for efficiency without compromising story depth. The narrative blends social realism with dark comedy, keeping production manageable while delivering a strong emotional and commercial punch. What I’m Looking For: Producer – with experience in packaging and independent film financing, or strong connections in Indian and/or international co-productions.Director – passionate about character-driven stories, with a flair for blending humor and drama in socially relevant contexts.Collaborators who can balance efficiency with creativity, and who believe in telling stories that resonate both in India and abroad. What’s Ready: Completed feature-length screenplay, synopsis and pitch deck (Drive Baby, Drive) Movie Trailer available upon requestDetailed production notes and structure to support efficient, location-based shooting If you’re interested in collaborating on a film that fuses social commentary with emotional storytelling — while opening space for bold female agency in cinema — I’d love to connect.  All positions will be paid once a producer is secured and funding is in place.     Serious collaborators only. Thank you for your understanding!

Producer – Experimental Horror (Remote)

Seeking producers and financiers in London, England

CLINICAL ISOLATION is a four-part psychological horror project designed to turn the viewing experience itself into part of the horror. Rather than relying primarily on conventional jump scares or slasher mechanics, the films progressively manipulate the audience through psychological suggestion, sensory discomfort, fear conditioning, sound design, prolonged silence, visual misdirection and direct interaction through an AI voice. Across four interconnected films, the concept evolves from psychological manipulation of the audience into increasingly immersive territory. Film I establishes the rules and begins dismantling the viewer's sense of safety and trust in their own reactions. Film II uses repeated first-person imagery and contrasting sound to create an experimental conditioning experience. Film III places the audience directly into the position of a restrained victim through a sustained first-person perspective, using phobias and somatic suggestion to make the viewer increasingly aware of their own body. Film IV concludes the tetralogy through a cryptographic epilogue that reveals the underlying narrative connecting the previous films. All four English-language screenplays are complete. The tetralogy has been conceived for a consolidated back-to-back production model. Films I and III share key locations and production elements, Film II relies on highly controlled minimalist material, and Film IV requires no conventional principal photography and is designed to be created entirely in post-production. This structure is intended to reduce repeated location, equipment, crew and logistical costs while maintaining continuity across the complete project. My preliminary target budget is approximately €150,000 for all four films combined, subject to professional budgeting and development. I am currently seeking a PRODUCER / PRODUCING PARTNER to join the project at the development stage and help move CLINICAL ISOLATION toward financing and production. I am particularly interested in working with someone who understands independent genre filmmaking and can contribute experience in professional budgeting, packaging and production strategy, but most importantly has relevant industry relationships and can actively help identify, approach and connect the project with potential private investors, financiers, production companies or other financing partners. The project is currently unfunded. This is therefore not a salaried crew position on an already-financed production, but an opportunity for a producer interested in becoming involved in the development and financing of the project. I am open to working with the right producing partner regardless of location. Full screenplays and additional project information are available for serious enquiries.

AFTER CARTLANDIA

Seeking financiers in Mexico City, Mexico and Tijuana, Mexico

I’m seeking a producer, director, and financier interested in unique, visually striking settings with a strong theatrical heartbeat — After Cartlandia is a completed feature-length screenplay that explores a crime story with a spiritual fantasy ending. Genre: Metaphysical Drama / Spiritual Fantasy Tone: Visually majestic, philosophically rich, and emotionally resonant, blending the epic scale of the afterlife with the intimate tragedy of human existence. Logline: A murdered bisexual artist’s journey through the afterlife forces him to consciously choose a harsh new incarnation—only to uncover that his death was a tragic mercy, born of love. Set primarily in Tijuana and Mexico City, an orphan rises from misery to fame as a celebrated artist. But his connections to underground communities and dangerous friendships lead to his murder. From beyond the grave, his spirit guides us through the mysteries of death, the afterlife, and rebirth. Budget: This is a low-budget project with limited locations, designed for efficient production while retaining ambitious sci-fi elements and selective CGI. What’s Ready: Completed feature-length screenplay available upon request Pitch Deck, Synopsis and Movie Trailer Production notes and shooting outline optimized for contained, authentic locations If you’re interested in collaborating on a story that weaves crime, family, memory, and grounded spiritual fantasy with potential global appeal, I’d love to connect. All positions will be paid once a producer is secured and funding is in place.     Serious collaborators only. Thank you for your understanding!

