Screenwriting : Comedy Writing Techniques by Maurice Vaughan

Maurice Vaughan

Comedy Writing Techniques

I've been writing more and more Comedy, and I've learned techniques to make my scripts funny. One of them is "put characters in awkward situations."

What techniques do you use to make your scripts funny?

Tony Ray

-Aim for visual comedy

-Avoid cliche

-Don't be afraid to try slow motion

Maurice Vaughan

Great techniques, Tony Ray. I've heard of "aim for visual comedy" before. I remember seeing a video about why some modern Comedy movies don't do well (they rely too much on "sit and talk comedy" -- not sure if that's the official term) and how visual comedy works better. Thanks for sharing.

Paul Rivers

'Joy Ride 2023' made me feel awkward just being in the theater. I loved it and laughed a lot.

Maurice Vaughan

"Joy Ride" is on my watchlist, Paul Rivers. I heard it's hilarious. I might watch it this weekend. Maybe a double feature.

Arthur Charpentier

hello! I don't write comedies. It seems difficult to me. I don't think I can cheer anyone up with my jokes.

Maurice Vaughan

Hi, Arthur Charpentier. I used to avoid writing Comedy because I thought it was too hard. I got better at writing Comedy by practicing, using resources here on Stage 32 (like articles that members post), and taking Judd Apatow's MasterClass.

And here's a free webinar on writing Comedy for streaming TV: www.stage32.com/education?p=8944891953459

Arthur Charpentier

Thank you very much, Maurice Vaughan!

Maurice Vaughan

You're welcome, Arthur Charpentier.

Maurice Vaughan

But writers can learn to write funny, Dan MaxXx.

Kathleen Hof

Someone recommended a book to me a while ago. I bought it and learned a lot about writing comedy. For instance, in every situation, think about the most outrageous thing that could happen. The book is "The Comic Toolbox" by John Vorhaus.

Maurice Vaughan

Thanks for recommending the book, Kathleen Hof. I'll check it out.

Maurice Vaughan

Thanks for the tip, Claude Gagne.

Jim Boston

Maurice, I'm more comfortable with verbal humor (the kind that Groucho Marx, Redd Foxx, and Jack Benny used) than with physical...although I like to slip something physical in there (like the horse in a classroom in "Pushing the Envelope," a gag inspired by "Animal House").

A lot of my stuff is based on using exaggeration (Casey's guitar in "Rivertown Rock!" was supposedly too big for her) and understatement.

I love to get topical, too. In "The Nutcrackers," Conny and Sydney (with help from elderly next-door neighbors Hans and Greta) were about to leave the hospital when American-born Sydney started wondering about all the expenses she and Canadian-born Conny racked up after their backstage injuries (would it cost the same under Canada's health-care system?). Conny's reply: "You know...I'll bet Alex Trebek wondered that, too." When Conny named off other Canadian-born performers who hit it big here in the US, Greta said: "Stop! You're talking about all the stars I loved watching on TV when I was growing up!"

And then there's name calling...like in "The Street Piano Kid," where Marisol took note of oldest daughter Lorelei's disappointment over not getting all the popup instruments the latter wanted for Las Vegas (25, not 127): "Look, Cinderella: It ain't no sports car...it's a carriage. And it'll still get you to the ball."

Well, that's enough of me. Maurice, here's wishing you tremendous success in comedy!

Maurice Vaughan

Thanks for commenting, Jim Boston. I didn't know there were so many Comedy writing methods. Redd Foxx was hilarious. I loved watching "Sanford and Son" growing up.

Thanks. Hope you have tremendous success in Comedy too!

Debbie Croysdale

@Maurice “Misunderstandings” are a comedy option. EG In my Irish Rom Com a con artist with the gift of the gab is asked by an older woman (his romance scam mark) to bring her a screwdriver from his pop up bar & he returns with a tool box.

Maurice Vaughan

Great idea, Debbie Croysdale! I added "misunderstandings" (and the other tips in the comments) to my Comedy writing list. Thanks!

E Langley

I am about to expose the top secret to successful comedy writing.

Paying attention?

Sitting down?

It's a shocker.

You'll never be the same again.

Ready.

Set.

Go.

It's...

Abeeha Alam

Witty responses and dialogue go a long way. Everyday life is a great source for this. I have also found that irony helps to give a comedic effect sometimes.

Rhonda Jean Seiter

Juxtapose thingies that don't belong together, infusing them with new meaning that's funny

Maurice Vaughan

Thanks for the top secret, E Langley! So helpful!

Maurice Vaughan

Thanks for the tips, Abeeha Alam!

Billy Kwack

Hi Maurice, I would use slapstick characters

Maurice Vaughan

Great technique, Rhonda Jean Seiter! Like Buddy Cop movies where the partners are from different worlds.

Maurice Vaughan

Thanks, Billy Kwack. What's one of your favorite slapstick characters?

Billy Kwack

Hi Maurice, probably Kramer from sienfeld

Maurice Vaughan

Kramer is hilarious, Billy Kwack! The way he talks and acts.

Billy Kwack

Hi Maurice, I think he's the best

Jim Boston

Maurice, you're very welcome...from one "Sanford and Son" fan to another!

Rhonda Jean, I'm with you about juxtaposing those thingies that don't have any business together...and I like to do that people's occupations.

For instance: How often does a high school in America turn one of its math teachers into the director of the school's jazz band (the premise in "Bleeding Gums")? Never mind that math is one of music's cornerstones.

Or what would a college instructor who'd lost her husband to whooping cough on a train trip in the 1870s be doing in the most lawless city out West ("Kitten on the Keys")?

Other topics in Screenwriting:

register for stage 32 Register / Log In