As Managing Director for Stage 32, Amanda oversees operations and partnerships for the global business. She has curated over 1,500 hours of online education created exclusively for Stage 32, and works with hundreds of entertainment industry executives from around the world to serve as educators and mentors. She has spearheaded partnerships with such prestigious organizations as the Cannes Film Festival Marché du Film, American Film Market, SXSW, Austin Film Festival, Raindance Film Festival, Hollyshorts Film Festival, PGA, WGA and DGA, as well as brands such as AT&T, Peerspace, Pond5, Mandy, Bondit Media Capital and her personal favorite partnership, Tito’s Handmade Vodka, which is the official vodka of Stage 32.As a film producer, Amanda has worked on the psychological thriller What Lies Ahead starring Rumer Willis and Emma Dumont, Metaphorms, a Hungarian film, which premiered at the Raindance Film Festival and Dolphin Girl which premiered at the Oscar qualifying Hollyshorts Film Festival. She has also helped incubate Chick Fight, starring Malin Akerman, Alec Baldwin and Bella Thorne and 10-31 which is being produced by Eli Roth and Orion Pictures. She is an Executive Producer on Vagic with Amy Baer at Gidden Media, as well as My Clone's an A*Hole with National Lampoon. As a television producer, she recently sold an unscripted show to a major US network.Amanda has spoken all over the world at the Cannes Film Festival (France), Hollyshorts Film Festival (US), Raindance Film Festival (UK), Hamburg Film Fest (Germany), Trinidad & Tobago Film Commission (Trinidad), Fest Festival (Portugal) and Harvard (US) on the business of the entertainment industry. Carmen Cabana - Filmmaker & Cinematographer MS. MARVEL, NARCOS, VIDA Carmen Cabana is a cinematographer of Afro-Hispanic descent raised in Colombia and Venezuela. Her TV work includes Marvel & Disney Plus Ms. Marvel; Hulu's new series High Fidelity starring Zoe Kravitz; Lionsgate/Starz LatinX hit show Vida, Netflix's Narcos Season 2, Amazon's pilot Los Angeles, HBO Access pilot Sterling and TNT/Refinery 29 short French Fries directed by Janine Sherman Barrois. Her film work includes 25 independent features including Blumhouse/Amazon's: Nocturne starring Sydney Sweeney.She has been recognized in magazines like Variety as one of the most promising filmmakers ("10 Cinematographers to Watch List" Nov/2020) and "Below the Line report Up Next" (Aug/2016). In the magazine American Cinematographer as a "Rising Star in Cinematography" (AC May/2010) and (AC Feb/2017); ICG Magazine (Oct/2018) covered Vida S1.Carmen's years of experience and ability for understanding story, capturing emotion and visual dynamism has catapulted her towards the top choices for female cinematographers. Quickly to adapt and collaborate with locals, Carmen has filmed features in 16 US states and in Mexico, Cuba and Colombia.She teaches cinematography workshops around the world as well as empowerment talks. Her past appearances include: The 8th and 9th Annual Masters in Motion Film Conference (Austin-Texas 2018 and 2019); HBO Access Mentorship Program (2018), Arri and Film Independent Project Involve: Cinematography workshop (2017), UCLA: Summer speaker sessions (2020); NAMIC: "Latino Creatives in Entertainment" (2018); HRTS Women of the West: "Diversity on Television Panel" (2018); Women Empowerment Panel-DTLA Film Festival: "Seen and Heard" (2018); STAGE 32: "Women in Entertainment Panel"; Rule the Set "Cinematography for episodic TV" (2016); ENFOCUS Cinematography workshop (2016 in Costa Rica) , Erman Baradi's Industry Panel (2019); LITEPANEL's workshop (Vegas); LITEPANEL and ADORAMA "Gemini" workshop" (New York).Carmen is an ADFC and Imago member; a Film Independent Project Involve Fellow (2010), a Sundance Director's Lab Crew Participant (2008) and a member of the Friends of the ASC. Robyn Watson - Director, WarnerMedia Distribution Board President Women in Film & Television, Atlanta (WIFTA) Robyn Watson is director of communications for WarnerMedia Distribution, based in Atlanta. Previous to that, Robyn was the principal owner of Watson Media Ventures (WMV), an entertainment consulting firm that advised on film, television, digital media productions and entertainment events. Prior to WMV, she spent over 17 years as a corporate communications executive at Verizon and Time Warner Cable. Robyn has been involved in the Women In Film organization for over 10 years having served on the board of directors for New York Women In Film & Television (NYWIFT) and Women In Film and Television Atlanta (WIFTA). She is also on the board of Women In Film & Television International (WIFTI) where she serves on the Knowledge, Advocacy and Activism Committee. Robyn graduated from Emory University and holds a