Writer - Digital Legal Series

Seeking screenwriters in Huntington, New York

Seeking an experienced writer/screenwriter for a short-form scripted drama currently in development. The series is set inside the world of a high-end divorce attorney and draws heavily from the realities, characters, moral complications and cases that exist within that world. Tonally, we are not looking to make a traditional network legal procedural or a glossy lawyer show. Our creative references live closer to the grounded, character-driven storytelling of Better Call Saul, Breaking Bad and Taylor Sheridan’s work—where the profession provides the world, but character, consequence and moral complexity drive the story. The concept, characters, season direction and underlying world have already been developed. We are looking for a writer who can come aboard, collaborate closely with the producers and translate that vision into sharp, cinematic scripts. Our ideal writer: Has professional scripted writing experience, particularly drama. Understands economical storytelling and can build compelling scenes within a short runtime. Can write grounded, naturalistic dialogue without making the material feel overly expositional or “TV lawyer.” Is comfortable working from an established concept and taking detailed creative notes. Enjoys close collaboration with producers and subject-matter experts. Can balance authenticity with drama rather than sacrificing one for the other. Experience with legal material, crime drama, prestige drama or short-form/vertical storytelling is a plus, but not required. This is a paid freelance writing position with the potential to continue through the season if the creative partnership is successful. When applying, please include a brief introduction, relevant credits and 1–2 writing samples that best demonstrate grounded dramatic storytelling. If you have experience writing short-form scripted content, please include that as well. We are less interested in the size of your résumé than in finding a writer whose voice and collaborative style are right for the project. Location: Remote / New York production Genre: Drama / Legal / Character-Driven Format: Short-form scripted series Compensation: Paid

EMIGRANT TO IMMIGRANT

Seeking financiers in Bangkok, Thailand, Mumbai, India and Toronto, Canada

I’m seeking a Producer and Financier for EMIGRANT TO IMMIGRANT — a premium Indian drama series with a powerful emotional and spiritual core. This is a fully developed, creator-led series conceived as a multigenerational epic exploring migration, memory, family, and identity. Blending intimate realism with a subtle futuristic frame, the series moves between Mumbai’s Dharavi slum, Canada, and a speculative future, telling the life story of a man shaped by poverty, loss, love, and resilience. Series Format: 12 episodes × 55 minutes Genres: Drama / Family Saga / Immigrant Story / Multigenerational Epic Tagline: “The past is never lost—it lives on in the stories we dare to tell.” Series Logline In the future, an old man’s memoirs pull him back to his childhood in Mumbai’s Dharavi slum, where poverty, betrayal, and buried secrets forged the survivor he became. Pilot Logline Inspired by true events, an elderly Indian man reflects on his journey from poverty to a new life in Canada—and back home—where love and purpose shape his rise as a celebrated screenwriter. Series Overview Set in 2065, a massive, silent spaceship hovers above a futuristic Asian metropolis. Inside a traditional home surrounded by towering skyscrapers, Kavian (90) sits in meditation. As his thoughts deepen, the story travels back to 2020, when he begins documenting his life and reconnects with his aging father to uncover forgotten truths—starting with a near-death experience in infancy that quietly shaped his destiny.  What unfolds is a deeply emotional journey across decades and continents—moving from Dharavi to Canada, from survival to self-realization, and from memory to meaning. What I’m Looking For Financier and Producer Experience in financing for premium drama, series development, or international co-productions Strong packaging, financing, and market sensibility Passion for diaspora, family, and character-driven stories Director Strong emotional intelligence and visual restraint Ability to balance intimacy with scale and time shifts Interest in grounded, human storytelling with cinematic ambition I am looking for collaborators who want to shape, elevate, and package this series for studios, streamers, and international platforms. What’s Ready Pilot episode: Welcome to This World Synopsis and pitch deck Series concept, long-term vision, and story materials Clear tonal direction and character arcs designed for premium television Movie Trailer Second season in development  If you are interested in a mature, emotionally resonant series about migration, family, and legacy—with Indian roots and global appeal—I would love to connect. All positions will be paid once a producer and financier are secured and funding is in place.  Serious collaborators only. Thank you for your understanding.

