Screenwriting : SHHHHHH !!! Proper script formatting of a 3-page scene involving two characters who are whispering. by Bill Brock

Bill Brock

SHHHHHH !!! Proper script formatting of a 3-page scene involving two characters who are whispering.

Hello, "Fancy Writin' Hollywood People." Currently working on a scene that finds two characters having to whisper to one another backstage, directly behind a movie theater screen as the film plays to an audience. It's the first time I've ever written a scene that involves a good amount of whispering. I just don't want three full pages of this:

LISA

(whispers)

Do you.... Do you know where Ellis and Harry are?

TREY

(whispers)

You want the short answer?

LISA

(whispers)

Yes.

TREY

(whispers)

They're both dead.

Question: What's a good way to introduce to the reader that the characters will be whispering throughout the scene thus avoiding ALL of these: (whispers)?

Would this work? --

Recognizing their immediate surroundings, Trey and Lisa are forced to whisper backstage.

Please advise.

Thank you for helping some dude put the finishing touches on his latest work.

Maurice Vaughan

Yeah, that works, Bill Brock (''Recognizing their immediate surroundings, Trey and Lisa are forced to whisper backstage"). It saves a lot of space.

Jacqueline Maddison

That works! A simple sentence does the job.

Kiril Maksimoski

Use "sotto" or "sotto voce"...grow writing vocabulary with terms easily understandable to filmmakers, not the general public...that's one point of mastering the craft...

Bill Brock

Maurice Vaughan Thanks, Maurice! Agreed! Can't wait to delete all those pesky paranthesessssssssss!

Bill Brock

Jacqueline Maddison Thanks, Jacks! Yep. Keep is simple. : )

Bill Brock

Kiril Maksimoski Thanks, Kiril. Yes, agreed. I've used "sotto voce" in past scripts. It looks so cool on the page! I DO question whether or not some judges and / or reading assistants would understand it. One can always hope.

Maurice Vaughan

You're welcome, Bill Brock.

Ewan Dunbar

The most important thing is that your intention is clear to the reader and doesn't disrupt the flow of the read.

Other topics in Screenwriting:

register for stage 32 Register / Log In