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After a Holy War leaves the world in ruins, Satan ascends as a false Messiah, spreading his dark gospel across a shattered earth, until Angel, a young woman scarred by loss, rises to confront her past and sets out to fulfil her destiny to end his reign and ignite a thousand years of peace.
SYNOPSIS:
The year is 2055. The Holy War has ended, but the world has lost. Civilisation lies in ruins. Churches stand abandoned. The oceans have frozen. Skies choke with ash. Faith has been outlawed, its symbols buried and erased, and humanity drifts toward extinction. Hope is forbidden until a blinding light falls from the heavens, signalling that history is not yet finished. At the heart of this broken world stands Angel.
Gentle, principled, and quietly resilient, Angel has grown up surrounded by violence and loss, yet refuses to surrender her belief in love, faith, and meaning. Where others survive through numbness or cruelty, she survives through devotion. Her faith is not loud or militant, but deeply personal, both her shield against despair and her greatest vulnerability. With her devoted partner Alex, Angel dreams of marriage, an act of spiritual rebellion in a society that has criminalised belief.
Together with their friends Jam, Kelly, and Lucky, she finds refuge in the last standing church, where Father Harris, a priest consumed by doubt yet unable to abandon his calling, agrees to perform the first holy union since the war. For Angel, the ceremony is more than a wedding. It is a declaration that love, faith, and hope still have meaning in a dying world.
Beneath the ruins, evil rises. Bishop, the son of Satan and heir to Heaven’s rebellion, emerges as a false messiah. Charismatic, eloquent, and merciless, he preaches a new gospel to the Lost Children, a generation raised on chaos, addiction, and abandonment, promising freedom without God and power without conscience. To claim total dominion, Bishop begins hunting the last remnants of faith. As the city unravels, the final enforcers of order, Chief Marshal John, Sergeant Tequila, and rookie officer Sally, struggle to contain the spreading darkness.
Bishop first unleashes grotesque signs and omens, calculated to erode belief from within. When the faithful refuse to break, he turns to slaughter. Jam, Kelly, and Lucky are murdered without mercy. Angel and Alex flee back to the church, where they uncover a hidden basement housing a functioning printing press rewriting scripture into propaganda. Faith itself has been weaponised. Before they can act, Bishop arrives. Alex stands between Angel and death, sacrificing himself to save her. Father Harris is killed moments later.
Doubt consumes Angel. Grief nearly destroys her. But within her, a divine light awakens. She is carrying a prophesied child, a living bridge between Heaven and Earth. The revelation forces Angel to confront her deepest flaw: her fear of standing alone. If faith is to survive, it must live through her. Hunted by Bishop, who vows to destroy both her and the miracle she carries, Angel stops running. She chooses to stand.
In the final confrontation, Bishop sheds his human form and reveals his true nature, transforming fully into the Devil himself, the ancient force behind the Holy War, unmasked at last. Angel faces him not as a victim, but as a believer forged by loss. Their battle unfolds through faith, will, and supernatural power, testing whether belief born from love can withstand power born from hatred. Angel rejects domination, vengeance, and false salvation, choosing sacrifice and compassion instead. She casts the Devil back into the void that birthed him.
Her victory does not restore the old world. It creates something new. Hope no longer descends from Heaven; it rises from human choice. From the ashes of ruin, Angel becomes more than a survivor. She becomes a symbol of renewal. Not a saint. Not a warrior. But a woman who refused to surrender her soul. And through her, humanity is given one final chance at grace.
So the story could be something, but the synopsis spends tons of times describing a standard biblical apocalypse and essentially one line on the actual plot with no details. The logline contains much more information about the story and characters, kinda defeating the need for the synopsis. Given the tone, you're also gonna struggle with suspense or stakes since I think most readers are going to assume Satan will lose at the end, so you need something to convince people to actually read this
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