Producer / Investor

Seeking producers in Texas City, Texas, New York City, New York and Los Angeles, California

Seeking Producer / Investor for Feature Film — My Name Is JCVD I am an independent screenwriter from Tajikistan seeking a producer, investor, production company, or experienced industry partner for my feature film project, My Name Is JCVD. This is a fully developed feature-film project with international potential and a story built around the world of Jean-Claude Van Damme. I am looking for a serious professional partner who is interested in discovering new international projects and helping bring an ambitious independent film to the screen. I am open to discussing different forms of collaboration, including producing, financing, co-production, or development partnership. For serious inquiries, I can provide the screenplay and additional project materials. Contact: alisherazimov201523@gmail.com I would be glad to discuss the project and explore whether there may be an opportunity to work together. — Alisher

Seeking Producer

Seeking producers in Lagos, Nigeria

I am a movie script writer and I’m looking for a producer to buy my scripts. Over the years, I have written more than seven feature scripts, each exploring bold themes and cinematic storytelling. One of my best scripts, which I am currently developing, is titled: HE CAPTURE OF ENEMBE ITO: THE BASTARD PRINCE. Professional Story Blueprint (Part I) Genre: Action / Adventure / Superhero / African EpicSetting: A fictional ancient African kingdom and surrounding territoriesTarget screenplay length: 100–110 pagesFormat: Feature Film — Part I of a two-part story I believe this project has strong potential to resonate with audiences globally, blending epic African mythology with the universal appeal of the superhero/adventure genre. I would love the opportunity to discuss how we might collaborate to bring this vision to life. Thank you for your time and consideration. I look forward to hearing from you.

BUSCO GUIONISTA - THRILLER PSICOLÓGICO

Seeking screenwriters in Madrid, Spain and Barcelona, Spain

BUSCO GUIONISTA DE HABLA HISPANA PARA ESCRIBIR EL EPISODIO PILOTO DE UNA SERIE DE THRILLER PSICOLÓGICOEstoy buscando un/a guionista de habla hispana para colaborar conmigo en la escritura del episodio piloto de UNFOLLOW ME, una serie de thriller psicológico actualmente en desarrollo. Estoy ubicado en España, pero la búsqueda está abierta a guionistas de cualquier país. UNFOLLOW ME parte de una premisa muy actual: un grupo de influencers entra en un juego donde, para sobrevivir, no deben conseguir seguidores, sino perderlos. Cada desafío los obliga a poner en riesgo la imagen y la reputación que han construido en redes sociales, convirtiendo su influencia en una condena. La serie combina thriller psicológico y supervivencia con una mirada a la fama digital, la cultura de la cancelación y la necesidad de validación social. El proyecto ya cuenta con una biblia desarrollada, los personajes principales creados y una sinopsis de cada episodio de la primera temporada. El siguiente paso es convertir todo ese material en un episodio piloto sólido que nos permita llevar el proyecto a una siguiente etapa. No estoy buscando simplemente a alguien que reciba el material, escriba un capítulo y termine su participación. Busco un/a guionista que quiera involucrarse creativamente en UNFOLLOW ME. Tendrá libertad para proponer, modificar, cuestionar y aportar nuevas ideas sobre lo que ya existe. Todo se discutirá conjuntamente y, si una propuesta mejora la historia, estoy completamente abierto a cambiarla. Quiero que sea una colaboración creativa real. Es importante aclarar que esta primera etapa NO es remunerada. La intención es desarrollar juntos el piloto para posteriormente intentar mover y vender la serie. Si el proyecto consigue avanzar hacia una venta, producción o acuerdo profesional, la persona que se incorpore como guionista continuará formando parte del proyecto y tendrá una participación relevante en esa siguiente etapa, bajo las condiciones que acordemos conjuntamente. Por eso busco a alguien que vea UNFOLLOW ME no como un encargo puntual, sino como un proyecto al que incorporarse desde esta etapa y con el que pueda crecer si conseguimos llevarlo adelante. Si eres guionista, te atraen los thrillers psicológicos, tienes experiencia o muestras de escritura que puedas compartir y esta forma de colaboración te interesa, escríbeme por privado y hablamos.

