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We're back in the Writers' Room for the Write Now Challenge Webcast: A New Beginning! In this challenge - using the Breakdown Webcast: The First 10 Pages as a guide - you were asked to write (or rewrite) the opening of a feature or pilot using an technique you have not yet tried before. We had over 20 submissions and this super-sized webcast went a full 2 hours! During that time we read entries from members that were Sci-Fi, Supernatural, Drama, Romance, and much more! Full Bio »
We're back in the Writers' Room for the Write Now Challenge Webcast: A New Beginning! In this challenge - using the Breakdown Webcast: The First 10 Pages as a guide - you were asked to write (or rewrite) the opening of a feature or pilot using an technique you have not yet tried before.
We had over 20 submissions and this super-sized webcast went a full 2 hours! During that time we read entries from members that were Sci-Fi, Supernatural, Drama, Romance, and much more!
The Write Now Challenge
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Write out your Top 3 2022 goals. Then choose one goal that you would like to start with. Break that goal into smaller action steps, finally settling on your first step toward that goal.
For this challenge, members were asked to use The Breakdown Webcast: Writing Theme as a guide to look at one (or more) of their feature or television scripts and identify the themes. During the webcast, participants read their responses and discussed the ways in which they arrived at their themes. We also discussed ways in which they can do more to illuminate their themes.
In this challenge, you were asked to use The Breakdown Webcast: What the *&%$ is a Dramedy? as a guide to write a short scene (1-5 pages) that uses all of the principles discussed. Make sure to watch the Breakdown Webcast for those tips! You can find that by clicking here. We received some excellent submissions that all attempted to ride that fine line of truly being a "Dramedy."
We are turning the spotlight - and the microphones - back over to you during the Write Now Challenge webcast!In this challenge, you were asked to write a scene (3 pages) in which a character anticipates the arrival of one character, but instead, an unexpected visitor shows up, and that visitor is the absolute most wrong person. Your main character then needs to come up with a creative lie to get rid of the unexpected visitor. Ask yourself, why is that person the most wrong person in that moment? What tactics does he or she use to try and get rid of the unexpected visitor? How does the tension escalate between characters? How are you conveying the differences in the characters' voices in your writing?
Every great pitch starts with a great logline and every script you write has a perfect logline, it's your job to discover it. This month we challenged you to write, rewrite or polish your logline(s) and send them our way!
In this challenge, members were asked to tell an entire story, in one page of script, using precisely four scenes. Far too many screenwriters waste pages. Good screenwriting is about making every single sentence count. There shouldn’t be any moment of a movie or television series which isn’t important on some level. The scenes can have dialogue - or no dialogue - depending on what you choose. What is important is that it has a beginning, middle, and an end. When you are done watching the webcast, head on over to the Private Lounge and discuss your favorite submissions!