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Jason Mirch is a feature film, television, branded entertainment, and digital content producer and executive with over 15 years of experience. Most recently, he produced a 3D animated feature film starring Jacob Tremblay, Christopher Lloyd, Mel Brooks, Kenan Thompson, and Carol Kane. Mirch was the Head of feature and television development at Image Nation, a finance and production company based in Abu Dhabi, UAE. There, he supervised the Image Nation contributions in the development of Flight, The Help, The Best Exotic Marigold Hotel, Contagion, Careful What You Wish For, Ghost Rider 2, Midnight Sun, and 100 Foot Journey. Prior to his work at Image Nation, Mirch was Co-Head of Development at Zadan/Meron Productions (Chicago, Footloose, The Bucket List) where he was actively involved in developing a slate of feature film projects for New Line, Paramount, Summit Ent., and CBS/Paramount. He also developed and sold television projects and mini-series to CBS, NBC, Fox, ABC, and Lifetime. He has lectured on all areas of filmmaking, speaking on panels at the Producers Guild of America, the Harvard Screenwriting Group, American Film Market, University of Southern California Film School, as well as several international film festivals and markets. In addition, he has consulted brands, including Burberry and Creative Artists Agency, on the expansion of their operations into emerging markets in the Middle East and Asia. Mirch graduated Cum Laude from Chapman University’s School of Film and Television, where he received a B.F.A., in Film Production, with an emphasis in Writing and Directing. He was mentored by Academy Award Winning Writer/Director David S. Ward, in the spring of 2004, and is the winner of Chapman University Student Filmmaker Award, for Best Director for his film Ally. Full Bio »
Using the films Annihilation, Arrival, Avatar, Legion, and Mad Max: Fury Road as examples, we'll be discussing and describing visually original concepts.
Writing complex action set pieces and using scene description in world building can be difficult for a storyteller. Using examples from contemporary films, we will examine how the screenwriters effectively tackle this style.
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We're back in the Writers' Room for the Breakdown Webcast: Writing Character Introductions. This Breakdown topic comes from several writers who want to discuss the best ways to introduce characters within their feature and television scripts. So, we'll breaking down the scripts and clips from some of the most notable films and series to see how characters are introduced on the page - and on screen. We will also discuss tips on how you can introduce characters in a way that makes a great first impression - no matter if they are your protagonist, antagonists, or simply the goofy sidekick.
We will examine ways in which screenwriters tackle one of the most complex and difficult concepts in narrative storytelling, looking at projects like Edge of Tomorrow to discuss rules that are created, bent, and broken by writers.
We're kicking off the first Writers' Room of 2020 with a deep dive into antiheroes - one of the most difficult character types to write. During this supersized 90 minute webcast, Director of Script Services, Jason Mirch explores the complexities of characters from some of our favorite films and television series including Joker, Kill Bill, The Social Network, The Irishman, "Fleabag", "The Sopranos", "Sherlock" and more to find out what makes them tick...and why we love them. We discuss the how screenwriters craft compelling antiheroes and I will give you specific types of antiheroes to consider when writing as well as tips on how to write them!
We're back in the Writers Room this afternoon for The Breakdown Webcast with Film & Television Writer, Ashley Miller!
Isn't it ironic? In this Breakdown Webcast we discuss Dramatic Irony - when the audience knows more information about the circumstances the characters find themselves in than the characters do themselves. There are actually several different types of "irony" in storytelling and we will be looking at most of them during this packed hour. We will pay special attention to Dramatic Irony which can be used for dramatic, comedic, suspenseful or tragic effect. During this webcast we'll discuss different ways of utilizing dramatic irony and how it effects the emotional connection we have with our characters and the heightened tension and stakes it creates.
We're back in the Writers Room for The Breakdown Webcast: Special Summer Series: Developing a Healthy Mindset for Screenwriters with Special Guest Jasmin Bristow, Mindfulness and Emotional Wellness Coaching. Join us as we finish our summer series with Dr. Debra Holland, Psychotherapist, and New York Times and USA Today bestselling authorA writer’s life has its own special stresses, especially dealing with rejection, the criticism of our heartfelt work, and juggling a fluctuating (and often low) income. Dr. Debra will present strategies for boosting mental health and enhancing motivation. All are welcome!