On Demand Webinar
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Available for immediate viewing and unlimited access.
On Demand Webinar
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Available for immediate viewing and unlimited access.
Mickey Fisher was an unknown writer from Ironton, Ohio when his contest-winning TV script EXTANT caught the attention of Steven Spielberg and later became the science fiction series on CBS starring Halle Berry. Mickey has since firmly implanted himself in the world of science fiction television, creating the NBC series REVERIE and National Geographic’s MARS. He has also served as a consulting producer on Amazon’s JACK RYAN and a writer and co-executive producer on Guillermo Del Toro’s acclaimed FX horror series THE STRAIN. Full Bio »
SEE FREQUENTLY ASKED QUESTIONS BELOW
Netflix and Stage 32 have partnered on an exclusive global education series in an effort to democratize the worldwide entertainment industry. Together, over the course of 5 webcasts Stage 32's world class educators will bring their knowledge of what it takes to write, develop and produce today's television for the Stage 32 and Netflix creator community. These global webcasts have been seen by hundreds of thousands of creatives worldwide with a 100% satisfaction rate!
In our fourth webinar in this exclusive "Creating Television Content for a Global Marketplace" series, we are going to give you the ins and outs on how you can effectively write science fiction scripts for streaming television.
Do you have a great sci-fi idea that deserves to be seen?
Television is exploding right now with sci-fi shows that infiltrate our minds like Dark, Squid Game, Yellow Jackets and Stranger Things. Writers with fantastical minds are drawing us into some of the most creative worlds we have ever seen right now, as well as producing some of the most memorable characters. Great shows like Game of Thrones, Extant and Reverie paved the way for the hits we see today and streaming platforms are looking for the next great sci-fi scripts to bring to the world.
In order to tap into this incredible sci-fi landscape you have to be armed with the tools to write a solid pilot and be able to sustain your idea for multiple seasons. It takes a refined approach to understand the nuances of science fiction writing. Stage 32 and Netflix are going to give you the tools to make sure your script is in top shape.
To guide you on your way is producer and writer Mickey Fisher. Mickey broke out onto the scene when his contest-winning TV script Extant caught the attention of Steven Spielberg and later became the science fiction series on CBS starring Halle Berry. Mickey has since firmly implanted himself in the world of science fiction television, creating the NBC series Reverie and National Geographic’s Mars. He has also served as a consulting producer on Amazon’s Jack Ryan and a writer and co-executive producer on Guillermo Del Toro’s acclaimed FX horror series The Strain.
In an exciting FREE webcast Mickey will go into more detail on choosing a sci-fi series concept, core elements of your sci-fi series, planning character journeys, your pilot, season one and beyond, thinking international and believing in your project for the marketplace.
To see the full webinar overview, see below. Some of the case studies Mickey is going to go over in the webinar are:
Note: You will receive the Zoom link to login by the morning of the webinar.
If you are not yet a member of the Stage 32 community, we encourage you to join the community today at www.stage32.com, it is FREE! You will instantly connect with over 800,000 creatives and professionals in the entertainment industry from all over the world who use Stage 32 to network, find work, learn and develop their projects. YOU MUST HAVE A STAGE 32 PROFILE TO WATCH YOUR VIDEO.
Case Studies: EXTANT, REVERIE, STRANGER THINGS, DARK, GAME OF THRONES, SQUID GAME, MONEY HEIST (not sci-fi but there are some relevant points), YELLOW JACKETS, THE MANDALORIAN, PEACEMAKER
1) Choosing a Sci-Fi Series Concept
2) Core Elements of Your Sci-Fi Series
3) “On the Axis” - Planning Character Journeys (pilot, season, series)
4) The Pilot
5) Season One and Beyond
6) Thinking Globally - common elements of worldwide success stories
7) Owning Every Word
8) Q&A with Mickey
Want to see the other webcasts in this exclusive Stage 32 + Netflix Creating Television Content for a Global Marketplace series?
Click here: TV Pitch Documents with Chris Mack
Click here: TV Pitch Documents with Chris Mack - Closed Caption
Click here: TV Story Structure with Anna Henry
Click here: Writing Scripts to Budget with Jeanette B. Milio
Click here: Writing Hit Sci-Fi Scripts for Streaming Television with Mickey Fisher
Click here: Writing Hit Comedy Scripts for Streaming Television with Vijal Pital
Click here: Writing Hit Drama for Streaming Television with Leila Cohan
Mickey Fisher
Mickey Fisher was an unknown writer from Ironton, Ohio when his contest-winning TV script EXTANT caught the attention of Steven Spielberg and later became the science fiction series on CBS starring Halle Berry. Mickey has since firmly implanted himself in the world of science fiction television, creating the NBC series REVERIE and National Geographic’s MARS. He has also served as a consulting producer on Amazon’s JACK RYAN and a writer and co-executive producer on Guillermo Del Toro’s acclaimed FX horror series THE STRAIN.
