Judith Grace Bassat

Judith Grace Bassat

Screenwriter

Oregon House, Yuba County, California

Member Since:
February 2021
Last online:
> 2 weeks ago
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About Judith

WHEN I was called into the principal's office in third grade, I was certain that one of my parents had died, since I had never been anything but well-behaved. But instead it was to tell me that my poem had just been chosen for a national poetry anthology. After that there was never a question of what I would do in this life. I went on to major in creative writing at Bennington, study screenwriting at the New School, and to write a book and play GOODBYE MY FANCY (not the 1948 one - book on Amazon, YouTube link to play below - about the last months of Walt Whitman's life), which was "supposed" to have been produced on Broadway (both Charles Durning and Burgess Meredith agreed to do it), and later as a television pilot that was "greenlighted" (but also never came to pass).

I wrote several other plays that were produced, published a literary magazine THE DAY BARQUE, became the editor-in-chief of the Italian art magazine FMR, wrote at least 40 murder mystery plays for various events, worked as Anthony Quinn's personal assistant, and as an editor and copywriter. But screenwriting is what I am most passionate about, although the most difficult of all to break into. My very first script PUREBRED about a dog show got a top agent through a cold query letter -- made the rounds but didn't sell. Other scripts followed, in the comedy, family, dramedy genres, and, my last one, YIN AND YANG, (a bisexual romantic comedy), was in development with a top producer (AMERICAN HISTORY X), who said, "Any actress in Hollywood would want to play the role of Zhenya." However, due to illness, that too bit the dust. I placed in several contests, including Big Break and Fade In, as well as was top 10% Nicholls for YIN AND YANG, which also received Recommend from Stage 32 Coverage. Other interesting scripts are SOMERSAULTING OVER NEW YORK (family) and BETTER PEOPLE (comedy) as well as an animated feature KINGDOM OF THE BIRDS, based on the great 14th-century Sufi text CONFERENCE OF THE BIRDS. Just wrote my first television pilot STARDUST FAMILY.

I lived 11 years in Italy (Milan and Rome), 4 years in France (Paris and Antibes), about a year in Russia (St. Petersburg and Moscow), as well as in New York and San Francisco. Now I am holed up in rural Northern California, without distractions, other than my bossy little white dog, Romeo,

Loglines

  • Marvelous Creatures

    Marvelous Creatures Budget: $10M - $30M | Drama Comedy The lifelong friendship of two geeky best friends from Long Island who move to New York in the 1970s, where he ends up coming to terms with his sexuality during the AID’s era, becoming America’s most famous celebrity photographer, and hobnobbing with socialites and movie stars in the 70’s party scene, and she ends up as a Playboy model, sexual adventuress who never finds true love, and head of a party entertainment company catering to decadent Wall Street traders. A true story. Co-written with Carter Winter.

  • Somersaulting Over New York

    Somersaulting Over New York Budget: $1M - $5M | Fantasy Family Two worlds magically touch when three Celestial Spirits intervene in the lives of a charming but troubled family to help the family fulfill its exceptional destiny as well as Their own.

  • The Kingdom of the Birds

    The Kingdom of the Birds Budget: $5M - $10M | Animation Adventure Their leaderless kingdom in tatters, ten quirky, quibbling birds fly through forests, deserts, volcanoes and ice caps to seek out their King as ten thousand ravens try to stop them from discovering the mind-blowing secret. The Wizard of Oz meets Winged Migration. Based on the 14th-century Sufi text.

  • Stardust Family (pilot)

    Stardust Family (pilot) Budget: $5M - $10M | Drama Comedy After the 1967 Summer of Love, a group of naive, idealistic hippies move to an abandoned farmhouse in rural Northern California to start a commune, clashing with each other, their families, the law, the elements, and the angry locals, as their dreams crash into reality. Can a bunch of really imperfect people create a perfect world?

  • Unmarried

    Unmarried Budget: $1M - $5M | Romance Comedy A saucy, out-of-the-box young woman, who only dates married men to keep the passion burning and evade the heartbreaks of commitment and love, meets her nemesis when she falls for a “married” man.

  • My Ghost

    My Ghost Budget: $1M - $5M | Romance Comedy In order to pay off her college loans, a high-minded Yale Classics graduate is forced to become a ghostwriter for a self-centered, womanizing, self-destructive actor just out of jail.

  • Yin and Yang

    Yin and Yang Budget: $1M - $5M | Comedy Romance Two rivals—an eager-to-please woman just dumped by her husband and a controlling ladies’ man—enter into a passionate tug-of-war for the affections of a seductive, undocumented Russian manicurist, who may—or may not—be playing cat-and-mouse with them.

  • Better People

    Better People Budget: $1M - $5M | Comedy Tired with technology, a high-powered Manhattan couple move to a tiny village in France to become better people but become obsessed when the old woman whose farmhouse they purchase refuses to die.

  • Purebred

    Purebred Budget: $1M - $5M | Family Romance A double-Cinderella story set in the dog show world: a feisty, independent photojournalist whose life is invaded by a scruffy, unwanted, runaway dog, competes with a handsome, arrogant dog-trainer/breeder for the Best-in-Show title.

Awards

  • Semi-Finalist Stage 32 Family Friendly Contest - Purebred
    (2022)

  • Quarterfinalist Big Break - Yin and Yang
    (2019)

  • Semi-Finalist Fade In - Purebred
    (2017)

  • Top 10% Nicholls 2019 - Yin and Yang

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