master’s degree in Organizational Leadership from Benedictine University. Kristi Shuton - Creative Talent Development & Inclusion, Walt Disney Television A long-time Walt Disney Television cast member, Kristi Shuton has spent time working in various positions at ESPN and ABC, joining the Creative Talent Development & Inclusion (CTDI) team in 2006. In her current role as Manager, Shuton partners with network/studio programming and casting executives to connect professionals at all levels to opportunities at WDT and beyond. She also helps guide the WDT Writing and Directing Programs, contributing to identifying and cultivating talent, providing creative guidance and professional development. Shuton's extensive knowledge of diversity trends positions her as a key contributor, engaging with the creative community, diverse national partners and advocacy groups, as well as entertainment industry guilds. She has served as a panelist at the annual Comic-Con International: San Diego as well as various film and comedy festivals. A Colorado native, Shuton is an avid supporter/volunteer for the Adopt the Arts Organization and mentoring creative young minds thru volunteering at school campuses and workshops. Additionally, she also serves on a non-profit Board of Directors with Hollywood music producers in support of efforts to end human trafficking. She received her Bachelor of Science in Computer Engineering from Cal State Northridge. Moderated by Catherine Delaloye - Founder & Executive Director, Female Voices Rock Film Festival Catherine Delaloye is a director, producer, and writer, who is passionate about social impact and dedicates her work to empowering diverse voices. Her credits include WHERE TO NOW?, THE WITCHES OF BUSHWICK, THAT PART, and the upcoming feature film SLEEPAWAY CAMP, starring Antoni Porowski (QUEER EYE). Growing up between Europe and the US, Catherine has a global perspective that she uniquely brings to each film and project she is a part of. This, along with her avid attention-to-detail, valuable direction, and impressive verbosity, has gained recognition in the film community. Her projects have been awarded with various honors including more recently winning the Grand Jury Prize at Barnstorm Screenwriting Contest for her script Noah & Camille. She's also won the International Honolulu Film Festival Screenplay Award and the International Los Angeles Film Festival Screenplay Award for her script THE DOLLMAKER. Catherine founded Female Voices Rock, an organization that aims to increase the female presence in the film and TV industry. Through her organization, Catherine has raised over 200K for various film projects, creating a substantial platform for underrepresented filmmakers in the industry. The annual Female Voices Rock Film Festival has grown to be rated amongst the “Top 100 Film Festivals in the World” in just two years since its inception. Full Bio »

In Stage 32's continued effort to shine the light on women in the entertainment industry we have partnered with Female Voices Rock for a thrilling virtual event. On March 8, International Women's Day, some of the industry's top leaders who are dedicated to empowering women will be coming together to host an inspiring webcast celebrating women in entertainment.
The panel features five powerhouse female voices of entertainment, including:
After our live panel, join us for an exciting networking happy hour! We will break off into smaller groups and meet and toast your fellow female filmmakers, actors, screenwriters, cinematographers, production designers, and entertainment creatives & professionals from all over the world.

This is a global event and we encourage you to join us! Take our #internationalwomensday challenge on social media!
Amanda Toney
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It is an honor and a privilege to bring you the worldwide premiere of the 5th Annual Stage 32 Short Film Program on Stage 32! Our seven winning filmmakers hail from all over the world, and we could not be more excited to share their undeniable talents with you. We were proud to screen these films in the 2020 Oscar-qualifying Hollyshorts Film Festival and the Raindance Film Festival in London. And, we're even more proud to showcase the international premiere to all of the development executives, agents, managers and agents that work with us. Since 2016, the Stage 32 Short Film Contest has served as an unparalleled incubator for finding talented filmmakers and helping them forge connections that make their careers blossom. Our past finalists have gone on to be signed by Paradigm, APA, Gersh, Verve, Echo Lake, Circle of Confusion and more! Congratulations to all the 5th Annual Short Film Contest winners, we cannot wait to see where your talents take you.
