Anouk van Ghemen is a freelance financial consultant with an emphasis on film funding and tax incentive schemes in Germany and the rest of Europe. With her company ONE FOUR FILMS she works for both national as well as international clients, such as Sony Pictures Releasing, Radical Media and Wild Bunch Germany. Overall, Anouk has been involved in more than 40 film and media projects. Anouk holds a B.Sc. in „International Economics and Management“ from Bocconi University in Milan. She began her career in the film industry working as Assistant to Producer in Berlin and Paris and later became responsible for the funding and financing of a Berlin-based company‘s international films. Notable projects include the Indian-German co-production DON 2, the French-Canadian TV series TRANSPORTER, and the Korean thriller THE BERLIN FILE. In addition to her consulting services, Anouk recently began producing her own films with a number of projects currently in early stage development. She is a board member of Women in Film and Television in Germany. Full Bio »
With the gap between independent films and studio films constantly growing, it has become quite a challenge for independent producers to finance their films. As a result, more and more producers are looking outside of their home territories for additional sources of finance. Europe, in particular, is very attractive for international producers: not only does it have diverse landscapes and excellent crews, but the different European countries offer fantastic funding and tax incentive schemes that can be accessed by foreign producers to finance their films.
More and more filmmakers, producers, and even screenwriters are expanding their worldview by tailoring their projects and stories to make them more attractive for a potential European production and co-production. The fact of the matter is there is gold to be mined in this approach. Over the last few years, co-productions with European countries have not only become more common and successful, but the financial incentives have grown tremendously. Finding the right partners and understanding the landscape is not as difficult as one might thing. In fact, the information is readily available for those willing to put in a little legwork.
Anouk will take you into the world of European co-productions with great detail and flair. She will start by explaining European vs. international co-productions, bilateral vs. multilateral co-productions, co-production treaties and cultural tests. She will discuss the pros and cons of co-productions and how to identify whether your project fits with the upside potential for a European co-production. She will dive into the important aspects of your script and overall budgetary needs including story, locations, crew, overall costs and more. Then she will get into the most important questions: How do you get the money, how much money can you get, and what will make your application for funding and incentives get approved above all others. Anouk will also teach you how to find, approach and close the right partners to assure your European co-production is a winning one!
"A complete eye opener. I had no idea these options were available to me. It's like moving from a room where the walls are closing in to an open field. The possibilities are endless."
- Steven C.
"Invaluable information."
- Valerie L.
"I have 3 projects in various stages of development that have all but stalled. All 3 could certainly be rewritten or tweaked to fit a European co-production model. We'll be starting on doing just that tomorrow."
- Ricardo C.
"My job as a producer just got easier."
- Patricia M.
Anouk Van Ghemen
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It’s impossible to find an actor, writer, producer, or director who doesn’t have a favorite sketch they have been quoting since they were a kid. And with the recent explosion of short-form content, sketch comedy is more popular and relevant than ever before. Maybe you’re an actor looking to produce your own short-form content but have no idea how to translate your idea to the page. Maybe you’re a comedy writing machine but your sketches feel disorganized or too scattered. With more and more execs/reps wanting to see your work and click a link, sketch comedy isn’t just fun anymore, it can be a functional calling card. And having your sketches hit the mark is essential to making sure those people know your comedy voice is strong, unique, and one worth watching. Since sketch is so accessible, many people dive headfirst into writing/producing sketches without learning the language, tools, and structure. And that’s the reason why 99% of sketches are, let’s be honest, pretty cringey. But with a clear understanding of what a sketch is and what are the engines that drive the comedy, you can learn actual tools/methods to take a simple funny thought and turn it into a tight, streamlined sketch. You have a comedic POV within you; but without the structure, rules, and techniques to hone and streamline an idea into a tight, digestible sketch those ideas spiral out of control. Conversely, you have a great ideas but no conception of how to take that vague thought to finished comedic product. The solution to both these seemingly opposite comedy ailments is the same – structure and technique. Jeff Galante is an actor/comedian/writer is based out of the Groundlings Theater where he is a regular performer and a senior teacher. He created several network comedy pilots including STUNTED (NBC) and THINK TANK (A&E), which was exec. produced by Chris Moore (AMERICAN PIE, GOOD WILL HUNTING). Jeff is currently developing a slate of feature projects including a horror comedy with Jack Quaid and Joe Dante, a rom com with Damon Wayans Jr. and Davis Entertainment, and a dramedy with Andy Fickman. Jeff has consulted on SMALLFOOT (Warner Bros.), contributed material to SATURDAY NIGHT LIVE, and was an actor/writer on Wanda Sykes’ USA sketch comedy pilot WHAT HAPPENED WAS. He recently won the Stage32 Feature Script Competition and has been a finalist/semi-finalist in competitions including the Nicholl Fellowship, Austin Film Festival, and the Universal Emerging Writers Fellowship. As an actor, Jeff has appeared on such shows as 2 BROKE GIRLS (CBS), IDIOTSITTER (Comedy Central) and DISASTER DATE (MTV). He has performed live at Standup NBC, San Francisco Sketchfest, Chicago Sketchfest, and was a cast member/writer on NATIONAL LAMPOON’S revival of Lemmings alongside the boys from WORKAHOLICS. He is also a highly sought-after comedy teacher/director for networks like G4 and SMOSH. In this enlightening on-demand webinar, Jeff will equip you with all the tools you'll need define sketch comedy and identify the different types of the craft. He will deep dive into the various engines of comedy using sketch examples. He will also explain characters and how to make them memorable. He is including a guided brainstorming session in which he will use tools and techniques to get a jumpstart with a clear sketch idea.
