Cheryl is a recipient of the Ed Kleban Award for her work as a librettist, and her musical Barnstormer, written with award-winning composer Douglas J. Cohen, received a Jonathan Larson Performing Arts Foundation Award, under the auspices of the Lark Play Development Center. Her play Maid’s Door was produced at the Billie Holiday Theatre to excellent reviews and received seven Audelco Awards; and was also presented at the 2015 National Black Theatre Festival. Her play Carefully Taught was performed at the Astoria Performing Arts Center. Her new musical, Bridges, was produced by the Berkeley Playhouse in February 2016 and received great reviews, including from the San Francisco Examiner.
Cheryl’s play about the desegregation of the nation’s school system, The Color of Justice, which was commissioned by Theatreworks/USA, received excellent reviews in the New York Times and Daily News, and tours regularly. Her play Winnie the Pooh KIDS was commissioned and is currently licensed by the Disney Theatrical Group. Her play Cover Girls, which is an adaptation of the Bishop T. D. Jakes novel, was produced and toured by ClearChannel Entertainment. She has written commissions for the Ensemble Studio Theatre/Alfred P. Sloan Foundation Science and Technology Project, the Red Mountain Theatre Company (Mandela and The MLK Project), and the Birmingham Children’s Theatre (Tuxedo Junction, about Alabama Jazz musician Erskine Hawkins). Bridges was written on commission from the Berkeley Playhouse. Her play Swimming Uptown has received developmental readings at the Lark Play Development Center, the Abingdon Theatre, and the Classical Theater of Harlem. Her work has been read and performed internationally, including at the Cleveland Play House, the Kennedy Center, and the Edinburgh Festival Fringe.
She received a Writers’ Guild Award for her work on the daytime dramatic serial “As the World Turns” and was nominated for a Daytime Emmy Award for her work on that show as well. She was the sole script writer for the health-related radio drama, Staying Well in Camberwell, and was one of the writing team for the web soap opera Our World. Her musical Barnstormer, which is about Bessie Coleman, the first Black woman flyer, has received a developmental production at the Red Mountain Theatre in Birmingham Alabama, and readings at the York Theater Company, Stamford Center for the Arts, and as part of Hartford Stage’s “Brand:NEW” Festival; it has also received a BareBones presentation at the Lark Play Development Center and has been presented as part of the National Alliance for Musical Theater’s Annual Festival. Her play Corner Office was a finalist in the Actors Theatre of Louisville’s National Ten-Minute Play Contest.
Cheryl is a musical theater librettist and lyricist, and is an alumna of the Advanced Workshop of the BMI/Lehman Engel Musical Theatre Workshop. She has a degree in English and a Certificate in Theatre and Dance from Princeton University, and has studied playwriting with Jean-Claude Van Itallie and Jeffrey Sweet. She is a former Dramatists Guild Fellow, having been mentored by playwright/librettist Alfred Uhry. She is an alumna of the Playwrights’ Lab of the Women’s Project and Productions, of the River Writers Unit of the Ensemble Studio Theatre, and the Milk Can Theatre Company, and is a member of the Dramatists Guild. She is the Vice President of Theater Resources Unlimited, a producers’ networking organization, and is General Counsel for the League of Professional Theater Women.
She is a practicing attorney in Manhattan and is a partner with the firm of Menaker & Herrmann LLP.
3 Days. 5 Minutes. 1 Film.
Television (Drama) Writer OUR WORLD follows two prep school students (Drew and Owen) as they navigate the excitement and pitfalls of adolescence (i.e. sex, drugs and getting into the college of one's choice). When their alpha male status is threatened through a series of unfortunate and shocking events, adulthood is suddenly thrust upon them. The youths discover how quickly the age of innocence ends. Adding coal to the fire, Owen's mother (a jet-setting, young widow) learns-at the reading of her late husband's will-that her wealth has all but evaporated. A moral dilemma ensues. How far she will go to maintain appearances and her rung on the social ladder? Her partner in crime is a beautiful socialite who seems to have it all: a successful, loving husband; the perfect teenage son (Drew); and a secure place at the top of the social pyramid. With the arrival of her obsessive, status seeking mother (played by a soon to be announced daytime television veteran), her world comes crashing down in a scandal of ... Written by Our World
TV Series Writer
As the World Turns
TV Series Writer