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Seeking Multiple Talents & Service Providers

Seeking actors, animators, assistant directors and 13 more in Remote, Oregon

Elder Glade Publishing via StoryverseStream is seeking actors, producers, musicians, voice performers, animators, screenwriters and more for full catalog of works to be produced and distributed through the new streaming platform of interconnected media. It’s free to register and set up a contributor account to show up in the services and talent directory as being available for contracts, assignments, and casting. Please DM with questions.  Various other positions available: please list your talent or services in the directory so you can be found for casting and requests.Pay rates are standard guild scheduled rates. 

Comedy Writers — $1,600 per Conversation

Seeking screenwriters in Boston, Massachusetts

Can you write a compliment that somehow becomes an admission? An attempt at sympathy that makes everything worse? A sentence someone desperately wishes they could retrieve halfway through saying it? We are developing My Stupid Mouth, an independent comedy game about trying to have a conversation while your judgment, attention, and mouth refuse to cooperate. The player sits across from Leah in a bar and chooses what to say from five response cards. There’s time pressure, distraction, and drinking to contend with. A choice that looked promising at a glance can become something spectacularly unfortunate once it leaves your mouth. We are looking for several comedy writers to create individual conversation threads, each with its own premise, escalating complications, alternative paths, and payoffs. The humor should grow from recognizable human impulses: wanting to impress someone, trying too hard to relate, getting defensive, oversharing, or attempting to repair a remark that was already bad enough. Outrageous is welcome. The strongest disasters should still make us understand what the person thought they were doing. The assignment Each commissioned conversation will last five player turns in a single playthrough, with different material available depending on the player’s choices. The proposed scope is approximately 10–12 decision situations across all branches, each offering five player responses, together with Leah’s dialogue, relevant reactions, and three or four possible payoffs. We’ll agree on the outline and exact scope before drafting. The choices should include believable, thoughtful, and funny responses alongside the terrible ones. Leah should have her own perspective, personality, and comic agency. We will provide character guidance, examples of the interface, and a straightforward writing template. Previous game-writing experience is welcome; strong comedy writing matters more. No programming is required. Pay and credit $1,600 USD per commissioned conversation.50% paid on commissioning; 50% on delivery of the agreed revision.One consolidated revision round included.Additional requested work agreed in advance at $80/hour.Remote freelance work, with the schedule agreed individually.Your chosen professional name credited at the beginning of your conversation, in the game’s credits, and in its store description. Payment for commissioned work does not depend on the game launching or generating sales. I’m also developing a contributor revenue-sharing model. That arrangement is still being finalized; any participation will be defined in writing before work begins and will be additional to the writing fee. To express interest Please apply through this listing with: A short conversation premise—approximately 100–150 words. What starts the exchange? How could it escalate? What different directions might the player take it?Three examples of hilariously ill-advised things the player might say. Include a sentence of context for each so I can understand why it goes wrong.A brief introduction, your availability, and an optional link to previous comedy writing or performance. Keep it brief—a full script or branching outline isn’t needed at this stage. If you prefer, submit an existing comedy sample instead of creating new application material. Application submissions are for evaluation only. We won’t use your submitted material in the game without a separate paid agreement. Any further custom development requested during selection will be paid. About the production The project uses AI tools in its artwork, animation, and audio production. We are recruiting writers for their comic voice, storytelling, and ability to make these conversations feel human. You’ll be able to review the production approach before accepting a commission.

Seeking Contained Psychological Thriller

Seeking screenwriters in Denver, Colorado, New York City, New York, Los Angeles, California and 2 more

I'm looking for a contained psychological thriller that has a female lead. Minimal locations and cast. Looking to pitch to investors early next year. Will be giving writer 10% backend after investors are paid back plus $5,000 once financed. Written By onscreen credit, a copy of the completed film, and IMDb credit. I'm NOT looking for horror. Comps: The Hateful Eight, Rear Window, Misery, Panic Room, Buried, 10 Cloverfield Lane.

SEEKING ACTRESS / NON UNION

Seeking actors in Chicago, Illinois

A Pain That I'm Used To is an independent feature film written and directed by Terrell Holden, who will also portray the male lead, Ian. The film explores love, disappointment, alcoholism, mental health issues, personal struggles, obsession, and the complexities of reconnecting with someone from your past.   Character Mira Mira is an intelligent, independent woman dentist struggling with unresolved heartbreak and complicated feelings for Ian, the man she once loved. Beneath her confident exterior, Mira is a vulnerable woman torn between past pain and the possibility of a second chance at love; she is also prone to violence and emotional outbursts.The role requires emotional depth, vulnerability, and strong on-screen chemistry. Compensation: Travel and accommodation.Pay is negotiable. The selected actress will also be offered 2% participation in the film’s net profits, subject to a written agreement.

Seeking for producer.

