How to Finance Your Film By Co-Producing with Europe

Hosted by Anouk Van Ghemen

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Anouk Van Ghemen

Webinar hosted by: Anouk Van Ghemen

Financial Consultant

Anouk van Ghemen is a freelance financial consultant with an emphasis on film funding and tax incentive schemes in Germany and the rest of Europe. With her company ONE FOUR FILMS she works for both national as well as international clients, such as Sony Pictures Releasing, Radical Media and Wild Bunch Germany. Overall, Anouk has been involved in more than 40 film and media projects.   Anouk holds a B.Sc. in „International Economics and Management“ from Bocconi University in Milan. She began her career in the film industry working as Assistant to Producer in Berlin and Paris and later became responsible for the funding and financing of a Berlin-based company‘s international films. Notable projects include the Indian-German co-production DON 2, the French-Canadian TV series TRANSPORTER, and the Korean thriller THE BERLIN FILE.   In addition to her consulting services, Anouk recently began producing her own films with a number of projects currently in early stage development. She is a board member of Women in Film and Television in Germany. Full Bio »

Webinar Summary

With the gap between independent films and studio films constantly growing, it has become quite a challenge for independent producers to finance their films. As a result, more and more producers are looking outside of their home territories for additional sources of finance. Europe, in particular, is very attractive for international producers: not only does it have diverse landscapes and excellent crews, but the different European countries offer fantastic funding and tax incentive schemes that can be accessed by foreign producers to finance their films.

More and more filmmakers, producers, and even screenwriters are expanding their worldview by tailoring their projects and stories to make them more attractive for a potential European production and co-production. The fact of the matter is there is gold to be mined in this approach. Over the last few years, co-productions with European countries have not only become more common and successful, but the financial incentives have grown tremendously. Finding the right partners and understanding the landscape is not as difficult as one might thing. In fact, the information is readily available for those willing to put in a little legwork.

Anouk van Ghemen is a freelance financial consultant with an emphasis on film funding and tax incentive schemes in Germany and the rest of Europe. With her company ONE FOUR FILMS she works for both national as well as international clients, such as Sony Pictures Releasing, Radical Media and Wild Bunch Germany. Overall, Anouk has been involved in more than 40 film and media projectsAnouk holds a B.Sc. in International Economics and Management from Bocconi University in Milan. She began her career in the film industry working as Assistant to Producer in Berlin and Paris and later became responsible for the funding and financing of a Berlin-based company‘s international films. Notable projects include the Indian-German co-production Don 2, the French-Canadian TV series Transporter, and the Korean thriller The Berlin File.

Anouk will take you into the world of European co-productions with great detail and flair. She will start by explaining European vs. international co-productions, bilateral vs. multilateral co-productions, co-production treaties and cultural tests. She will discuss the pros and cons of co-productions and how to identify whether your project fits with the upside potential for a European co-production. She will dive into the important aspects of your script and overall budgetary needs including story, locations, crew, overall costs and more. Then she will get into the most important questions: How do you get the money, how much money can you get, and what will make your application for funding and incentives get approved above all others. Anouk will also teach you how to find, approach and close the right partners to assure your European co-production is a winning one!

 

"A complete eye opener. I had no idea these options were available to me. It's like moving from a room where the walls are closing in to an open field. The possibilities are endless."

- Steven C.

 

"Invaluable information."

- Valerie L.

 

"I have 3 projects in various stages of development that have all but stalled. All 3 could certainly be rewritten or tweaked to fit a European co-production model. We'll be starting on doing just that tomorrow."

- Ricardo C.

 

"My job as a producer just got easier."

- Patricia M.

