Hi everyone! Just wanted to reintroduce myself. I'm an award-winning writer, repped in LA. Had my 5th script optioned this spring. Many years doing script rewrites/polishes and also professional script coverage for a big agency. What's everyone working on lately?
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Congratulations on having your 5th script optioned, Lawrence Hughes Stern! I'm ghostwriting a script, rewriting two feature scripts, and working on other projects here and there. What are you working on?
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Maurice Vaughan thanks! I am focused mostly on the packaging of two film projects at the moment. But always looking for the next creative venture! :) Congrats on all your projects!
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You're welcome, Lawrence Hughes Stern. Thanks for the congrats. Hope you sell your projects!
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Maurice Vaughan right back at you!!
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Thank you, Lawrence Hughes Stern.
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Hi, Lawrence. Best of luck with the options! I just finished a feature script for one producer, I'm in contract negotiations with another (fingers crossed!), and I'm tinkering with a new spec script, but it's slow going. I need to reclaim that precious early morning hour of me-time to get it done faster, lol!
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The Name’s Pitch. Cold Pitch.
Hey Lawrence – congrats on everything, and thanks for the reintro.
So let’s suppose something for a second – purely hypothetical, of course.
I’ve got a handful of original scripts sitting in the drawer. Let’s see…
There’s Star Wars, Back to the Future, Jurassic Park...
Oh, almost forgot – Titanic and Good Will Hunting are in there too.
And if those don’t hit, no problem – I’ve got more where that came from.
I also happen to know how one of these could be made at half the usual budget – without looking like it.
But here's the twist: no one in L.A. knows who I am. Which means agents won’t touch the material, producers won’t read it, and apparently no one has time to glance at a two-line logline.
How is that supposed to make sense?
Saying “we don’t have time to read” in the story business is like a baker saying, “Sorry, no bread today – didn’t have time to bake.”
Come on. This is the job, right?
Writing a strong script from a killer idea isn’t the hard part. Running a studio without any good ideas – now that’s hard.
But I’m guessing you, with your background, might actually know the real reason why the door stays shut.
So tell me, Lawrence:
How does someone break in when the system’s too busy to check if the gold's even in the ground?
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Hi Patrick Kovács - you can message me and discuss if you like.
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Hi Phil Parker - congrats! Good luck with everything!
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Hi Lawrence Hughes Stern I am still working on short horror film, everytime I read other horror movie scripts, I see places where I can improve my screenplay, which I think is good for me, as I don't know anyone in my circle who is interested in reading my scripts so I have to do the job, currently can't afford professional to read it for me, so I am working little bit everyday, hope to have a polish version by next month, then I plan on connecting with some youtubers who love making horror shorts, rather than paying for a pitch, which I would love to but saving it for my feature film, which is also a horror movie and I plan to finish it by years end.
what are you working on?.
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congrats on another optioned script. it gives us a confidence boost. in my case, Im from the UK where it seems to be even harder to break in the industry.
recently I finished a TV drama pilot titled Edge of Chaos...
logline: When a broke podcast volunteer takes a delivery job to survive, she uncovers a criminal network tied to her missing friend—forcing her to choose between exposing the truth and staying alive.
i have submitted to BBC writers room but this process takes forever.
currently I am working on a TV sci fi drama...working title 'INDEPENDENCE BREACH"
Logline: In a near-future world where oxygen is rationed and sold, a fractured family is forced to navigate the chaos of a sudden civil war—where survival costs more than air, and trust is the rarest currency.
still developing and i have started writing the pilot script.
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Congrats on your achievement. I have a question for you: As a dialogue editor, what are the major mistakes writers make in dialogue?
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Hi Lawrence, welcome to the community
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Elizabeth Lassiter Thank you!
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Musa Muhammad Jamaldeen you can message me if you like - I also published an article on just this subject recently!
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Really great to see someone else living the dream Lawrence Hughes Stern I am writing a Comedy called Brotein.
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Mark Deuce Thank you - trying my best! And good luck with your comedy script!!
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Will do Lawrence Hughes Stern and have a great rest of the week and Happy Writing!
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Congrats. How did you get a rep? How can I get a rep?
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Hi, Lawrence! Here's wishing you plenty of success with that fifth optioned script...and continued success with your previous works!
Me...I've just finished outlining a dramedy (could be a hardcore comedy instead) set in 1957 Boston. Soon as I work out the character profiles, I'll start typing out the screenplay.
It's called "Wendy's Wonderland," and the logline goes like this:
In 1957 Boston, a savvy, precocious, streetsmart preteen girl, a teacher's daughter, becomes the host of a new kidvid show...a series its on-the-ropes station pins all its hopes on.
Glad you're here on Stage 32!
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Hey Lawrence. Awesome! And congrats on all your success. I'm trying to get where you're at one day. Just completed my fifth feature script, The War-De-Sac, a fun action-comedy with an ensemble cast. You can see the logline and info on my profile.
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Jim Boston Thank you - best to you too!
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Asif Balouch Much appreciated! And good luck with your new script!