As Managing Director for Stage 32, Amanda oversees operations and partnerships for the global business. She has curated over 1,500 hours of online education created exclusively for Stage 32, and works with hundreds of entertainment industry executives from around the world to serve as educators and mentors. She has spearheaded partnerships with such prestigious organizations as the Cannes Film Festival Marché du Film, American Film Market, SXSW, Austin Film Festival, Raindance Film Festival, Hollyshorts Film Festival, PGA, WGA and DGA, as well as brands such as AT&T, Peerspace, Pond5, Mandy, Bondit Media Capital and her personal favorite partnership, Tito’s Handmade Vodka, which is the official vodka of Stage 32.As a film producer, Amanda has worked on the psychological thriller What Lies Ahead starring Rumer Willis and Emma Dumont, Metaphorms, a Hungarian film, which premiered at the Raindance Film Festival and Dolphin Girl which premiered at the Oscar qualifying Hollyshorts Film Festival. She has also helped incubate Chick Fight, starring Malin Akerman, Alec Baldwin and Bella Thorne and 10-31 which is being produced by Eli Roth and Orion Pictures. She is an Executive Producer on Vagic with Amy Baer at Gidden Media, as well as My Clone's an A*Hole with National Lampoon. As a television producer, she recently sold an unscripted show to a major US network.Amanda has spoken all over the world at the Cannes Film Festival (France), Hollyshorts Film Festival (US), Raindance Film Festival (UK), Hamburg Film Fest (Germany), Trinidad & Tobago Film Commission (Trinidad), Fest Festival (Portugal) and Harvard (US) on the business of the entertainment industry. Carmen Cabana - Filmmaker & Cinematographer MS. MARVEL, NARCOS, VIDA Carmen Cabana is a cinematographer of Afro-Hispanic descent raised in Colombia and Venezuela. Her TV work includes Marvel & Disney Plus Ms. Marvel; Hulu's new series High Fidelity starring Zoe Kravitz; Lionsgate/Starz LatinX hit show Vida, Netflix's Narcos Season 2, Amazon's pilot Los Angeles, HBO Access pilot Sterling and TNT/Refinery 29 short French Fries directed by Janine Sherman Barrois. Her film work includes 25 independent features including Blumhouse/Amazon's: Nocturne starring Sydney Sweeney.She has been recognized in magazines like Variety as one of the most promising filmmakers ("10 Cinematographers to Watch List" Nov/2020) and "Below the Line report Up Next" (Aug/2016). In the magazine American Cinematographer as a "Rising Star in Cinematography" (AC May/2010) and (AC Feb/2017); ICG Magazine (Oct/2018) covered Vida S1.Carmen's years of experience and ability for understanding story, capturing emotion and visual dynamism has catapulted her towards the top choices for female cinematographers. Quickly to adapt and collaborate with locals, Carmen has filmed features in 16 US states and in Mexico, Cuba and Colombia.She teaches cinematography workshops around the world as well as empowerment talks. Her past appearances include: The 8th and 9th Annual Masters in Motion Film Conference (Austin-Texas 2018 and 2019); HBO Access Mentorship Program (2018), Arri and Film Independent Project Involve: Cinematography workshop (2017), UCLA: Summer speaker sessions (2020); NAMIC: "Latino Creatives in Entertainment" (2018); HRTS Women of the West: "Diversity on Television Panel" (2018); Women Empowerment Panel-DTLA Film Festival: "Seen and Heard" (2018); STAGE 32: "Women in Entertainment Panel"; Rule the Set "Cinematography for episodic TV" (2016); ENFOCUS Cinematography workshop (2016 in Costa Rica) , Erman Baradi's Industry Panel (2019); LITEPANEL's workshop (Vegas); LITEPANEL and ADORAMA "Gemini" workshop" (New York).Carmen is an ADFC and Imago member; a Film Independent Project Involve Fellow (2010), a Sundance Director's Lab Crew Participant (2008) and a member of the Friends of the ASC. Robyn Watson - Director, WarnerMedia Distribution Board President Women in Film & Television, Atlanta (WIFTA) Robyn Watson is director of communications for WarnerMedia Distribution, based in Atlanta. Previous to that, Robyn was the principal owner of Watson Media Ventures (WMV), an entertainment consulting firm that advised on film, television, digital media productions and entertainment events. Prior to WMV, she spent over 17 years as a corporate communications executive at Verizon and Time Warner Cable. Robyn has been involved in the Women In Film organization for over 10 years having served on the board of directors for New York Women In Film & Television (NYWIFT) and Women In Film and Television Atlanta (WIFTA). She is also on the board of Women In Film & Television International (WIFTI) where she serves on the Knowledge, Advocacy and Activism Committee. Robyn graduated from Emory University and holds a master’s degree in Organizational