Looking to form a New Crew to make movies

Seeking actors in New York City, New York

looking for new crew for in studio production good for students trying to get their names known, I have been in Music Television for over 30 years. I have done Award winning urban movies i own online networks some are paid platforms where i offer clients a percentage of payouts. I'm looking for a team i can do movies with and Submit to paying platforms. I use Sony Fx6 Camera's etc my whole studio is setup for broadcast work and Post production. Only serious replies looking for People with no Filter in front of the camera.

Casting: Actores y Equipo para Serie de Pelíc

Seeking actors in Santo Domingo, Dominican Republic

Executive Producer – Film Finance (Remote US)

Seeking producers in Charlotte, North Carolina

Raise money for films that actually get made KP Films Studio, LLC is an independent production company with a 16-title investment slate spanning holiday romance to elevated action thrillers, with budgets from $2.5M to $35M. We shoot in incentive-strong states, operate our own green-screen virtual production stage (Blackmagic / Unreal Engine), and package every project with institutional-grade materials — full budgets, business plans, and investor decks are built before a single investor conversation happens. Our lead producer is a 2026 Women of Influence Alice Award recipient, and our producing discipline is simple: accurate representations, real numbers, and pay parity for female leads as a standing rule. We're looking for an Executive Producer whose network can finance this slate — and who wants their name on the pictures it produces. What you'll do Open doors: introduce qualified equity investors, family offices, funds, and strategic partners for individual films and the slate. Pitch projects to prospective investors from your existing relationships, using company-approved materials — decks, business plans, and financial models are already built for you. Work with the company's legal, accounting, and producing partners on structuring investment opportunities. Own investor relationships end to end, from first meeting through production and distribution. Advise on market trends, investor expectations, and financing strategy across budget levels. Represent the company at markets, festivals, and industry events. Coordinate with the Lead Producer and company executives to keep financing timelines aligned with production schedules. A demonstrated track record of closed film, media, or private-equity raises — you can point to money you actually brought in. An established, active network of entertainment investors, family offices, funds, or strategic partners. Fluency in independent film finance: recoupment waterfalls, state incentives, pre-sales, completion bonds, and Reg D structures. Excellent communication, negotiation, and presentation skills. Self-directed, but a genuine collaborator with a producing team. Passion for film across genres and budget levels. Success-fee compensation, paid on what you close: 5% of capital you successfully place — 7% for first money in — paid under a written, securities-counsel-reviewed agreement. This is not deferred backend; you are compensated on funds placed, not on eventual net profits. Executive Producer credit on each picture in which you participate. Set access during principal photography and invitations to premieres and promotional events. A seat at the table on a slate that is packaged, disciplined, and moving. Who we're looking for What you get Structure You'll report directly to the Lead Producer or company designee for each picture or slate. Engagements may be project-specific or slate-based, per written agreement. To apply Send a brief note describing your financing track record — the raises you've closed, the size range, and the kinds of investors in your network — to patti@kpfilmsstudio.com (704-965-6891). No reels or headshots needed; this is a finance role. KP Films Studio, LLC is an equal opportunity company. This posting describes a producer engagement, not an offer of securities; any investment opportunity is made only through definitive offering documents to qualified investors.

DP/Editor

Seeking cinematographers in Staten Island, Richmond County, New York

CINEMATOGRAPHER/EDITOR WANTED We're gearing up for an upcoming one day shoot in Staten Island on October 13th and we're looking for a talented Cinematographer/Editor to join our team. We're looking for someone with passion, experience and a strong eye for visual storytelling - someone who can understand and bring our vision to life. This is a PAID POSITION, but we're looking for someone for more than one shoot. We want a creative partner who can become part of our core team and grow with us across multiple projects.  Interested? Send us your reel/portfolio, credits and contact information to: Julie Robinson - Producer Meet Mario Productions meetmario2014@gmail.com