Everyone wants to get into TV these days, and everyone IS getting into TV these days! With demand on the rise, so is independent TV production and savvy international co-productions. The field is opening up and it’s more than possible to create, sell and be profitable on your own independent TV series. However, there are some crucial things to understand about independent TV that differ from traditional TV models. One big difference is revenue sharing and how to track and distribute money that comes in. This is absolutely essential for any television producer who's working towards creating a profitable series. Understanding revenue sharing in independent TV production models is so important because there are multiple pieces that can confuse someone who has never had experience in independent production. Deal terms may be unclear, and sometimes even conflicting if you’re not careful and aware of all the varying pieces and players! Even though revenue comes later, you have to understand it and plan for how everything fall together from the start. This part of TV production can be overwhelming, but we’ve got just the person to give you the right guidance so you can walk into any TV production with confidence! David Zannoni is an international business specialist for Fintage House in the US, Europe, Canada and Latin America territories. Fintage House, the world's most respected company for revenue and rights protection for industry professionals and companies. David negotiates agreements for films and television series and is involved in business development and relationship management globally on hundreds of productions. David is continuously present to make deals and speak at international film markets, festivals and conferences, including: the Cannes Film Festival, the European Film Market (EFM) in Berlin, the American Film Market (AFM), Ventana Sur, the Bogota Audiovisual Market (BAM), and the Toronto International Film Festival (TIFF), and travels regularly to the United States, the Netherlands, Europe, and all over Latin America. In this webinar, David will show you how independent TV shows generate money and what you need to do to properly share revenues. He will break down TV production models, the financing and distribution of independent TV, and how revenues for TV productions are generated and shared. He’ll also teach you the stages of a TV project as it relates to financing, distribution, and revenue sharing, along with guild obligations and how to manage revenue sharing through Collection Account Management for TV projects. If you’ve got questions, David’s got answers! Knowledge is power, and this webinar will leave you ready and empowered to take on independent TV production! Praise for David's Previous Stage 32 Webinars "David is incredible and lovely and clearly knows his stuff." -- Cynthia P. "Eye-opening information. A no-brainer approach that wouldn't be so obvious to the uninitiated." -- Gary O. "By far, the best class I've seen on the subject." --Kirk K. "David is a fantastic teacher. And what a voice! I could listen to him all day. More importantly, I learned so very much!" -- Isabella T.
Learn from an entertainment and intellectual property lawyer who's worked with HBO, NBCUniversal and Lionsgate how to protect your film or television project's future. PLUS! Receive Handouts Including A Production Rights Cheat Sheet and Sample Location Agreement In today’s marketing world, your project’s title and content is its brand. You’ll use your film or television project’s title for social media handles and the website URL. It’s one of the most vital tools for getting the word out about your project. It can also be something that grows much bigger. For example, HARRY POTTER started as a book series, but the franchise includes movies, spin-offs, toys, clothing, theme parks, and so much more. When determining the title for your project, you need to think of the bigger picture and how best to protect you title, and brand, to ensure it doesn’t conflict with other brands so that you can capitalize on your project from all angles. In this exclusive Stage 32 on-demand webinar, you’ll learn everything you need to know about title clearances and how to protect your project’s title and brand. You’ll also cover script clearances to ensure that you’re safe to include the people, places, real events, and existing material and brands you want to use without fear of reshooting your project from legal issues. Without the necessary title and script clearances, your project could receive legal notices to halt marketing because of a conflict with another project. You might have to reshoot valuable footage if the script isn’t cleared. But you can avoid these stressful legal and financial setbacks by doing the work correctly now. Walking you through these legal processes step by step is Kennington Groff, an attorney who launched her own firm, Lilenfield PC, to focus on entertainment and intellectual property. Kennington has extensive experience with clearances and has worked with top entertainment executives at HBO, NBCUniversal, and Lionsgate. Kennington will show you how to protect your title and the differences with the process in the US versus internationally. You’ll cover error and omission insurance (E&O), the differences between copyright and trademark protection, finding out if your title isn’t available, and more. Save yourself the time and frustration later by joining Kennington for this invaluable webinar, and protect your project’s future.
Whether musical biopics like Rocketman, historical dramas like Extremely Wicked, Shockingly Evil and Vile or The Irishman from Netflix, or films loosely based on historic events like 1917 or Once Upon a Time in Hollywood... audiences are fascinated by true stories. During this super-sized 90-minute webcast, we explore films and series including Chernobyl, The Social Network, Munich, Molly's Game, Charlie Wilson's War, and more to find out what makes a good script based on true events or real people work.