Learn the fundamental elements you need to incorporate into your horror feature film screenplay to make it attractive to producers, studios, financiers, streamers, and talent from Sean Keller, a screenwriter who has worked with Blumhouse, Hulu, Lionsgate, and more! Plus! You'll receive the scripts for ALL THAT WE DESTROY and John Carpenter's L.A. GOTHIC! Every Horror film you’ve ever seen starts out as a well-crafted and structured screenplay. This means people are going to have to read your script and decide whether or not it’s worth the time and money to turn it into a movie. You may have tons of great horror set pieces you can’t wait to terrify audiences with but unless your screenplay is compelling and maintains the reader’s interest, your script may never progress into a movie on the screen. The first priority of any writer, horror or otherwise, is storytelling. Before you make a great horror film, you’ll need a well-crafted horror screenplay. Horror movies are not just about terrifying the audience - most importantly they are about telling a story. The story is what makes us care about the characters and the hell they are about to go through. You could have the most original scares imaginable, but if we don’t care about the story and characters then we won’t care about what happens during your horror set pieces. Without elements of structure, character development, tone, and theme a producer may stop reading your screenplay, making it highly unlikely they’ll be interested in making your film. In this exclusive Stage 32 on-demand webinar, you will learn the fundamentals of how to develop and write (or rewrite) your horror feature film screenplay so that it can get the attention of producers, studios, and reps. Teaching you everything you need to know about writing your horror script is Sean Keller, a professional screenwriter and script doctor who has worked for Blumhouse, ABC, Lionsgate, as well as numerous independent production companies. Sean began working in the entertainment industry as an actor (Roger in 1st National Tour of RENT) before turning to screenwriting and his first love, horror. Sean has written for legendary horror directors Dario Argento (GIALLO) , John Carpenter (THE WARD) and Chelsea Stardust (ALL THAT WE DESTROY) and stars such as Nicolas Cage, Danny Glover, and Adrien Brody. Through his own experiences writing and producing horror films as well as fixing other writers’ scripts and teaching screenwriting and production to countless students and aspiring filmmakers, Sean has a keen sense of what makes a script successful in the horror genre and will be sharing what he knows exclusively with the Stage 32 community. Sean will walk you through everything you need to know to make your horror screenplay attractive to producers, investors, distributors, and talent including the current trends in the horror genre and market, how the business of horror writing works, how to best develop the characters in your horror screenplay, how to properly structure your horror feature film screenplay for maximum effect, and so much more. ***Sean will also teach you what you can do after completing your script to get your movie made and further your career as a screenwriter.*** PLUS! You'll receive exclusive handouts to help on your horror writing journey. Downloads include the scripts for: ALL THAT WE DESTROY (Blumhouse/Hulu) John Carpenter's un-produced film L.A. GOTHIC
Whether we’re talking about a comedy or drama, sci-fi or horror, a film or television series, animated or live action, short-form or long-form, having good characters is essential. There’s no escaping it. Even a script with everything else going for it, if it doesn’t have strong, compelling characters, it’s not going to work. Great characters connect the audience to your world and ground it in humanity. They provide stakes, bolster your plot and keep it moving. It’s therefore crucial to understand what make an effective character and how you can create that in your own project. Unfortunately there’s not a step-by-step guide to crafting the perfect character. There’s no secret formula and there’s no surefire algorithm. Good characters are complicated and hard to define because so are people. Good characters hold a mirror up to reality and let the audience see themselves or someone else they know in them. And all of that might be fine and good in theory, but what does that actually mean in practice? If you’re a writer how can you create a character who serves as a mirror, who will stick with audiences long after the movie or show ends? And if you’re a producer or director, how can you recognize a great character from a mediocre one through the written word? Lee Sternthal is a screenwriter, director and photographer who has written screenplays for every major studio, including TRON: LEGACY for Disney, as well as scripts for Johnny Depp, Mel Gibson and many others. His film, THE WORDS starring Bradley Cooper, Zoe Saldana and Jeremy Irons was an Official Sundance Film Festival selection and was later bought by CBS Films. Lee is a Sundance Institute Fellow, and his work has appeared on The Black List. Through his writing career, Lee has spent more time than most considering the art of character and using that to aid his own career, as well as writers he continues to mentor and champion. Lee will walk you through the power of character and how to create great characters for your own project. He’ll begin by discussing why exactly characters are so vital to story and will teach you the key differences between a TV character and a film character. Next he will give you a brief