Kennington Groff is an attorney who launched her own firm and is now working with Lilenfeld PC focusing on entertainment and intellectual property. In addition to her legal work, Kennington worked as a clips producer on Season 4 of WEATHER GONE VIRAL for The Weather Channel. Throughout her career, Kennington gained valuable experience working with top entertainment executives at HBO, NBCUniversal, and Lionsgate in their business and legal affairs offices in Los Angeles and New York City. Full Bio »

Learn from an entertainment and intellectual property lawyer who's worked with HBO, NBCUniversal and Lionsgate how to protect your film or television project's future.
PLUS! Receive Handouts Including A Production Rights Cheat Sheet and Sample Location Agreement
In today’s marketing world, your project’s title and content is its brand.
You’ll use your film or television project’s title for social media handles and the website URL. It’s one of the most vital tools for getting the word out about your project.
It can also be something that grows much bigger. For example, HARRY POTTER started as a book series, but the franchise includes movies, spin-offs, toys, clothing, theme parks, and so much more.
When determining the title for your project, you need to think of the bigger picture and how best to protect you title, and brand, to ensure it doesn’t conflict with other brands so that you can capitalize on your project from all angles.
In this exclusive Stage 32 on-demand webinar, you’ll learn everything you need to know about title clearances and how to protect your project’s title and brand. You’ll also cover script clearances to ensure that you’re safe to include the people, places, real events, and existing material and brands you want to use without fear of reshooting your project from legal issues.
Without the necessary title and script clearances, your project could receive legal notices to halt marketing because of a conflict with another project. You might have to reshoot valuable footage if the script isn’t cleared. But you can avoid these stressful legal and financial setbacks by doing the work correctly now.
Walking you through these legal processes step by step is Kennington Groff, an attorney who launched her own firm, Lilenfield PC, to focus on entertainment and intellectual property. Kennington has extensive experience with clearances and has worked with top entertainment executives at HBO, NBCUniversal, and Lionsgate.
Kennington will show you how to protect your title and the differences with the process in the US versus internationally. You’ll cover error and omission insurance (E&O), the differences between copyright and trademark protection, finding out if your title isn’t available, and more.
Save yourself the time and frustration later by joining Kennington for this invaluable webinar, and protect your project’s future.

Title Clearance: Protecting your Film/TV Title
The Importance of E & O Insurance
Difference between Copyright and Trademark protection?
Film vs. Television Series Title
Understanding Key Terms in Title Clearance
The 2 Kinds of Title Searches and the Pros and Cons of Each
Understanding Script Clearance
Q&A with Kennington
Kennington Groff
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Ever get to the post-production part of your film only to be stopped and have to do several reshoots stretching the budget way over? Ever pitch your work only to have to halt negotiations with a buyer due to chain of title? Ever show your completed project only to not be able to sell it due to legal issues it is warped with? Well look no further because this webinar is designed to help you avoid these pitfalls and make sure all your ducks are in a row legally to avoid having your film stopped in its tracks. COMMON LEGAL ISSUES Often times your Stage 32 Educator Kennington Groff receives numerous calls from individuals claiming (1) that someone stole their idea, (2) we had a verbal agreement and then a falling out and (3) I thought I could use all the materials and whole facility as I wanted. Sadly, without proper detailed agreements in place, there is not a lot that can be done for these disputes. One of the most important things an aspiring writer, producer, talent or any other job working in entertainment someone can do is make sure to get a detailed agreement in writing. While you may think this will cost a lot of money upfront and is not worth it, it will be far cheaper and more beneficial to have these agreements in place upfront than trying to recover or solve a dispute on the backend. ABOUT YOUR STAGE 32 EDUCATOR Kennington is an attorney who launched her own firm and is now working with Lilenfeld PC focusing on entertainment and intellectual property. In addition to her legal work, Kennington worked as a clips producer on Season 4 of Weather Gone Viral for The Weather Channel. Throughout her career, Kennington gained valuable experience working with top entertainment executives at HBO, NBCUniversal, and Lionsgate in their business and legal affairs offices in Los Angeles and New York City. In this exclusive Stage 32 Next Level webinar Kennington will teach you an overview of legal issues that can arise across all departments to make sure that you are protected on your project. Plus! With the purchase of this webinar you will also receive: Location Agreement A Production Rights Cheatsheet