Seeking producers in Dar es Salaam, Tanzania, Nairobi, Kenya, England Estates, Maryland and 2 more

PROJECT: THE LAST CUT I am seeking an experienced film producer, director, or production company interested in developing and bringing my short film project, THE LAST CUT, to the screen. THE LAST CUT is a dramatic short film with elements of comedy and family conflict, exploring human relationships, life experiences, and the unexpected moments that can change people's lives. I am the original creator and writer of this project, and I am looking for the right creative partnership to take it to the next level. I welcome professionals interested in producing, directing, financing, or discussing potential acquisition of the project. International collaborators are welcome. Creator & Writer: Jackson Yona Lucas

Film Sales & Distribution Agent

Seeking sales agents in Remote, Oregon

Have a look at it. The whole movie is ready now, any idea to drive it into market is welcome. I am looking for professional marketing partner. 

KME is hiring

Seeking managers, assistant directors, directors and 3 more in Florida, New York

Seeking Investor for our Second Feature

Seeking producers in Los Angeles, California

Opening Image is seeking Equity Investors for our second feature film.  We currently have four features of different budget ranges and genre in our production slate to choose from. Each film has a different business model, which I'm happy to explain over a call.  Our first feature "Bare Skin" was internationally distributed in 50+ countries on Apple TV, Amazon Prime, Tubi, Fandango, Roku, Plex, Youtube channels, and Google Play. www.BareSkinMovie.comBest, Mico Direct Contact: OpeningImageLLC@gmail.com 

PA or regional-based Line Producer

Seeking line producers in Philadelphia, Pennsylvania

Seeking an experienced line producer for an initial budgeting and scheduling assignment for Given, an independent period drama feature  set at a single, isolated farmstead. We are exploring production in Pennsylvania and need a realistic assessment of how to execute the film on an indie budget. Scope: • Review the screenplay and prepare an initial production breakdown. • Develop a preliminary shooting schedule and itemized production budget. • Identify major cost drivers, remote-location logistics, and practical opportunities to reduce costs. • Include one review call and one round of revisions. Compensation: $1,500 flat fee, with the exact scope and delivery timeline agreed upon after reviewing the screenplay. This is a standalone development-stage assignment. Any ongoing production role would be discussed separately. Work may be completed remotely; familiarity with Pennsylvania production costs is preferred. Please submit relevant credits, availability, and a brief description of your budgeting and scheduling experience on low-budget independent films.

Yo-Taxi Web-Series (Project now Signatory)

Seeking sound mixers, boom operators, gaffer/lighting technicians and 1 more in Boston, Massachusetts

We are Filming a web series called Yo-Taxi based on a One Man Show. We are shooting in and around Boston, Massachusetts. We are a low budget production. The show is about a Yellow Cab Driver eventually surrendering to the newer Ride share Company. Putting his families long history to an end.  This is a Collaboration with Robert Castillo who is a Student Academy Award Winner and multi award winner for his Project S.P.I.C Special Person In Chelsea.  Project is SAG Signatory under Micro Budget Project Agreement.

Spec Co-Writer for Black-Led Sci-Fi Drama

Seeking screenwriters in Los Angeles, California

I am seeking one independent spec co-writer / creative collaborator for Shades of the Astrum War, a Black-led serialized science-fiction crime drama combining alien civilizations, power struggles, crime, family, identity, race, discrimination, survival, and different periods of American history. This is a writer-to-writer collaboration, not a freelance employment position. There is currently no guaranteed upfront compensation. The selected collaborator will receive fair and accurate writing, story, or development credit based on their actual contributions. Any future compensation, participation, rights, and credit terms will be discussed and documented in a written collaboration agreement before substantive co-writing begins. The series already has an extensive body of developed material, including established characters, mythology, worldbuilding, storylines, and a completed long-form Season One draft. I am looking for a writer who genuinely connects with the vision and can help strengthen the project through serialized television structure, character arcs, pacing, dialogue, continuity, and emotionally grounded storytelling. This project centers Black American history, culture, family dynamics, racial survival, and the interior lives of Black women across different periods of American history. Writers with lived experience, deep cultural fluency, or substantial demonstrated experience writing Black American stories, Black women’s perspectives, and historically grounded racial dynamics are strongly encouraged to apply. Ideal collaborator: • Understands serialized television structure and long-form character arcs • Writes natural dialogue and emotionally grounded scenes • Respects established canon while contributing meaningful ideas • Connects with the Black American themes central to the series • Enjoys science fiction, crime drama, power struggles, family drama, and historical storytelling • Communicates honestly and works collaboratively • Is willing to work without generative AI and will not submit confidential project material to AI systems We would begin with one clearly defined episode, storyline, or development assignment rather than the entire series. Interested writers should send a brief introduction, one or two relevant writing samples, a short explanation of why the project interests them, and what they are seeking from a writing collaboration. Confidential project materials will only be shared after an initial conversation and a signed NDA.

