Audrey Knox: Screenwriter and script consultant in Los Angeles, California.

Richard Kelly

Hello Audrey-Contacting you as i found you via Alexia. I have several Creator owned Graphic Novels-they have screenplay Adaptions. Check out http://www.graphicnovellitagent.com I am looking to sell their Film Rights-Of course a percentage of which for anyone who can help. 1 LYCANTHROPY- UNION and CO...

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Graphic Novel Lit Agent - Graphic novel tales
Graphic Novel Lit Agent - Graphic novel tales
© 2022 Graphic Novel Lit Agent, All Rights Reserved
Alexia Melocchi
Ask Me Anything (AMA) 12/19 to 12/20- Understanding International Distribution

Hello, Stage 32 community! I am delighted to be available to answer any questions related to international distribution. I have been a sales agent/buyers rep since 1989 and have seen and done it all.

I am also a P.G.A producer and consult for the top international production companies and distributo...

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Alexia Melocchi

M LaVoie test scores mean nothing internationally but domestic would help.

Maria Soriano

Thanks, Alexia, for all your answers!

Shane Taraschke

I would love to know what is the toughest part of getting into Film Sales nowadays?

Audrey Knox

This is great! I enjoyed the Jimmy on Film video. It's always awesome to learn more about lighting and aspects of cinematography that I don't usually think about in my daily work. Thank you for the recommendations, as always.

Richard "RB" Botto

Agree, Audrey Knox. That was a great one. Appreciate you commenting!

Audrey Knox

As always, I really appreciate you pointing out the intricacies of cinematography and how they are important to storytelling as a whole. What would a great director be without a great cinematographer? And in an industry where professional relationships like this span entire careers, if you're a dire...

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Richard "RB" Botto

One great share, Audrey. So many valid and important points in one post. There many not be shortcuts through the gates in this business, but the one way to speed the pace to the promised land is through relationships.

Steven Gamella
Exposition in a feature script: How to make it interesting without boring your reader?

I'm working on a new feature script, and I've reached a point where backstory critical to the script needs to be explained, as it explains the script's cold opening scene. I'm trying to write the necessary exposition without "telling " too much, but I'm kind of stuck here. Does anyone here have any...

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Steven Gamella

Thanks everyone. Great suggestions!

Maurice Vaughan

You're welcome, Steven Gamella.

Ewan Dunbar

There is a lot audiences can get from non-verbal communication. Like if a topic is painful for instance. This way you can keep the dialogue exposition to a minimum and have a character’s non-verbal reaction to it tell the impact or importance of this.

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