history of character in storytelling and reveal the one fictional character from history that all other characters draw from. Lee will then discuss the difference between heroes and anti-heroes, as well as help you determine which of your characters is the driver and which are the riders. He’ll then delve into the art of a great antagonist and why an interesting adversary is so crucial to a successful story. Lee will help you frame your story through the clarity of need, both in character and in story. Next Lee will go over the classic Hero’s Journey and slightly re-imagine it for modern times. He will give you strategies and exercises to better understand and develop your own characters, including his “What’s Their God?” and “Changing A Flat Tire” games. He’ll then teach you the concept of revealing character through behavior and hiding character with words. Next Lee will delve into the idea of how your characters fit into your world, including how the environment might change your character. He’ll teach you the Shakespearean approach to character and compare it to the Balzacian approach, and will also discuss the difference between neuroticism and human comedy. Finally Lee will go over the dance between plot and character, illustrating how the two should work with and against each other to create a feedback loop that’s necessary for any great script. Praise for Lee’s Webinar: “Great insight. Really helped me in moving forward.” -Martin R. “I really enjoyed Lee's perspective on script writing. The examples he provided were very helpful. I'm very appreciative that he would share his knowledge, some of his techniques and be so generous with his encouragement.” -Simone L. “Lee had a great way of explaining how to get a feel for the character and why they have the traits they do. Lee did a great job of covering a lot of character related topics which I am glad I have been exposed to.” -Karl H.
The more production savvy we are, the better filmmakers we become. As directors, it is our job to know every heartbeat of our story; the preparation needed for executing our vision; and the intricacies of bringing it to its final conclusion, in a way that will illicit an emotional response from our audience. That means that we must not take our foot off the pedal once we wrap. Being present, aware, in control, and maintaining our focus during post-production is vital. Sometimes our film is made (or lost) in the edit. The technical steps of post production can seem overwhelming, especially coming off the heights (or lows) of wrapping a picture. But if we don’t have a good understanding of the post production steps, it could be challenging to bring our vision to a strong finish, and ultimately to a wider audience. Stacia Crawford is a Director/Producer/Writer/Actress who, last year alone, directed two feature films which premiered on Netflix and Lifetime. As a producer she has helmed five feature films with Mar Vista Entertainment (premieres on Hallmark, Lifetime, CMT), in addition to several independent feature films. In television, Stacia co-directed/produced various unscripted series for NBC/Esquire, The History Channel, A&E, AMC, Spike, Logo, Pivot, Blaze TV, MTV. She also produced several web content shows, most notably for My Space. Prior to directing/producing, Stacia started her career as an actress/writer and can be seen in several feature films, including cameo roles in films that she’s directed. As a writer, she has written two novels (KIT TEN, THE SPACE BETWEEN) and co-created four original dramatic television series, (DRIVING UNDER THE INFLUENCE, WILDCATTERS, AMERICAN CAESAR, and SENESCENT) all currently in development. In a clear, expansive, yet easy to digest presentation, Stacia will help all filmmakers understand exactly how to handle and navigate the post-production process. She will begin by teaching you what to look for when hiring your entire post-production team. From there, she'll discuss the difference between all the post production positions - some sound quite similar, but do completely different jobs - and...do you need them all? Stacia will then dive into scheduling including the level of cuts for the film, and how long each part of the process (sound, coloring, etc) should take. She will discuss pick up shoots, fixing lighting and audio mistakes, and how to protect for footage errors. She'll even get into key art and what to include in your trailer! This is a comprehensive webinar designed to keep you deeply immersed in the post-production process carrying with you the knowledge that will keep your team on board with finalizing your vision. Praise for Stacia from her previous Stage 32 Next Level Webinar: She explained what is the Director's job was very very well and broke it down step by step! -Sharlene R. Stacia did a great job. She was great! -Tracey A If you are thinking of going into the industry it was amazing, hit all the points, and she went above and beyond when she expanded on a lot of her points...like making sure you get your insert shots (which I've been a victim of.). Overall she was great, clear and to the point. -Ryan H. Stacia was great. A lot of good information in a clear and concise manner. -Angel N. Great information! -Liz H. It was interesting to hear from other filmmakers' perspective. I learned a lot about the Director's position, as it relates to Film & TV. I came into this webinar because of my interest in knowing more about the producing/directing side of the industry, and man Stacia really did go in and cover a lot. My mind was soaking up information left and right. Another great webinar! -Shayne W.