With all the recent success for true story dramas including Oppenheimer, Maestro, Nyad, Ferrari, Irishman (among many others), it’s an exciting time in the marketplace for non-fiction. If you have found a story that truly inspires you and know it will make a great film, sometimes it’s hard to know where to start to make that happen. The easy part is finding the right story, the hard part is knowing what to do with it. Whether it’s a book, a newspaper or magazine article, a documentary subject, or even if it’s the story of someone you’ve met or are related to, understanding how to get the rights and put the project into motion is paramount. To cover all your bases from the legal aspects to development to filming to distribution, you need someone who has been in the trenches time and time again. And we've got just the person, one of the most experienced independent film producers working today, to help you make sense of it all. Jim Young of Animus Films has created a successful career working in the true story space with films such as The Catcher Was a Spy (Paul Rudd) based off of the life of Moe Berg, Life of a King (Cuba Gooding Jr.) based off of the life of Eugene Brown, The Man Who Knew Infinity (Dev Patel) based off of the life of Srinivasa Ramanujan, Lovelace (Amanda Siefried) based off of the life of Linda Lovelace and the upcoming The People vs. Vegas Dave based off of controversial gambler Vegas Dave. Jim is a leading independent non-fiction producer, with almost two dozen films under his belt. And now he's bringing his extensive knowledge exclusively to the Stage 32 community. Jim will take you through the steps of acquiring the rights to a particular article, book or other printed material about, or the life rights of, a given person (or persons). From there he will cover writing and developing the script, getting buttoned up legally to avoid pitfalls in the pre-production and production phases, and help you navigate the process of releasing and distributing the film. He will provide real life case studies using some of his own films as examples to help you gain real world experience and make the process painless. PRAISE FOR JIM'S TEACHINGS: "Jim was an excellent educator. He really broke down the process of getting life rights in an easy to understand way and opened my eyes to some huge pitfalls I need to avoid along the way. Great examples from someone who's actually doing it right now, which is important. Thanks Jim!" -Jonathan R.
Learn how to make your $1-$3MM independent film AND make money doing it from a successful producer of over 45 film and television projects with Netflix, Disney, Sony, Paramount, HBO, Showtime, and more. Plus! You'll receive exclusive handouts to help you on your own projects! Is your desire for your script to one day be acquired by an established company holding you back from producing it yourself? You may want to really think about producing your movie independently. We are in a moment in time where independent films are making a big comeback and the industry is eager to support the indie filmmaker. The truth is some of the greatest returns in filmmaking come from making a film for $1 to $3 million. Producing isn’t easy, but if you can create a quality story and project, then you can attract talent, build a great package, and win over investors. In this exclusive Stage 32 4-part on-demand class, you’ll learn the step-by-step process of producing a film with a budget of $1 to $3 million that can sell and generate profit. Over four on-demand sessions, you’ll cover how to make your project attractive to investors and talent, how to ensure your film gets the best sales distribution, how to finance it, and how to avoid pitfalls and eliminate risks during the filmmaking process. By the end of this class, you will walk away knowing how to make your film a reality and make money doing it. You’ll also receive exclusive handouts, including an adjustable finance plan for low-budget films, an option agreement, and a sample “pay or play” offers to attach your cast and director. Showing you the ropes is acclaimed producer Jeanette Milio, who has worked on over 45 film and television projects with major studios and producers, such as Netflix, Disney, Sony, Paramount, HBO, Showtime, and many more. Her films have starred top-tier talent, including Academy Award-winning performers Halle Berry, Adrien Brody, Forest Whitaker, and Mickey Rourke. As a member of the Producer's Guild of America, Women in Film, and the Cannes Film Festival Producer's Network, Jeanette will share with you her deep industry knowledge for domestic and international markets at every budget level. Learn how to bring your film to life on your terms and make your biggest goal a reality! PRAISE FOR JEANNETTE'S PREVIOUS STAGE 32 EDUCATION: "Jeanette has invaluable knowledge and made me feel like seeing my movie on the big screen was possible." -- Phillip F. "Truly an eye-opening course. In today's film market, it makes all the sense in the world to make your own film and Jeanette shoed me how." -- Mark M.