Leadership from Benedictine University. Kristi Shuton - Creative Talent Development & Inclusion, Walt Disney Television A long-time Walt Disney Television cast member, Kristi Shuton has spent time working in various positions at ESPN and ABC, joining the Creative Talent Development & Inclusion (CTDI) team in 2006. In her current role as Manager, Shuton partners with network/studio programming and casting executives to connect professionals at all levels to opportunities at WDT and beyond. She also helps guide the WDT Writing and Directing Programs, contributing to identifying and cultivating talent, providing creative guidance and professional development. Shuton's extensive knowledge of diversity trends positions her as a key contributor, engaging with the creative community, diverse national partners and advocacy groups, as well as entertainment industry guilds. She has served as a panelist at the annual Comic-Con International: San Diego as well as various film and comedy festivals. A Colorado native, Shuton is an avid supporter/volunteer for the Adopt the Arts Organization and mentoring creative young minds thru volunteering at school campuses and workshops. Additionally, she also serves on a non-profit Board of Directors with Hollywood music producers in support of efforts to end human trafficking. She received her Bachelor of Science in Computer Engineering from Cal State Northridge. Moderated by Catherine Delaloye - Founder & Executive Director, Female Voices Rock Film Festival Catherine Delaloye is a director, producer, and writer, who is passionate about social impact and dedicates her work to empowering diverse voices. Her credits include WHERE TO NOW?, THE WITCHES OF BUSHWICK, THAT PART, and the upcoming feature film SLEEPAWAY CAMP, starring Antoni Porowski (QUEER EYE). Growing up between Europe and the US, Catherine has a global perspective that she uniquely brings to each film and project she is a part of. This, along with her avid attention-to-detail, valuable direction, and impressive verbosity, has gained recognition in the film community. Her projects have been awarded with various honors including more recently winning the Grand Jury Prize at Barnstorm Screenwriting Contest for her script Noah & Camille. She's also won the International Honolulu Film Festival Screenplay Award and the International Los Angeles Film Festival Screenplay Award for her script THE DOLLMAKER. Catherine founded Female Voices Rock, an organization that aims to increase the female presence in the film and TV industry. Through her organization, Catherine has raised over 200K for various film projects, creating a substantial platform for underrepresented filmmakers in the industry. The annual Female Voices Rock Film Festival has grown to be rated amongst the “Top 100 Film Festivals in the World” in just two years since its inception. Full Bio »
In Stage 32's continued effort to shine the light on women in the entertainment industry we have partnered with Female Voices Rock for a thrilling virtual event. On March 8, International Women's Day, some of the industry's top leaders who are dedicated to empowering women will be coming together to host an inspiring webcast celebrating women in entertainment.
The panel features five powerhouse female voices of entertainment, including:
After our live panel, join us for an exciting networking happy hour! We will break off into smaller groups and meet and toast your fellow female filmmakers, actors, screenwriters, cinematographers, production designers, and entertainment creatives & professionals from all over the world.
This is a global event and we encourage you to join us! Take our #internationalwomensday challenge on social media!
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the recording, which you can view as many times as you'd like for a whole year!
It is an honor and a privilege to bring you the worldwide premiere of the 5th Annual Stage 32 Short Film Program on Stage 32! Our seven winning filmmakers hail from all over the world, and we could not be more excited to share their undeniable talents with you. We were proud to screen these films in the 2020 Oscar-qualifying Hollyshorts Film Festival and the Raindance Film Festival in London. And, we're even more proud to showcase the international premiere to all of the development executives, agents, managers and agents that work with us. Since 2016, the Stage 32 Short Film Contest has served as an unparalleled incubator for finding talented filmmakers and helping them forge connections that make their careers blossom. Our past finalists have gone on to be signed by Paradigm, APA, Gersh, Verve, Echo Lake, Circle of Confusion and more! Congratulations to all the 5th Annual Short Film Contest winners, we cannot wait to see where your talents take you.
