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Using the Breakdown Webcast: Well This is Awkward as your guide, craft your own 3-5 page scene that gets awkward for one (or more) characters. By the end of the scene we should know the relationship between your characters, the source of conflict, the tactics each character uses to get what they want, and the outcome. Is it a victory? A defeat? What are the results and repercussions? Full Bio »
Using the Breakdown Webcast: Well This is Awkward as your guide, craft your own 3-5 page scene that gets awkward for one (or more) characters. By the end of the scene we should know the relationship between your characters, the source of conflict, the tactics each character uses to get what they want, and the outcome. Is it a victory? A defeat? What are the results and repercussions?
The Write Now Challenge
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This week Host & Director of Script Services Jason Mirch reads and critiques Write Now submissions written by Writers' Room members. Jason offers insights on how the writers executed the inciting incidents in their projects.
In this challenge, members were asked to tell an entire story, in one page of script, using precisely four scenes. Far too many screenwriters waste pages. Good screenwriting is about making every single sentence count. There shouldn’t be any moment of a movie or television series which isn’t important on some level. The scenes can have dialogue - or no dialogue - depending on what you choose. What is important is that it has a beginning, middle, and an end. When you are done watching the webcast, head on over to the Private Lounge and discuss your favorite submissions!
We're back in the Writers' Room for the Write Now Challenge Webcast: "What's in the Box?" This challenge came from the mind of Writers' Room Member Louisa Kendrik Burton: "We are all given the same premise or a Logline. Everyone writes 3 pages. [Let's] see how different they all are even though they are based on the same premise!" This is a fantastic idea and brilliant in it's simplicity and originality. So, without further ado here is the logline as the prompt: "A down-on-their luck janitor receives a mysterious package on their front steps, with a note promising inside is the solution to all their problems, but it will come at a cost." During the webcast we heard from a number of members who took the logline is several different directions - all with original and compelling ideas.
While the scene will be heavy with exposition, disguise the exposition in dialogue and conflict as much as possible. How does the character make the complex simple? What props does the person use? How does the character who receives the info react?
Write a 1-3 page scene that you will actually be able to shoot within the rest of 2022. Make sure it is producible for a reasonable budget. Limit characters, locations, and action - but give us a compelling story in 3 pages!
One of the common complaints with scripts is on-the-nose writing. This month, we're challenging you to convey a series of emotions without using the actual words (or synonyms - no cheating!).