A New Exclusive Webinar Learn the keys to making a successful independent film that launches your career in this exclusive Stage 32 webinar with the Co-Chairman of the Producer's Guild of America's International Committee and Founder of Producers Without Borders We know that you are serious about your filmmaking career so we've brought in a successful filmmaker to teach you the most important things that you need to know to make your independent film a success and something that can take your career to the next level. No matter what your skill set or experience, there are key lessons that you need to know before stepping on set for the first time to make your movie. Having the guidance of a professional filmmaker will help you sidestep common obstacles and be best prepared for your creative journey and Stage 32 has you covered. In this exclusive Stage 32 webinar, you’ll be guided by Kayvan Mashayekh, a professional filmmaker, Co-Chair of the PGA's International Committee and the Founder of Producers Without Borders. Kayvan launched his career by writing, producing, and directing the epic independent feature THE KEEPER: THE LEGEND OF OMAR KHAYYAM. After winning the Relativity Media Special Prize for his writing, Kayvan was mentored by GLADIATOR and SCHINDLER’S LIST Oscar-winning producer Branko Lustig as they developed a slate of international, studio-level projects. Kayvan understands the importance of mentoring up-and-coming storytellers. Now, Kayvan is sharing his well earned knowledge directly with you. Through this webinar, Kayvan will show you the crucial steps you need to prep before your film, the importance of your budget, and where to invest your time and money to have the most successful independent film production. He’ll also show you how to use test audiences to your advantage so you can ultimately produce and release the best version of your film. From prep to physical production through post-production and marketing, Kayvan has the guidance, tips and tricks you need to successfully make your own film. You walk away from this webinar with tons of knowledge that you can immediately apply to your project. Don’t miss out on this incredible opportunity to learn from a world-renowned producer and independent filmmaker.
Learn the fundamentals of how to create a successful multi-cam television series from a seasoned television writer who has worked on FX's IT'S ALWAYS SUNNY IN PHILADELPHIA, Freeform's BABY DADDY, Disney's SYDNEY TO THE MAX, and more! PLUS! You'll receive exclusive handouts to help you on your multi-cam comedy writing journey, including the script for the pilot episodes of FRIENDS, NEW GIRL, CHEERS, IT'S ALWAYS SUNNY IN PHILADELPHIA, BABY DADDY, and SYDNEY TO THE MAX! Multi-cam comedies are half-hour shows filmed in a studio in front of a live audience with multiple cameras directed toward standing sets, like a living room, that we get used to seeing in every episode. The multi-cam sitcom has been the mainstay of TV comedy since I LOVE LUCY first invented it in 1951. From CHEERS, SEINFELD, and FRIENDS to EVERYBODY LOVES RAYMOND, BIG BANG THEORY, FULL HOUSE and FULLER HOUSE, so many of the mega-hit TV shows that we all know and love are multi-camera series. Even in 2023, multi-cam sitcoms are everywhere, with shows like LOPEZ VS LOPEZ, THE CONNERS, NIGHT COURT, THE NEIGHBORHOOD, and THAT 90'S SHOW garnering huge ratings and anchoring program schedules for their respective networks/streamers. There will always be a robust market for multi-cam comedy writers who can deliver laugh-out-loud scripts, which means writing your own multi-cam pilot will greatly increase your staffing and development opportunities. In fact, most kids and family sitcoms are multi-cams, which in many cases represent the easiest path to getting that ever elusive first writing job or sale. In a world where writing staffs and episode orders are shrinking and opportunities for writers to go to set and gain valuable producing experience are becoming less and less the norm, multi-cam television is one of the few genres where the traditional job of a TV writer/producer still exists. In this exclusive Stage 32 webinar, veteran TV writer Eric Zimmerman will teach you the essential elements that comprise a successful multi-cam television series - characters, tone, dialogue, and set ups, to name a few - so you can create your multi-cam series that sets you up for a successful career. Eric has been a working TV writer for 14 years, including writing on all 100 episodes of Freeform’s multi-cam hit BABY DADDY. Most recently, he served as a Co-Executive Producer on Disney’s multi-cam series SYDNEY TO THE MAX. He has also sold several multi-cam projects to Disney and Netflix, as well as worked on multi-cam network pilots. Eric wasn’t always a multi-cam writer. He got his start writing on single camera and animated series, including the Emmy-nominated DAN VS. But once he started writing multi-cams, he quickly fell in love with the genre. In this information-packed webinar, Eric will go in depth on the differences between writing a multi-cam versus