Executive Producer / Producing Partner

Seeking executives in Cochabamba, Bolivia

NOW WE HAVE A STORY — INDEPENDENT FEATURE FILM Seeking an Executive Producer / Producing Partner We are seeking an experienced independent film producer, executive producer, or financing partner to help package, develop, finance, and bring Now We Have A Story into production. This is an opportunity to collaborate on a distinctive independent psychological thriller with international potential, combining an English-language screenplay, a Bolivian production base, and an ambitious creative vision. ABOUT THE FILM Now We Have A Story is an English-language independent psychological thriller about a group of writers whose creative ambitions, personal rivalries, and desperate pursuit of a a second chance lead them into increasingly dangerous territory. Set within a tense, contained environment, the film explores the darker side of artistic ambition, the desire for recognition, and the blurred line between creating a story and becoming part of one. The project is designed to be produced in Bolivia, where we aim to leverage local production resources and a controlled shooting environment to maximize the creative potential of an independent feature. At the same time, we envision the film as an internationally accessible project, with English as its primary language and potential for international casting, partnerships, and distribution. PROJECT STATUS Completed feature screenplay and developing pitch materials.Approximately $66,000 in estimated production costs, with flexibility to explore a larger budget depending on financing, casting, packaging, and the needs of the project.Production planned in Bolivia, with the potential to take advantage of local locations, crew, and production resources.English-language production intended for international audiences.Casting strategy initially focused on local and regional talent, particularly bilingual English- and Spanish-speaking actors.Open to international casting and additional talent attachments if financing, scheduling, and production resources make them feasible.Seeking producing partners who can help strengthen the package, identify financing opportunities, and develop a realistic path to production. The current budget is a working estimate rather than a fixed ceiling. If the right producing partner, cast attachments, financing strategy, or union considerations create an opportunity to increase the film's production value, we are open to evaluating a larger budget and revising the production plan accordingly. WHO WE'RE SEEKING We are looking for a producer or executive producer who recognizes the potential of distinctive independent cinema and can contribute strategically, creatively, financially, or through a combination of these strengths. The ideal partner can help: Package the film: Evaluate the project's strengths, refine its positioning, and help develop a compelling package for investors, production companies, talent, and potential distributors.Develop a financing strategy: Identify potential private investors, film funds, production partners, co-production opportunities, and other appropriate financing sources.Strengthen the creative package: Advise on casting, talent attachments, production value, and opportunities to make the film more competitive internationally.Build industry connections: Introduce the project to relevant producers, representatives, casting professionals, sales agents, distributors, and other industry contacts.Evaluate production and budget options: Help determine whether the project should proceed at its current estimated budget or pursue additional financing to accommodate a stronger cast or expanded production requirements.Guide the project toward production: Collaborate with the existing creative team on development, pre-production, and the practical steps required to move the feature forward. Experience producing or financing independent narrative features, particularly psychological thrillers or contained productions, is welcome. Experience with international co-productions, emerging filmmakers, Latin American production, or English-language films produced outside the United States is a plus. We are open to both established producers with substantial industry experience and ambitious independent producers who have the right skills, relationships, and vision for the project. PRODUCTION LOCATION & INTERNATIONAL CASTING The film is planned to be shot entirely in Bolivia, where the project can build on local production resources and a cost-conscious production model. The initial collaboration will most likely begin remotely, as the project is being developed from Bolivia and we are open to working with producing partners based anywhere in the world. Travel or an on-site role can be discussed as the project advances and financing allows. Although the film will be shot in Bolivia, it will be performed primarily in English. Our initial casting approach will prioritize local and regional actors who can perform convincingly in English, ideally with Spanish fluency as well. We are also interested in exploring international casting if the right talent attachments, financing, and production arrangements make it feasible. The goal is to find the strongest creative and practical approach for the film, not to limit its potential to a single market. COMPENSATION & PARTNERSHIP This is an independent feature currently in development, and no upfront salary or guaranteed fee is available at this stage. The producing arrangement will be negotiated based on the partner's level of involvement, responsibilities, financing contribution, and the value they bring to the project. Potential terms may include: Executive producer or producer credit, as appropriate to the actual contribution and responsibilities.A negotiated producing fee, subject to the project securing sufficient financing.Potential backend participation, subject to mutually agreed terms.A more substantial producing partnership for the right candidate, depending on the scope of their involvement and the needs of the production. We are open to discussing different collaboration models, whether the partner contributes primarily through packaging and industry relationships, fundraising and financing, creative producing, or a combination of these areas. Any financing commitments, compensation, credits, and participation would be discussed transparently and formalized in an appropriate written agreement. TO APPLY If you are interested in helping bring Now We Have A Story to life, please send: A brief introduction about yourself and your interest in the project.Relevant producing, executive producing, or independent film credits.Examples of projects you have helped package, finance, or bring into production, where applicable.An overview of how you might contribute to the project's development, financing, or international positioning. The screenplay and pitch materials are available to qualified candidates upon request. We are looking for the right creative and strategic partnership to help turn a promising independent feature into a film with a clear path to production and international potential.