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Whether for the big or small screen, every production uses a Script Supervisor. This crucial job is needed to track the director’s notes, maintain continuity, and keep everyone from production to post on the same page. However, there are significant changes depending on the kind of production you're working on. This in-depth webinar shows you the distinct differences between features, television, and commercials, so you're ready for every opportunity as a Script Supervisor. Are you interested in production jobs but unsure of if film, television, or commercials are the best direction? Are you organized, detail-oriented, and a strong communicator? If this sounds like you, then you could be a stand-out Script Supervisor, and with so much new content created every day, you have a great opportunity to build a career in a format that works best for you. In this Stage 32 exclusive webinar, you’ll learn the ins and outs of the job and the differences between working in film, television, and commercials, all from an expert in the field. You’ll review scripts, forms, breakdowns, and storyboards to see how they’re used from pre-production through post. This role overlaps with nearly every department and works alongside the director, making you an essential crew member and an asset to any project you work on. Walking you through the role is Rachel Atkinson, a professional script supervisor with credits on Hulu’s DOPESICK, Apple+’s SWAGGER, Showtime’s HOMELAND, the films CANDYMAN and POISON IVY, and countless commercials. Rachel will cover: The specific role of a script supervisor in film, television, and commercials, and how they are distinctly different How to breakdown a script How to stay organized while adapting from pre-production to being on set Highlighting the information the editors need Keeping continuity for a single shoot vs. multiple episodes and seasons The language of script lining And more By the end of this webinar, you’ll know the essential skills and tools to work as a Script Supervisor in film, television, and commercials.
A Cinematographer's Guide to Making your Indie Film Look Like a Million Dollars Thinking on your feet is critical to any production. Time is money, but you don't want a low-budget or tight production schedule to cost you quality. The best way to get the most out of your budget is to work with a cinematographer who knows the secret tips only experts have and ensure your film looks like a film worth watching. You can have this expert information with help from an award-winning cinematographer who's worked with big names like Colin Trevorrow (JURASSIC WORLD) and Netflix. Don't view your low budget as a boundary but an opportunity to get creative! In this on-demand four session class, Matthew will show you how to get fantastic production value without the cost by using real-life examples, including how his crew pulled off one seemingly impossible location for a feature on Netflix. The higher the perceived value of your film, the higher the price buyers will pay. Your goal is to make your film look several times over what the actual budget was, and your team can achieve this by getting creative and resourceful. You will break down scripts scene-by-scene, how to make the most of location scouting to maximize production value on shoot days, how to use practical and in-camera effects, and more. You'll walk away from this information-packed on-demand class knowing how to get creative under pressure to make your film look like millions without breaking the bank by collaborating with your cinematographer.
It makes sense why more creatives than ever before want to make the jump from film to television, ESPECIALLY writers. As a TV writer you can dive into longer form storytelling and explore characters more fully. And with the massive popularity of streamers like Netflix and Hulu, your work can likely reach more people in the TV space. And that’s not to mention the fact that TV writing usually provides a much more stable and long-running form of income. All this to say: the pilgrimage from movie writing to TV writing is no longer uncommon and can be an exciting or lucrative development for any working writer. This a switch that is more than possible to undertake, but you need to know how best to accomplish it first. The path from film writing to TV writing is absolutely doable, but that doesn’t mean the door is wide open. No matter who you are, breaking into television is no easy feat and your background in film can serve as an advantage OR disadvantage, depending on how you approach it. Instead of waiting for HBO or Netflix to roll out the red carpet for you, it’s important you tackle this transition with realistic expectations and an understanding of how best you can fit in. Tripper Clancy is a working writer that has found success in both film and, more recently, television. Earlier in his career, Tripper wrote the screenplay for the Kumail Nanjiani and Dave Bautista action comedy STUBER before deciding to make the switch to television. Since then, Tripper served as staff writer for the Netflix hit I AM NOT OKAY WITH THIS and VARSITY BLUES, a modern day reimagining of the original movie. Tripper also created and wrote the action-comedy series DIE HART, starring Kevin Hart and John Travolta. Tripper has found longevity and deeper success for his writing career by making the jump from film to television and will share exclusively with Stage 32 what goes into this transition. Tripper will teach you how you can expand your writing career by making the switch from film to television. He’ll go over his own journey from film to TV and then break down what writing for both features and TV actually looks like, including the advantages and disadvantages of each. He’ll discuss using your reps to make the jump and whether you can do so without a manager or agent and will give you advice on how you can sell your film experience to stand out when pursuing TV opportunities. Tripper will give you a sense of what expectations are realistic when making this shift and where you can expect to start out. He’ll discuss how you can find currency from your film background and what sort of unique challenges film writers might face in television. Expect to leave with a hopeful but realistic idea of what you need to do to find your next opportunity on a TV show. Praise for Tripper's Stage 32 Webinar: "Tripper Clancy was an awesome presenter who cut to the chase in a clear, understandable webinar." -Mark D. "Tripper's webinar was terrific - he's a great conversationalist and his open, candid, honest, accessible and very knowledgeable presentation & Q&A were very empowering." -Fran B. "Tripper was really engaging. The conversational tone was enjoyable. Sometimes a seminar can feel like a stranger reading me their powerpoint, just slower than I would read it myself. That wasn't the case here." -Nicholas G. "Tripper was phenomenal. Within 1 hour he gave us a whole course in something I knew nothing about before. Another Stage 32 phenomenal webinar." -Ricki L.