single camera or animated sitcoms. He will give you the necessary tools to determine if your pilot idea works best as a multi-cam, single-cam, or perhaps the often hard to purely define “hybrid” series. Eric will also break down all the essentials of writing your own successful multi-cam pilot script, with an eye toward the goal of it serving as an effective writing sample or to be sold as a spec. PLUS! You'll receive exclusive handouts to help you understand multi-cam character and structure so you can write your own. Downloads include the PILOT SCRIPTS for: FRIENDS NEW GIRL CHEERS IT'S ALWAYS SUNNY IN PHILADELPHIA BABY DADDY SYDNEY TO THE MAX If you want to explore the key elements of writing a successful multi-cam series and learn the process of writing your very own multi-cam pilot, this webinar is a must! "I am thrilled to be part of this vibrant stage 32 community! I have every confidence that my Multi-cam 101 class will prove more valuable to your life than food, water, and perhaps even air." - Eric Zimmerman
We're kicking off the first Writers' Room of 2020 with a deep dive into antiheroes - one of the most difficult character types to write. During this supersized 90 minute webcast, Director of Script Services, Jason Mirch explores the complexities of characters from some of our favorite films and television series including Joker, Kill Bill, The Social Network, The Irishman, "Fleabag", "The Sopranos", "Sherlock" and more to find out what makes them tick...and why we love them. We discuss the how screenwriters craft compelling antiheroes and I will give you specific types of antiheroes to consider when writing as well as tips on how to write them!
Learn what it takes to be an Assistant Director from the AD of blockbusters like Mission Impossible, 2Fast 2Furious, Transformers and more! Includes a detailed break down of 6 pages from the Jurassic World shooting script Countless filmmakers have started as AD's before finding their own projects to helm--even Martin Scorsese and Alfred Hitchcock! So what exactly does an Assistant Director do? And how can you become successful in this key role? Jason Roberts is one of the top DGA Assistant Directors in the business and has worked with filmmakers such as Michael Bay, Doug Liman, Alexander Payne, Angelina Jolie and more. Over his 30+ years of experience as an AD, Jason has helped manage projects such as HEAT, SAVING PRIVATE RYAN, COLLATERAL, ALMOST FAMOUS, MISSION IMPOSSIBLE: GHOST PROTOCOL, JURASSIC WORLD among many others. Jason has built a name for himself as a go-to and effective AD on set which has allowed him to contribute to countless films, TV series and maintain a career over decades. He's now going to share how he is so successful in his role. In this epic Stage 32 2-part on-demand master course, Jason will call upon his 30+ years of experience to teach you the mechanics and art of an assistant director's role, including prep, shooting, working relationships with the director, producers, cinematographer, actors, and all tools you need . Plus, Jason will provide you with an AD Production Packet - templates that you can use on your own projects: Script Pages, Call Sheet, Production Report, Story Boards, Partial One-Line & Shooting Schedule. Praise for Jason's Stage 32 Class: "Jason's webinar was fantastic. I really enjoyed it. I loved his work ethic. That's why he's where he is today." "Jason was and is wonderfully inspiring!" "First of it's kind for me in the 'behind the scene' look at his life in the business. Quite fascinating. I'm sure he has many many stories to tell. Boy, that was a fast class."
If you write comedy you know what it feels like to stare at a blank page worrying that your signature lead character may not be funny enough to drive your story and dialogue. Your lead character is central to the success of any comedy and if your lead character bombs in your story then your movie or TV show most likely will follow. When you're trying to create your signature comedic lead for your scripted comedy, the principles of stand-up comedy will help you find what’s working. And if it's not working, the principals of stand up comedy can show you how to fix it. Stand-up is about finding a character’s voice, creating dialogue that stands out, and knowing how to get out of a scene quickly. You need to learn how to understand a scene’s “premise” and your character’s role in it and create multi-layered characters who are consistent while also getting the laugh. In this exclusive Stage 32 webinar, actor and stand-up comic John Mooney will show you the way. You’ve seen John perform on Comedy Central, recurring on 30 ROCK, and appearing in the video game GRAND THEFT AUTO V. John most recently co-wrote and is currently executive producing a feature film starring THE BLACKLIST’s Harry Lennix and directed by THE SOPRANOS’ Federico Castelluccio. Most importantly, you’re going to learn to let go of fears that hold back comedy writers and comedians, like “what will they think,” “Should I go to law school,” and “is this offensive?” By the end of this webinar, you’ll be prepared up to create a sustainable comedic lead character, letting go of the mental roadblocks, and confidently embracing your unique point of view and voice.