I write screenplays (mostly comedy & dramedy features) and have started shooting some comedy shorts as well (e.g. "Script-a-Lax") that I think would be accepted at low-level festivals.
But I'm not sure I can call these things "films" or call myself a "filmmaker". I take the planning and execution seriously, but I'm never going to invest beyond a smartphone and basic audio / lighting, the most my actors will get is pizza and beverages, and I do all the post-production myself.
Am I a cheapskate poser? Where do people draw the line to discount something as not a "film"?
Sounds to me like you're of a 'hobbyist' than a 'cheapskate'. There is absolutely nothing with that. Personally I don't use the term 'video' anymore; I label 'em as movies or films. In my mind there is a very distinct difference.
If you need to label it, then I'd suggest you're a 'visual storyteller'.
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Wannabe with no future would be the label I might use.
Because of digital revolution everyone can have a camera these days, if not at least a smartphone. But just having a phone and shooting any video doesn't make one a film maker.
People say you can shoot a film these days just because you have a smartphone. These people are those who are just motivating new aspiring film makers to be hopeful and telling to keep pursuing the process. That's the idea behind saying it. But truly speaking that's not the ground reality. Because the value of "Film"/Reel is sort of diminishing gradually and that makes us feel like, "Oh I can be a film maker too".
Try to think in terms of paying heavy price for each reel and how important each shot is whenever you make any visual story. That's where the difference or distinction between a true film maker to anyone who just shoot videos.. Because than we aren't going to be fooling around, taking unnecessary shot or looking cool shots or just all glitz which digital camera gives without substance shots. We will be very careful what we are doing. Just like Typing on a paper and using a screenwriting software. We think a lot just to type a word on paper typewriter fearing of making a mistake as well telling a good story.
It's just not about how beautiful crispy in quality it looks, it's beyond that. It's a whole "composition" of everything a film maker is trying to convey in that one shot or a scene or paper page story or throughout. And it can even have like shaky camera with fast cuts just like Bourne Series or muddled voice like in TENET.
A true good film maker knows what they are making, why. Someone who makes video or copy cat or pretentious "Video" makers claiming as filmmakers will fail to give the exact impact because they are just mimicking what's been done or just having a camera and fooling around with it. That's the difference. I mean I also have even seen many Pretentious film makers who value each shot posing to know it all, but when you see end result they are never telling any impactful story at all. Just a loosely and badly made film.
So I feel what distinguishes film and video is, a very good understanding of composition conveying a story which keeps people hooked, with a message or shake the audience up with something new which they never experienced before. It's not fast food but complete meal..
Geoff Wise I think the first question you need to ask yourself is, what's my ultimate goal? If all you ever want to do is what you're doing right now, then I think Doug's moniker of "hobbyist" is accurate. If you ever want to make a living (or at least some money) and have your stories seen by other people, you're going to have to step it up, invest in yourself and grow into bigger projects.
There is a great history of very well done short films. There's absolutely nothing wrong with that. I draw the line on stuff that's just thrown together in a hurry for the sake of getting it done. No planning, no serious work, just "Hey, let me get my camera and we'll make something up." In short 99% of Youtube.
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Thanks for all the comments. It sounds like the distinction is in the intentionality, thought, and time invested in creating a visual story. My goal is to invest that time, to tell visual stories that, after watching, people will be happy they invested the time to watch them.
Would be happy to talk to you about this more. Been doing this type of filmmaking on my own for a long time.
Mmm! LOVE this question! Although I do feel like it tips towards "fighting words", but it's worth the discussion for sure! I'll come back with my two cents in a few...
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The basic question is what differients a film from a video. My opinion is that it has much to do about intent. A film's first responsibility is to entertain in a creative way whereas a video's primary goal is to inform. Obviously there is a lot of crossover and I break it down into three basic categories. i.e. the Hurt Locker is a film, Kindergarten Cop is a movie, the evening news is a video - hopefully you understand what I'm saying but It's just my opinion.
Doug Nelson I tend to agree with you. In IB Film, or any film theory class for that matter, they would break it up into intention as depicted by the production design, camera language, and editing. If you are trying to present information as truthful or objective, then the camera language is neutral - eye-level shots, wide shots, long takes to avoid manipulation through editing and feels more like a recording of something playing out in front of you (Lumiere Bros. https://www.indiewire.com/2020/03/lumiere-brothers-workers-leaving-facto...), possibly in a "real" setting. BUT if your intention is to present something subjective, to tell a story through a very specific point of view, then those aspects will be exaggerated. Generally speaking, film is subjective and video is objective, but clearly, there is overlap.