Kennington Groff is an attorney who launched her own firm and is now working with Lilenfeld PC focusing on entertainment and intellectual property. In addition to her legal work, Kennington worked as a clips producer on Season 4 of WEATHER GONE VIRAL for The Weather Channel. Throughout her career, Kennington gained valuable experience working with top entertainment executives at HBO, NBCUniversal, and Lionsgate in their business and legal affairs offices in Los Angeles and New York City. Full Bio »

Learn from an entertainment and intellectual property lawyer who's worked with HBO, NBCUniversal and Lionsgate how to protect your film or television project's future.
PLUS! Receive Handouts Including A Production Rights Cheat Sheet and Sample Location Agreement
In today’s marketing world, your project’s title and content is its brand.
You’ll use your film or television project’s title for social media handles and the website URL. It’s one of the most vital tools for getting the word out about your project.
It can also be something that grows much bigger. For example, HARRY POTTER started as a book series, but the franchise includes movies, spin-offs, toys, clothing, theme parks, and so much more.
When determining the title for your project, you need to think of the bigger picture and how best to protect you title, and brand, to ensure it doesn’t conflict with other brands so that you can capitalize on your project from all angles.
In this exclusive Stage 32 on-demand webinar, you’ll learn everything you need to know about title clearances and how to protect your project’s title and brand. You’ll also cover script clearances to ensure that you’re safe to include the people, places, real events, and existing material and brands you want to use without fear of reshooting your project from legal issues.
Without the necessary title and script clearances, your project could receive legal notices to halt marketing because of a conflict with another project. You might have to reshoot valuable footage if the script isn’t cleared. But you can avoid these stressful legal and financial setbacks by doing the work correctly now.
Walking you through these legal processes step by step is Kennington Groff, an attorney who launched her own firm, Lilenfield PC, to focus on entertainment and intellectual property. Kennington has extensive experience with clearances and has worked with top entertainment executives at HBO, NBCUniversal, and Lionsgate.
Kennington will show you how to protect your title and the differences with the process in the US versus internationally. You’ll cover error and omission insurance (E&O), the differences between copyright and trademark protection, finding out if your title isn’t available, and more.
Save yourself the time and frustration later by joining Kennington for this invaluable webinar, and protect your project’s future.

Title Clearance: Protecting your Film/TV Title
The Importance of E & O Insurance
Difference between Copyright and Trademark protection?
Film vs. Television Series Title
Understanding Key Terms in Title Clearance
The 2 Kinds of Title Searches and the Pros and Cons of Each
Understanding Script Clearance
Q&A with Kennington
Kennington Groff
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Ever get to the post-production part of your film only to be stopped and have to do several reshoots stretching the budget way over? Ever pitch your work only to have to halt negotiations with a buyer due to chain of title? Ever show your completed project only to not be able to sell it due to legal issues it is warped with? Well look no further because this webinar is designed to help you avoid these pitfalls and make sure all your ducks are in a row legally to avoid having your film stopped in its tracks. COMMON LEGAL ISSUES Often times your Stage 32 Educator Kennington Groff receives numerous calls from individuals claiming (1) that someone stole their idea, (2) we had a verbal agreement and then a falling out and (3) I thought I could use all the materials and whole facility as I wanted. Sadly, without proper detailed agreements in place, there is not a lot that can be done for these disputes. One of the most important things an aspiring writer, producer, talent or any other job working in entertainment someone can do is make sure to get a detailed agreement in writing. While you may think this will cost a lot of money upfront and is not worth it, it will be far cheaper and more beneficial to have these agreements in place upfront than trying to recover or solve a dispute on the backend. ABOUT YOUR STAGE 32 EDUCATOR Kennington is an attorney who launched her own firm and is now working with Lilenfeld PC focusing on entertainment and intellectual property. In addition to her legal work, Kennington worked as a clips producer on Season 4 of Weather Gone Viral for The Weather Channel. Throughout her career, Kennington gained valuable experience working with top entertainment executives at HBO, NBCUniversal, and Lionsgate in their business and legal affairs offices in Los Angeles and New York City. In this exclusive Stage 32 Next Level webinar Kennington will teach you an overview of legal issues that can arise across all departments to make sure that you are protected on your project. Plus! With the purchase of this webinar you will also receive: Location Agreement A Production Rights Cheatsheet