 

What You'll Learn

  • What is a Co-Production and What are its Main Features?
    • European vs. international co-productions
    • Bilateral vs. multilateral co-productions
    • Co-production treaties
    • Cultural tests
  • What are the Pros and Cons of Co-Productions
  • How to identify the potential of your project for a co-production with Europe
    • Story, locations, crew, costs, etc.
    • What will my co-producer bring in
  • Overview: European Film Funding and Tax Incentives
    • What are the key countries and how do they work, using Germany as an example
    • How much money can I get?
    • How do I apply, what do I need to know?
  • How to Identify the Country and the Right Partners and What is the Best Way to Approach Them?
  • How to Find the “Best Deal”
  • Co-Production vs. Service Production: the Pros and Cons (Including Examples)
  • Q&A with Anouk 

About Your Instructor

Anouk van Ghemen is a freelance financial consultant with an emphasis on film funding and tax incentive schemes in Germany and the rest of Europe. With her company ONE FOUR FILMS she works for both national as well as international clients, such as Sony Pictures Releasing, Radical Media and Wild Bunch Germany. Overall, Anouk has been involved in more than 40 film and media projects.
 
Anouk holds a B.Sc. in „International Economics and Management“ from Bocconi University in Milan. She began her career in the film industry working as Assistant to Producer in Berlin and Paris and later became responsible for the funding and financing of a Berlin-based company‘s international films. Notable projects include the Indian-German co-production DON 2, the French-Canadian TV series TRANSPORTER, and the Korean thriller THE BERLIN FILE.
 
In addition to her consulting services, Anouk recently began producing her own films with a number of projects currently in early stage development. She is a board member of Women in Film and Television in Germany.

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LIMITED SPOTS REMAIN - GRAB YOR SPOT NOW Create the pitch deck and verbal pitch for your television series while being mentored by top literary manager Spencer Robinson, whose clients write for shows on Netflix, Amazon, and more! ***Flexible Learning: if you cannot attend any of the sessions live don't worry - you will be sent the links to the recordings of each session within 48 hours of the live session and you will have direct access to Spencer on email to ask him any questions so you can keep up at your own pace and schedule.*** Payment plans available - contact edu@stage32.com for details   Do you ever feel like you've poured your heart into a pilot script and series idea but can't move it forward because you don't have the entire professional pitch package that buyers now require? Writing and pitching are two very different art forms and they both have to be executed at the highest level for you to achieve success. In this exclusive Stage 32 5-part pitching lab, you will create your professional pitch deck and verbal pitch with expert guidance from a top literary manager. You will walk away from this interactive course with your complete pitch deck and verbal pitch ready so that you are prepared for every scenario and can confidently approach buyers. You will be guided in this lab by Spencer Robinson, a manager at Art/Work Entertainment (whose clients include Eric Heisserer (ARRIVAL, LIGHTS OUT), Erin Cressida Wilson (THE GIRL ON THE TRAIN, SNOW WHITE), and Kelly Washington (JURASSIC WORD, PARKS & REC), among others). In addition to teaching many fantastic classes with Stage 32, Spencer has nearly a decade of industry experience. Spencer's writing clients work in both features and television on broadcast, cable, and streaming platforms. He currently has a client writing on two Netflix series, and another client who just sold a show to Amazon. He also reps a writer who currently has a project at Jason Bateman's Aggregate Films, which has a deal at Netflix. His on-camera clients have been in films with directors Quentin Tarantino, Steven Soderbergh, Clint Eastwood, Gore Verbinski and more. In the TV world, his clients have been regular cast members on shows for Netflix, The CW, Cinemax, CBS, NBC, FX, Starz, Nickelodeon, EPIX, and TBS, to name a few. Spencer has taught numerous webinars, classes and writing labs for Stage 32 and remains one of our most popular and sought after educators.  Over five interactive sessions, Spencer will take you through what makes a pitch deck great, giving you personal feedback in three one-on-one sessions so that you have a powerful sales tool ready when you hit the market. Next, you’ll dive into your verbal pitch with the elements you need to include, the common mistakes many leave out, and how to use visuals to keep executives engaged. Spencer will also cover the kinds of questions producers ask so that you'll be prepared with the important answers in advance. Additionally, you will learn the different avenues available to you for selling a television series. You’ll get THREE one-on-one virtual meetings with Spencer allowing you to practice your verbal pitch and receive notes and then make the adjustments that you give you the edge you need.  Don’t miss out on this amazing chance to work directly with a successful literary manager and get your project ready to hit the current marketplace!   Praise for Spencer's Previous Stage 32 Labs: "Spencer will get those who are ready on their way to a kickass first draft that you can send for coverage, which is what I did. 2 Considers and I'm in rewrites now to move that needle. This was my first ever TV pilot!" - Erika N. (now signed to Fineprint Literary Management after crafting her pilot with Spencer) "I cannot speak highly enough of Spencer Robinson. His lab was absolutely life-changing for me. Spencer's knowledge of the scriptwriting process and his first-hand insights into the industry were invaluable. Spencer has an uncanny ability to pinpoint issues with your script, and his notes really helped to elevate the story and characters of my TV Pilot. He is thoughtful, empathetic and understands the challenge of being a writer." --Emma S. "Spencer will get those who are ready on their way to a kickass first draft that you can send for coverage, which is what I did. 2 Considers, and I'm in rewrites now to move that needle. This was my first ever TV pilot!" -- Erika N. "Had a great time learning and progressing my knowledge of the craft of writing and working directly with a mentor who is a professional in the industry. Spencer was fantastic to be taught by! Thank you!" -- Natalie A. "Spencer's teaching style is the best! His patience and easygoing approach is ideal and unique to him. Kudos to Stage 32 and to Spencer!" -- Armando O.    