3 part class taught by Tatiana Kelly and Jim Young, Award Winning Independent Producers (The Catcher was a Spy, The Words, Lovelace, Wristcutters: A Love Story)! AVAILABLE ON DEMAND! Are you interested in gaining a deeper understanding of what the indie producer role entails and how to improve your own producing skills? What does the independent producer do, exactly? Some producers shepherd the production from start to finish, others jump on later in the process once the script has been developed, and others can just help with raising financing. Oftentimes the producer starts at the beginning and develops an idea or script with a writer, helping to secure the necessary rights for the script, and in some instances the underlying material, such as a book or magazine article. Stage 32 is excited to bring you the previously-recorded 3 part class: The Art of Indie Producing taught by Tatiana Kelly and Jim Young, award winning independent producers of films such as Wristcutters: A Love Story, Lovelace, and The Words. Tatiana and Jim will take you behind the scenes, step-by-step, to learn what an indie Producer really does, beginning with the development stage all the way to packaging a film. You'll learn everything from raising financing to crewing up, including how to attach solid talent. Tatiana and Jim will teach you how to navigate film festivals and markets, and the many pitfalls of a film shoot. Purchasing gives you access to the previously-recorded live class.Although Tatiana and Jim are no longer reviewing the assignments, we still encourage all listeners to participate!
There was once a time when screenwriters solely used typewriters to tell their stories. Obviously that time has since passed, and the tools writers use to create their scripts have drastically evolved. Software like Final Draft, Writers Duet and Fade In has been created to optimize a writers’ experience, help with formatting, and ideally aid writers through their various obstacles and make the process easier. Yet this doesn’t always work out as intended. Too often, technophobia - the tendency to be intimidated by technology - limits writers’ ability to work with efficiency and speed and makes these programs more overwhelming and burdensome than helpful. And with so many different types of writing software out there, how can you know which one is the best fit for you? We all know that writing is hard enough on its own without the extra burden of navigating difficult technology. The tools you use to write shouldn’t get in the way of creativity. Instead, gaining confidence and proficiency with technology can allow it to fade into the background, allowing you to focus on the task of great screenwriting. Knowing how best to use the tools available to you—and which ones to use in the first place—can serve as a powerful boon to your writing process and overall career. Whether it’s software, hardware, or workflow, moving past the technophobia and embracing the tools that are right for you can allow you to write with more ease, speed and efficiency than might be otherwise possible. First, it’s important to know what’s out there and how to actually use it. Jon Stahl is a writer, producer and script coordinator, who has served on HBO’s DGA, SAG, WGA and Emmy Award-winning comedy series VEEP. Jon began his career in production, working on projects like Jason Reitman’s YOUNG ADULT starring Charlize Theron, Showtime’s THE BIG C, and IFC’s MARON. He also produced Season 1 of the Emmy-nominated series EASTSIDERS, before getting his first high-profile writers’ room position on the NBC network sitcom MR. ROBINSON with Universal Television. Jon went on to work in the writers' room at Nickelodeon on their show GAME SHAKERS. He’s currently on the upcoming FOX animated series HOUSEBROKEN starring Lisa Kudrow and Will Forte. Jon’s career has hinged on writing quickly and efficiently by using various software and technologies and knows better than most how to use the tools available to enhance your own writing career. Jon will give you the tools to embrace good technology and use all the technological tools at your disposal to tell an amazing story. He’ll begin with a rundown of the different tools you should have to write, including keyboards, monitors, ergonomics and software. He’ll then delve explain why you need screenwriting software in the first place. Jon will delve into the lay of the land of screenwriting software, including a run through of the main players, free and affordable options, and what the standards and expectations are in the industry. Next he will show you how you know what screenwriting software is the best fit for your specific needs. He’ll go through the strengths and weaknesses of the leading programs and show you what paid software can offer that free versions do not. Jon will then go through a live demonstration of Final Draft. He’ll walk you through Final Draft’s interface and main features, how to start a script on the software, how to set up your workflow through Final Draft, and keyboard shortcuts you need to know to save you time. He’ll also go through other tricks Hollywood writers use to optimize Final Draft, how to write safely and back up your work, and how to use templates. Jon will then do the same live demonstration for both WriterDuet and Fade In. Next he will discuss other types of software to consider, including general purpose writing software, miscellaneous writing tools, and system software. Finally, he will provide you with additional resources you should consider. Expect to leave feeling a lot more confident and a lot less overwhelmed in bringing in good technology to help your writing. "Screenwriting software is a necessary tool for anyone who wants to write for film and TV. I'm so excited to lead this webinar and help anyone who wants to gain proficiency with these widely-used tools, so you can focus on the craft of storytelling." -Jon Stahl