Learn directly from Gotham Award-winning Producer Shaun O’Banion who's worked with Steven Spielberg, James Cameron, Joe Wright and Judd Apatow. Everyone will tell you filmmaking is a collaborative process and comes down to relationships. Possibly the most important relationship? The one between the writer and the producer or exec. This partnership is critical and is often the first spark that can get a project going. But this relationship doesn’t just materialize without any work put in. The truth of the matter is the collaboration and trust that’s built between the writer and producer, starting with the optioning or hiring process and going through all of development and production can be just as important as the script and production itself in how successful the film turns out to be. If you’re a writer, it can be challenging to find a producer who is the right fit and actually get on their radar or get them to read your work in the first place. As a producer, getting your hands on the script that you actually connect with and that you can feel confident in producing can be quite an undertaking. And whether you are the writer or the producer, navigating this creative relationship through the murky development process is complicated but absolutely crucial. So how does a successfully writer-producer relationship actually work? How do producers find scripts and how can you set up your own screenplay for success? And once you’re on your way, what steps can you take to ensure the relationship, and therefore the entire project, doesn’t fall apart during development? Let’s explore. Shaun O'Banion is an award-winning producer and the founder of production company Ravenwood and has worked with writers and filmmakers such as Steven Spielberg, James Cameron, Joe Wright and Judd Apatow. O’Banion produced DAKOTA SKYE which became a cult hit and remained in the Top 100 Most Viewed on Netflix. He also produced GIRLFRIEND, the first film in North America to star an actor with Down Syndrome in the lead role. The film premiered at the Toronto International Film Festival, sold to Strand Releasing and won O’Banion an IFP Gotham Award. He joined the Producers Guild of America and co-produced THE AUTOMATIC HATE which made its World Premiere at the SXSW Film Festival. The film was released theatrically by Film Movement. Shaun has also worked as a post production project coordinator on some of the industry's leading films in recent years including JOJO RABBIT, TERMINATOR: DARK FATE, THE AFTERMATH and OPHELIA. Shaun is well versed on building relationships to get films made and is ready to break down what he knows In this exclusive two-part on-demand Stage 32 class, Shaun will walk you through process of getting material produced from the producer's perspective. He’ll go through what producers look for, how doing your research matters, and how collaboration with your new partner is the key to it all. Plus, expect to learn the differences between setting up a short and setting up a feature. Shaun will also delve into the development process and give you a new set of tools to get your material in top form. The development process is murky and hard to navigate, but Shaun will go in-depth on how exactly to see it through to the end by building a strong relationship with your producer. Praise for Shaun’s Stage 32 Class "Loved the up-front examples of how long it took to develop different films and whys behind it. Super informative." - Gina G. "For people trying to break into the business, these kind of webinar chats where the info and experience rolls off the cuff is important and very effective for me. If you can't be around the industry and executives, having the opportunity to 'be in the room' and hear about process and how things are done is really important." - Diana L.
Many beginning filmmakers, even many accomplished ones, remain confused about “the market”, when it comes to short films. But the true question is not “Is there a market?” but rather “Is there a market for me, my film, in the short film world?” The answer is an unconditional “Yes.” Short films are more popular than ever. With more and more film festivals catering to short films, increasing outlets for distribution, and online platforms offering the promise of revenue sharing models, the appeal of making a short film is on the rise. But how do you market your short film? How do you increase your chances of not only being seen, but even making a return on a short film? The answers are out there, if you know the right questions to ask. David Paterson, is an accomplished writer, director, and producer of short films that have been seen in over 100 film festivals throughout the world. David knows that the "marketing" of your short begins well before FADE IN. And as an advisor to four major film festivals as well as performing as a juror on several short film contests, David is an expert at the most successful ways to market your short film. David will discuss not only the many marketable elements of a short film, but how you can develop and cater that film to best benefit you as a writer, filmmaker, or producer. He will show you how, by focusing on your talents and profession within the short film, you can maximize "the bang for your buck". Further, David will cover the holy grail that all filmmakers want to master: Distribution, Recognition and Monetization of their short film. None of these three objectives come without pitfalls. In comprehensive fashion, David will walk you through those pitfalls, how to avoid them, and put you on the road to recognizing and obtaining that perfect "market" for your short film. PRAISE FOR DAVID'S TEACHINGS: "I find the market for short films daunting. While I love the process of making a film, getting it seen and the idea of making money off of my work has always been a black hole for me. This information made me realize that I've been taking an "all or nothing" approach instead of a targeted one." - Maya V.
In the final Executive Hour of 2020, the Writers' Room members welcome Emmy-nominated and Peabody Award-winning writer Vijal Patel who has written for comedy series including ABC’s BLACK-ISH, THE MIDDLE, and currently is the Co-EP on SCHOOLED with Tim Meadows. He also writes and develops feature film projects for DreamWorks and has a development deal with Sony Pictures Television. Vijal has built his career on writing comedy and using it to explore race, family, religion, politics, and class struggle. During this webcast, we discuss how Vijal entered the industry without going to film school, how he landed his first agent and manager, his thoughts on writing compelling dialogue, characters, and comedy, along with a lot more! It is one of the best Executive Hours of 2020!