How To Create Your Publicity Plan from Development through Distribution

In today’s content gold rush, audiences aren’t waiting for the official trailer anymore to decide if they’ll see a film in theaters or wait for an on-demand release. Now, audiences decide from the first press release or casting announcement, with teams of people working behind the scenes to create buzz through production and release. So before you start rolling, is your publicity plan in place? There’s a reason that major studios spend just about as much on marketing as they do on the production: The movie doesn’t matter if people don’t see it, making publicity and marketing crucial to a film's success. You have to be your own publicist and grab everyone’s attention as early as possible. Don’t let a limited budget keep you from getting the word out. With the right publicity plan in place, you could blow audiences away around the world without breaking the bank. You need a publicity plan. Creating your publicity brand, including casting, staffing, securing talent participation in promotional campaigns, and finding your key media angles are all strategies that start as early as development and continue through your project’s life cycle. Sharing her wealth of experience in publicity and marketing with you is Janine McGoldrick in this exclusive Stage 32 webinar. Janine has a wealth of experience working in publicity for major studios and production companies, such as Universal Pictures, Artisan Entertainment, Lionsgate, BBC, New Line, and more. As the SVP of Communications at Cohen Media Group, she oversaw all theatrical releases, including the Academy Award-winning feature THE SALESMAN and CHURCHILL, starring Brian Cox and John Slattery. Using her vast experience in publicity at every budget level, Janine teaches you how to develop, brand, and sell your script, so that your PR strategy is at work from the beginning by creating a publicity toolkit and press kit. She’ll show you how to ensure a cohesive brand through trailers, posters, and promos, as well as unique opportunities through social media where you can save on your budget. If you’re planning on working with a publicist, Janine has you covered there, too, as she shows you how to find the right publicist for the job and how to work with the in-house studio marketers. For those attending live, you’ll have an incredible opportunity to ask Janine questions about your project, as well as the nitty-gritty details, like pitching, embargoes, and what to avoid so that you don’t endanger your production. No one knows your film better than you, and by investing in yourself today, you can take one step closer to ensuring your film finds success. PRAISE FOR JANINE'S TEACHINGS: "Although useful for films, I still found this helpful for the release of an online curriculum." -Teressa G. "I am not at the point to be able to use this information yet as I'm still writing a script. But I made a bunch fo notes, and when I get there, this will be very helpful. If I might make one more suggestion, tell us about more tools. This was a very high level presentation without a lot of useful tools that people can use." -Kristin K.

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