Only 12 spots available (4 spots remain!) Develop your comedy feature script with the guidance of a top literary manager! Comedy entertainment is hot right now and here to stay. We're seeing growing popularity of all kinds of traditional and diverse comedic storytelling in comedies like THE BIG SICK, BAD BOYS FOR LIFE, PALM SPRINGS and I CARE A LOT to name a few. With the more comedies getting greenlit every day, the search for comedy material is on. You have an idea for a comedy movie script, yet you don’t know where to begin. The mere thought of typing FADE IN makes you feel alive (or scares you!). And, no matter where you are at - at the grocery store, in the car, in the shower - you hear voices in your head. Wait, that sounds wrong - you hear your character's voices in your head. That's better. These characters have quirks that make you smirk and tell jokes that make you laugh. But, for now, they have an audience of one - you. So, how do you get these characters out of your mind and take the nuggets of "funny" you've created and turn them into a story outline? You will need to turn them into a concise structure with concepts, character arcs, and climatic turns. The sooner you can nail this down, then the sooner you can begin writing your next great script. And, to give yourself a competitive advantage you'll need to work one-on-one under the guidance of a literary manager who works in comedy. We're here to help you do exactly that. David Chien is a literary manager at Art/Work Entertainment which has been selling and staffing comedy clients on the industry's leading series for years, including shows on Amazon, HBO Max and Jason Bateman's production company Aggregate just this year. They have also had clients work for Netflix, The CW, Cinemax, CBS, NBC, FX, Starz, Nickelodeon, EPIX, and TBS, to name a few. For over 10 years now, David has helped countless writers improve their scripts, get staffed on series, pitch and sell their scripts to major executives. He's developed a passion for bringing the best out of diverse writers and is ready to share this passion with the Stage 32 community. In this lab, you will be working directly with David in a virtual class setting and also during one-on-one online sessions. He will expertly guide you through a powerful and undeniably useful process of outlining and structuring your comedy feature so that when it’s time to write FADE IN at the top, you know every beat, every scene turn, and every character arc. During this 8-week lab, you will receive personal one-on-one guidance with David and also have the opportunity to work directly with other classmates to share ideas, determine the best concept to go with, and, in some cases, make connections that will continue to serve you in your writing endeavors. You will wrap up this eight week lab with a solid outline, fresh ideas, and a hot fire in your heart to kick out your next great script, under the guidance of a manger who knows not only how to pull great writing out of clients, but also what will sell and what will make decision makers notice you. Whether you're writing a straight-comedy, or something of a different genre with comedic elements, David will be able to work with you and help you develop your feature. PLEASE NOTE: This exclusive Stage 32 lab is limited to 12 writers and will be booked on a first come, first served basis. The opportunity to work this closely and for this long with an executive and an expert in the field is an incredibly unique and valuable opportunity. If you are interested, please do book quickly. Once the spots are gone, they’re gone for good. Payment plans are available - please contact Harrison at firstname.lastname@example.org ***This lab is limited to 12 people (4 spots remain!)*** (once spots are gone, they are gone for good!) You will have a private lounge dedicated to form a writers' group with your fellow classmates throughout the lab!
It is clear that this is the golden age of television with one incredible series after another coming out on cable, streaming and network. If you're interested in breaking into the world of television, there is one key position that you must know the ins and outs of in order to understand the set - a TV Executive. An TV Executive plays a huge role in a television production, serving as more than a key developer of story, but also a liaison between various departments on set. We've brought in veteran executive Stuart Arbury from Ramo Law (Ramo Law has worked on Netflix's Altered Carbon & Chef's Table, ABC's This Isn't Working, Hulu's Battleground and more). Stuart himself began his career at Captivate Entertainment, Dimension Films and Canvas Media Studios. Arbury was the on-set TV executive for MTV's Scream TV series for two seasons, which was based on the classic horror film franchise. In this webinar, Stuart will walk you through an explanation of the television eco-system and share war stories of his time during Scream. Having worked with various department heads, Stuart will also share tips on getting started in Hollywood on a television production. You will walk away with a clear understanding of a TV executive's role and how it relates to your part of the business, whether you're a writer, producer, director, actor or crew.
The script is finally ready…now, how do you prepare for your first day on set? There are a lot of factors that go into preparing for your film shoot. We’ve brought in producer, Samm Haillay, to talk about the process from script to set. Samm is an eight-time feature film producer, whose films have premiered at Cannes, Venice, Sundance, SXSW and who’s film Island of the Hungry Ghosts won best Feature documentary at 2018 Tribeca Film Festival. He’ll be going over everything from schedule, budget, casting, locations and more to get you prepared for day one. He’ll be sharing his decades of experience and helping you avoid common mistakes made, as you get ready to shoot your film.