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During this hour-long webcast, Jason explores the uses of this technique to drive plot, reveal character and deliver exposition using some of our favorite films and television series including "Fleabag", Deadpool, Spaceballs, "House of Cards", Fight Club, The Big Short and more to find out how these projects break the fourth wall without throwing us out of the narrative. We discuss the how screenwriters weave this storytelling device into scripts and Jason gives you specific types of wall breaks to consider when writing as well as tips on how to write them!
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We’re back in the Writers’ Room for the Breakdown with LT Verrastro (Writer). We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as writer/producer LT Verrastro breaks down his Season 4 Episode 4 of BASKETS.
We’re back in the Writers’ Room for the Breakdown with Michael Kaplan. We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as Michael breaks down their episode of FRASIER.
As we enter the final month of 2021, it seems appropriate that we breakdown the final of the three acts. The Third Act can make or break your story. During this webcast we will use clips and scripts from your favorites to uncover what makes a 3rd Act work.
We're back in the Writers Room this afternoon for The Breakdown Webcast with Producer and Writer, Nick Waters. Nick Waters is a Producer and Writer of the horror film, MARGAUX starring Vanessa Morgan and Madison Pettis, currently in post production at Paramount Pictures. Nick is also Producing a comedy with Chloe Grace Moretz, and a psychological thriller he wrote and is producing with a top horror company. Nick produced the horror feature SHELTER IN PLACE in 2020 with The Komack Company - the producers of DEADPOOL and VAN WILDER. He continues to develop other projects to bring to that company. Nick is currently directing and producing a documentary with some of the world's top ballroom dancers. Prior to transitioning into Producing, Nick was in front of the camera as an actor - bringing with him valuable relationships with talent and filmmakers.
We take a look at how writers put together montages to explain complex plots in V for Vendetta, makeover a character in Crazy, Stupid Love, bring levity and character to the dark comedy of Groundhog Day, make working out interesting in Rocky, drive home a theme in The Godfather, and tell us an entire, moving prequel in Up.
Everyone loves a good thrill! In this webcast we will break down what makes Horror, Thriller and other genre scripts so appealing - and why they continue to dominate box offices around the world.