Learn directly from David Landau, 30 year Lighting director and Director of Photography. The story could be the greatest in the world, but if the lighting is poor viewers will assume it’s amateurish and not take it seriously. Good lighting makes things look real, while real lighting often makes things look fake. Good lighting supports the emotional moment of the scene, contributes to the atmosphere of the story and can augment an artistic style. So, no matter how good a script, how good a director, how good the actors – the lighting needs to be as good if not better. The fact is, we can’t usually make good pictures without good lighting, no matter how good the newest cameras are. Yes, we can sometimes get lucky. But while shooting under available light gives exposure, it often lacks depth, contrast, contour, atmosphere and often separation. Well-crafted lighting helps establish the illusion of reality that is necessary for the viewer to forget they are watching a screen and get lost in the story. In this Stage 32 Next Level Webinar, host David Landau will go over the ten things all filmmakers need to know about lighting, sharing some of the techniques to artistic and effective lighting that he has learned both from working with a wide range of cinematographers and through his own career as a Lighting Director and Director of Photography. David will demonstrate live from the Fairleigh Dickinson University sound stage lighting techniques that will make your images shine like a Hollywood feature without a big Hollywood budget. David Landau has over thirty years of professional lighting experience working on feature films, TV shows, sit-coms, game shows, commercials, documentaries, industrial films, music videos and direct-to-consumer DVDs. David worked as one of the gaffers on the TV series Project Runway and is a five-time Telly Award winner for lighting and cinematography. He is a member of IATSE Local 52 (gaffer) and the University Film & Video Association and Media Communications Association International. He also is the author of the new book Lighting for Cinematography: A Practical Guide To The Art And Craft Of Lighting For The Moving Image from Bloomsbury Press.
Learn directly from Jon Reiss, a distribution and marketing specialist who's worked with Paramount Pictures, Screen Australia, Film Independent, and is the year-round distribution and marketing lab leader at the IFP Filmmaker Labs. Filmmakers all over the world are confronted with a changing distribution landscape for their work – how are they to approach the myriad of options whether traditional or emerging? No matter how you release your film filmmakers must be grounded in what their goals are and knowing how to engage their audience. This webinar will cover the essentials that all filmmakers need to consider before marketing and distributing their film: goals and audience. We will first examine the five main goals possible for a films release followed by three steps of the Think Outside the Box Office (TOTBO) audience engagement process: identification, connection, value.
Learn From An Executive Who Helped Reboot HAWAII FIVE-0, MAGNUM P.I., and MACGYVER “Case-of-the-week” shows, also known as “procedurals”, are extremely popular with today’s networks. If you’re a fan of the WILL TRENT, LAW & ORDER, CSI, NCIS, or CHICAGO franchises, or the CW’s DC universe, then you’re a fan of procedurals. Even streamers have gotten in on the action, picking up Fox’s genre procedural LUCIFER after the broadcast network canceled the series. And as the streaming services launch their AVOD platforms procedurals are going to be in higher demand than ever in the coming years. These shows feature a main central plot line every week that only lasts for that singular episode. While many of these shows have story threads that last the length of the season, the key element of any procedural is for a new viewer to be able to drop in on any episode and watch a story from beginning to end. The great thing about procedurals for writers is that they make for stronger writing samples in your portfolio and can work with many different genres to show off your writing chops. In this exclusive on-demand Stage 32 class, you’ll find out exactly how to write a great procedural pilot to either sell or help you get staffed in a writers’ room. Showing you how great procedurals are done is accomplished TV Development Executive Chris Hazenbush. Chris has helped develop and sell pilots to ABC, CBS, and NBC, and most recently, was the Director of Development at AfterPortsmouth Productions, the company behind THIS IS US. Chris's latest project, THE NEVER GAME starring Justin Hartley, was recently greenlit for series at CBS and will premiere in 2023. Chris previously worked on the development team for the reboots of HAWAII FIVE-0, MAGNUM P.I., and MACGYVER, which have amassed millions of viewers throughout their series’ runs. Over four on-demand sessions, you’ll cover the crucial elements you need when crafting a procedural series and pilot script, the structure and act breaks needed, how to develop your characters’ season arcs within the format, and more. By the end of this class, you’ll have developed your own procedural show to add to your writing portfolio by learning how these shows get made through the eyes of a top-notch development executive. Don’t miss out on this incredible opportunity to learn from one of the people behind some of CBS and NBC’s biggest procedural series.
On-Demand Webinars are recorded versions of the original live webinars.
Live and interactive functionality discussed on the recording does not apply to On-Demand webinars. You will, however, receive all the content from the webinar and be able to access it as many times as you'd like for up to 1 year through the My Education page.