This week we welcome playwright and TV writer who is the author of over forty plays! His television credits include Executive Story Editor on Season 2 of the Starz drama "MAGIC CITY", and serving as Executive Story Editor on two seasons of the HBO television show "HUNG". He wrote and directed the film EXILES IN New York, which played at the A.F.I Film Festival, South by South West, The Santa Barbara Film Festival and The Latin American International Film Festival in Havana, Cuba. He has also has sold his original television projects to Starz, Amazon and AMC, among others. During this incredible Executive Hour, Eduardo talks about working with Oscar-winner Al Pacino on the film SCARFACE in his early 20's, how to write compelling characters for stage and screen, what it is like being in a writers room for HBO, and offers a exercise in breaking character and story that brought one of our members to tears!
Learn a step-by-step process from a PGA producer who has made over 25 feature films! PLUS! You'll receive a Development Agreement Template, a Breakdown of Development Funds Document, and a One-Sheet Template to help you raise funds for your next project! As filmmakers, we understand that the industry is ever-evolving with new challenges and opportunities emerging every day. For most independent filmmakers and producers, the most challenging piece of the puzzle is often obtaining funds to make your movie. And the hardest funds to attract are usually the first money in. You have your script and dream, but is it enough to attract your initial funding? This is where your true creativity and innovation can shine through. In this exclusive Stage 32 webinar, you will learn the strategies, techniques, and essential tools needed to bring in your development funds - the first money in so you can create a valuable, professional film package that creates momentum and attracts the full funding needed to get your film made. This webinar addresses the most essential elements for independent filmmakers to attract this essential financing - pitching materials and techniques and creative fundraising strategies. You will learn a proven strategy to engage potential investors, some of who you may already know. You will walk away from this webinar with the process and technique you need to create a compelling business plan, showcase distribution potential, identify potential actors, highlight the director's background, craft an engaging script synopsis, leverage tax credits, and outline a clear pathway for investors to recoup their investment. By building confidence in your ability to navigate the industry, you can pique the interest of investors and secure the necessary resources to bring your vision to life! PLUS! You'll receive exclusive handouts to help you raise the first funds for your project. Downloads include: Development Agreement template Breakdown of Development Funds Document to make your own A One-Sheet template If you're looking to gain the knowledge and skills necessary to attract financing for your feature film project, this webinar is a must! Praise For Michelle's Stage 32 Teaching "Michelle Alexandria proves to be an excellent guide cutting away at the barriers, self or industry created. Stellar webinar, she provides selflessly a deep knowledge, her experiences towards acquiring interest from the least expected sources, helps streamline efforts towards gaining the optimal financial support and guiding products towards audiences. Going to “throw clay onto the wheel” with confidence. Kudos, highly recommend!" -Jen K “I learned so much from Michelle about how to break into the film/tv industry. There's so much to learn about the craft and business of working in this industry and I'm grateful to have Michelle's expertise in guiding me through it.” -- Nick S. "I can't say enough good things about Michelle! Talk about a woman who knows her stuff. I highly recommend all writers, producers, and directors take a course with her to hone their craft and propel their careers." -- Kaitlin L.