A recent invited speaker at the WGA and London Screenwriting Festival, author of the best selling book Getting It Write: An Insider's Guide To A Screenwriting Career Lee Jessup is a career coach for professional and emerging screenwriters, with an exclusive focus on the screenwriter's professional development. Her clients include television writing program fellows (Humanitas, CBS, WB Television Writers Program), WGA members, Golden Globe and Emmy nominated screenwriters, writers who sold screenplays and pitches to major studios, contest winners, and many more. Lee spent 6+ years as director of ScriptShark.com. During her time with ScriptShark, Lee introduced hundreds of screenplays to entertainment industry professionals, and spearheaded a national Business of Screenwriting seminar series launched in partnership with Final Draft and sponsored by The New York Times Company. An invited speaker at screenwriting conferences and festivals both in the US and Europe, Lee is a regular contributor to Script Magazines and was the interview subject for a number of film-centric television and web programs. To learn more about Lee and her services, visit www.leejessup.com. Full Bio »
First impressions are everything. And in today's industry, where screenplays are not easily read and many writers are competing for every rep's or executive's attention, screenwriters deliver their best first impression with their loglines, one-sheets, pitches and all-important personal narrative. This is how an executive becomes interested not only in reading a particular script, but also in working with the content creator behind it on assignments, adaptations, or future works.
True story: One of my coaching clients was pitching via Happy Writers. His material was strong, but represented some subject-matter challenges right out of the gate. However, he kept getting screenplay requests. I called up one of the managers who requested to read the work, and asked for her impression. "The work has issues" she said "but the presentation was so strong, the writer's identity was so clear, I just wanted to read for voice."
Careers are rarely built on any one script these days; instead, they are build on the writer's identity and voice, and nowhere are those more powerful than in the materials you use to introduce yourself. In today's shifting industry climate where single script sales present a challenge, agents, managers, development executives and producers are seeking to get involved with content creators who will deliver again and again, complete with a strong understanding of not only how to market their work, but also how to position their personal narrative and brand, the sort that executives want to work with, and reps want to sell. Remember: Executives get in business with people, not with a piece of paper. They want to know that you understand how to present both your material and yourself. In order to take you on as a client or a creative partner, they want to know that they can send you on a general meeting or a pitch assignment in which you will thrive and impress. Those are the skills that will get you into the room again and again.
Stage 32 Next Level Webinars is excited to present Developing Your Marketable Identity: Loglines, One-Sheets, and the Critical Personal Narrative presented by Lee Jessup, career coach for professional and emerging screenwriters. Lee is the best-selling author of Getting It Write: An Insider's Guide to A Screenwriting Career, whose clients include television fellows, contest winners, produced screenwriters, and more.
Lee will discuss the various materials you should prepare for meetings, pitches and events, and provide practical examples and guidelines for each. She will also explore the often-under-prepared personal narrative, which will allow you to effectively communicate who you are as a person and a writer, and the critical life events that inspired you to explore the specific themes, wounds and worlds that will set you apart in your work.
This webinar is for screenwriters aiming to present their work to the professional space, be it via Skype or in-person pitches, general meetings or screenwriting events.
Most screenwriters who have been at it for any length of time know the mechanics of writing a screenplay. But not everyone knows the specific steps one must take to go from screenwriter hitting the keys in off hours to become a working screenwriter working within the industry structure. Utilizing knowledge gathered over years in the industry working both in development and directly with emerging and professional writing clients, as well as insights from countless industry sources, during this 3-week session we will set correct expectations for the construction of a screenwriting career, and identify the various paths and opportunities available to writers eager to break into film or television.
Learn directly from Lee Jessup, a career coach for screenwriters with an exclusive focus on the screenwriter's professional development. Her clients include WGA members, Golden Globe and Emmy nominated screenwriters, writers who sold screenplays and pitches to major studios, best-selling authors, contest winners, as well as novice and emerging screenwriters! Everyone wants to find representation but... What are reps actually looking for? Strong specs? TV pilots? The million dollar idea? The industry has changed rapidly over the past 5 years, and so has the representation game. Discover how to create a winning brand, develop both creatively and professionally, identify the representation that would be right for you and become the writer agents want to sign, managers want to develop, and executives want to hire. Stage 32 Next Level Webinars is honored to have brought in Lee Jessup, one of the leading screenwriting consultants, with an exclusive focus on the screenwriter's professional development. Her clients include WGA members, Golden Globe and Emmy nominated screenwriters, writers who sold screenplays and pitches to major studios, best-selling authors, contest winners, as well as novice and emerging screenwriters.