It's an undeniable fact, there is no hotter market right now than television. Over the last year, over 600 shows were broadcast on TV networks, basic cable, premium cable, and the streaming platforms. And this isn't even counting limited series, docu-series and other short form content. And with new platforms like Disney+, Apple, Facebook TV and others diving into original content, there is no peak in sight or end to this gold rush on the horizon. If anything, we may just be getting started. In fact, most streaming platforms like Netflix have made a pledge to have their entire libraries consist of over 50% original content in just a few years. Think about that! So how can you take advantage of this incredible buying and producing spree, get in a writers room, work your way up to an executive producing/showrunning position and run your own show? We're glad you asked. David Weddle has been at the television game for over 20 years. Over a prolific and well documented career, David has worked on some of the most highly acclaimed and longest running shows of all time including Battlestar Galactica, CSI, Star Trek: Deep Space Nine and Guillermo del Toro's award winning and ground-breaking series, The Strain. David has worked side-by-side with some of the top showrunners in the business including Cartlon Cuse (Lost, Bates Motel, Jack Ryan). Currently, David is a co-executive producer/showrunner and writer for the Apple TV hit For All Mankind. In this exclusive special event Stage 32 Masters of Craft Webinar, David will take you to what it takes to build a career from writer to showrunner. He will explain the entire landscape and give you a full understanding of who does what and why. He will explain how to get into a writer's room and what to do (and not to do) once you get in. He will show you how to play the political game, climb the ladder, and earn respect. He will teach you how to think and work like an EP until you become one. As if that wasn't enough, David will then take you through the world of showrunning. He will explain how writer's rooms are staffed. How seasons are laid out, how arcs are created and how episodes are broken down. He will explain budgets and scheduling, using real world examples from The Strain, Battlestar Galactica and CSI. He will talk hiring directors, getting your cast and making sure your show runs like a Swiss watch. And he will take you through the days and nights of being an EP and showrunner, so you know exactly what to expect and how to navigate the playing field. Joining David to moderate this exclusive Stage 32 Masters of Craft webinar is our very own CEO, Richard Botto, a writer and producer himself with a television pilot in development. The world of breaking in and staying in television doesn't need to be complicated. David will show you the tricks, tips and, most importantly, the facts you need to shorten your path to success. PRAISE FOR DAVID'S TEACHINGS: "I was in a writer's room for 9 weeks and then our show got cancelled. I learned more today than I did being in that room for those 9 weeks." Anthony P. "This truly was a masterclass. I learned so much." - Rebecca C. "I was in a writer's room for 9 weeks and then our show got cancelled. I learned more today than I did being in that room for those 9 weeks." Anthony P. "David, you're a rock star." - Pam J. "Rewatching. Rewatching. Rewatching. Thank you, David and Stage 32." - Annette F.
Exclusive to Stage 32, Chris Lockhart, one of the most legendary and revered literary agency story editors in the business, teaches you how to create a world-class logline. Chris has read over 60,000 scripts in his career for WME and has the database to prove it! **PLUS! Chris breaks down selected loglines submitted from the Stage 32 community!** A logline is the way your screenplay is introduced to the world. It’s rare that anyone in the industry will read your script without knowing something about it first. A-List actors, producers, directors, managers, agents, financiers and development execs usually require hearing a logline before ever agreeing to read a screenplay. If your logline doesn't sing, the script usually doesn't get opened. Even more important, if the logline doesn't work, it's a signal to those who read screenplays for a living that the script probably doesn't either. Delving into a logline can help you identify problematic elements of your screenplay, enabling creative solutions to fix those issues. There is no one better to teach this subject than Chris Lockhart. As Story Editor at William Morris Endeavor (WME), the world's largest diversified talent agency, Chris has curated projects for A-list actors such as Denzel Washington, Liam Neeson, Mel Gibson, Matt Damon, Rachel McAdams, Ben Affleck, and countless others over the last 20+ years. He's accomplished this reading and exploring through piles of screenplays, magazines, books, old movies, TV shows, and pitches in search of potential film projects. If you've seen one of these actors in just about anything, chances are Chris was the first stop for the screenplay (of which he's read over 60,000), but only after he heard the logline and deemed it worth of a read in the first place! Chris began his career at International Creative Management (ICM), where he worked as script consultant to legendary talent agent Ed Limato, who represented industry giants such as Mel Gibson, Richard Gere, Michelle Pfeiffer, Liam Neeson, and Robert Downey, Jr. Chris later moved to the venerable William Morris Agency, which eventually merged with Endeavor to form WME. Chris is the Story Editor for A-list talent such as Denzel Washington, Michelle Williams, Richard Gere and more! In this exclusive stage 32 on-demand webinar, Chris will break down the mechanics of a logline to determine what makes one work. He'll show you what aspects A-List actors, directors, managers, agents, producers, financiers and development execs look for in a logline that makes them want to take the next step and read your script. Chris will then take you on a broader discussion of the elements of successful screenwriting and how your logline can betray what you've written or reveal the shortcomings in your script. As a bonus, Chris will then read and break down several loglines that we're sent in by Stage 32 community members to demonstrate what worked and what didn't. In this jammed packed and entertaining webinar (trust us, Chris is a character and a half), Chris will not only teach you how to write a logline, but how to tailor it in such a way that it is appealing to talent, representation and the money! Praise for Christopher's previous Stage 32 Teaching: "Amazing webinar, loved it. It was the best I have ever watched!" -- Robert M. "Chris was clear, concise, helpful, and focused. Loved his enthusiasm and humor." -- Lori H. "Oh my god, I was laughing all the way through. In between writing about 10 pages of notes. SO much fun and a wealth of knowledge." -- Denise G. "Very informative. Clarified a lot of questions I've always had regarding loglines. Well worth the money." -- Emmit R. "It was very informative and insightful." -- Mays S.