Screenwriting : The Revenant script, a master's class in visual storytelling. by Phillip E. Hardy, "The Real Deal"

Phillip E. Hardy, "The Real Deal"

The Revenant script, a master's class in visual storytelling.

I finally got a chance to sit down and view "The Revenant", which is one of the most visually spectacular films I've watched in a long time. Because the movie relies on long intervals of visual storytelling with no dialogue, I wanted to take a look at the screenplay. However, I was only able to download a PDF version of a 2010 draft written by Mark L. Smith. Since then, the shooting script (currently unavailable) was heavily revised in a collaborative effort between the writer and the director Alejandro Iñárritu. That being stated, even the original draft demonstrates the talents of a writer with a great ability to visualize the action. Earlier this week, I worked with a director to streamline the first thirty pages of the script we've been rewriting and editing for several months. To emphasize the visual impact, he had me remove all the dialogue in the first scene. He also had me trim a lot of dialogue in the opening scenes. The director only wants dialogue essential to moving the story along. He was very thoughtful in his approach; and in putting my writer's ego aside, I realized his editing ideas got us to the meat of the action a lot quicker. For those of you who wish to have a real master class lesson in writing action; and one that won't cost you a penny, I recommend that you have a look at the draft script for The Revenant. It's a real "eye opener." I’ve attached the link for the PDF download. http://screenplayexplorer.com/wp-content/scripts/The-Revenant.pdf

James Drago

You've convinced me. Going to read this weekend.

Phillip E. Hardy, "The Real Deal"

James: Well worth a look. Every time I start feeling really good about my writing, I read something like this; and realize there's some really tough competition out there.

Brian Walsh

Thanks Phillip. I'll check it out for sure.

Phillip E. Hardy, "The Real Deal"

Dan: Agreed.

Chanel Ashley

Thanks Phillip, I look forward to reading this script, great that you found it, loved the movie.

Phillip E. Hardy, "The Real Deal"

Chanel and Brian: You are both most welcome my friends.

Phillip E. Hardy, "The Real Deal"

Dan: I read the real historical account of Hugh Glass and think Smith's script was a truer rendering of what really happened. Since Glass didn't have a son and didn't in fact kill Bridger or Fitzgerald and though he definitely sought them out, he forgave both of them. Of course, revenge is always a powerful movie motive. Great writing by Smith in any case eh?

Other topics in Screenwriting:

register for stage 32 Register / Log In