We've brought in the Producer of the Emmy-nominated HBO show, "Ballers" to teach you how to master the art of your TV pitch. Who better to teach you than someone who's in the TV trenches every single day? Bret works alongside incredible talent such as Stephen Levinson (Entourage, Boardwalk Empire), Mark Wahlberg, Russell Crowe, Dwayne "The Rock" Johnson, Ryan Phillippe, Catherine Zeta-Jones and more. So, you have a great idea for a show, now what? How do you get it to the right people? What to do/how to present it to them? What most people don’t understand, is that once they’re in the door they need to think about the other side of the table. Who they’re pitching to, how many pitches that person reads/hears and how best to position themselves to stand out. Just the right amount. Busy producers and executives get pitched all the time. They can tell an experienced pitcher from a novice immediately. Whether oral, written or Skype, you basically have 30 seconds or the first paragraph to keep them interested. And for both, the format matters! Don’t let your great idea fall on deaf ears or eyes! If you’re a writer or someone who works with writers, you need to know how to orchestrate a good pitch.
Part 2 you're not going to want to miss! Ever wondered what daily life is like for a TV Writer? Looking for ways to manage and maximize your schedule to output great, useful material without losing your mind? Wondering how the hell you’re supposed to write when you’ve got a full-time job? Tune in for this exclusive 2-Part Stage 32 Next Level Webinar taught by TV Writer/Producer Charlie Charbonneau (CW shows: The Secret Circle, The Vampire Diaries, and its spin-off The Originals) to hear about life and work of TV writers, on AND off the clock. You'll gain insight that will help you succeed in finding your next assignment and how to excel in the position. In Part 2 the followup to So You Want To Be A TV Writer? An Inside Look - Part 1, Charlie will unpack all the ups, downs, problems, and pleasures that come in the daily life of a working TV writer. Hear insider advice and information about writers room etiquette, climbing the title ladder, taking notes, rolling with the punches when your material doesn’t impress the powers that be, and making sure you get paid. He’ll even discuss the best way to interact with those hot-shot actors in your show. As usual, get ready for some horror stories from the trenches!
Learn directly from award winning non-fiction producer, Jim Young, who's produced 8 films based on books, including Lovelace (James Franco, Amanda Seyfriend), The Man Who Know Infinty (New York Times best Seller), The Catcher Was a Spy and Layover Some of the recent best feature films were based on books, including Hidden Figures, Lost City of Z, Unbroken, American Sniper, Inherent Vice, Wild, The Imitation Game, and The Theory of Everything. Some of the top recent television series based on books include Game of Thrones, True Detective, Pretty Little Liars, The Leftovers, Boardwalk Empire, Justified, True Blood, Dexter, the upcoming Fresh Off the Boat. As you can see, great books often make for great films and TV programs. The first step to beginning an adaptation is to find a book that lends itself to being turned into a film or television project. Discovering an adaptation-worthy subject can be as simple as stumbling across an interesting title at a bookstore or airport newsstand. Another way to find possibilities include reading the magazine Publisher’s Weekly, which profiles new books hitting the market each week along with short synopses. Many other magazines and newspapers give mentions of new titles each month as well. In this on-demand Stage 32 Next Level Webinar, Jim Young will go over how to adapt a book into a film or TV series! Jim will cover everything from acquiring the rights, to script development, to pre-production, to production, all the way to the finish line. Having produced films such as Lovelace (starring James Franco, Sharon Stone, and Amanda Seyfried) and The Man Who Knew Infinity (starring Dev Patel, Jeremy Irons, Toby Jones, and Stephen Fry) and the upcoming The Catcher Was a Spy (directed by Ben Lewin and written by Robert Rodat) and Layover (written and to be directed by Toni Kalem) all based on books, Jim knows how to adapt a book into a film and TV series from start to finish. Jim Young is an independent producer and the president of Animus Films. He has produced over eight films, with upcoming productions including Cut Throat City, directed by RZA. Young is currently developing many other film and television projects with independent companies including Lynda Obst Productions, Ruby Films, Tollin Productions, Tribeca Productions, Underground Films, and Pressman Films.
Learn directly from Daniel Stellan Kendrick, Manager and Development Executive at Chatrone LLC (The Book of Life). From our first exposures to Mickey Mouse to the off-color adult humor of South Park, animation spans the human experience. One of the most unlimited and flexible mediums of entertainment, it often remains an outlier in the film industry. Aspiring writers are constantly inundated with information and resources about writing the perfect feature screenplay, but rarely do they have the opportunity to glimpse inside the animation industry. This practical and informative webinar will illuminate the trade secrets and industry culture of cartoons. Over the years, Daniel Stellan Kendrick has heard countless pitches from aspiring animation writers. After a while, he realized that the tools required to succeed at writing this unique and unfamiliar specialty are not easy to find. In this Stage 32 Next Level Webinar, Daniel will walk you through the lay of the land of the animation industry. From concept creation, to the big players, to the final pitch, Daniel will help you master this boundlessly imaginative field we call “animation.” Daniel Stellan Kendrick is a manager and development executive at Chatrone LLC, a production / management company, which specializes in animation. His clients include writers, artists, and creators that have worked on projects such as Robot Chicken, Spongebob Squarepants, Teenage Mutant Ninja Turtles, and The Lego Movie. Chatrone’s first animated feature, The Book Of Life, was nominated for five Annie Awards and a Golden Globe.