Hi! I'm new to screenwriting and the site, but as my profile says, I'm no stranger to scripts. My question is more about sale-ability than techniques or mechanics.
I am a huge fan of fantasy and paranormal. I'm a romance novelist and I write paranormal romance Arial ducks, but I know many producers and agents have been FLOODED with vampire romance (thank you, Twlight), so even though that's up my alley, I'll be avoiding that genre. (For the record: My vampires don't sparkle. They EAT people...in more ways than one. eyebrow waggle)
HERE'S MY QUESTION: Just starting out and trying to break into the industry, should I be avoiding storylines that require special effects and/or costumes?
I have an idea for a mystery series, but it has subtle paranormal elements (e.g., main characters have psychic abilities). And I may have just answered my own question here with this idea, but I'd love to hear your thoughts, gang.
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Regarding this thread topic... Character, dialogue and action are all parts of a whole. The whole being greater than the sum of its parts. So I don't see any one of those elements as being more import...
Expand commentRegarding this thread topic... Character, dialogue and action are all parts of a whole. The whole being greater than the sum of its parts. So I don't see any one of those elements as being more important than the others. They are all equally important. They all work together. Personally, I consider all three in tandem when starting a story/screenplay. ;)
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I don't think one is more important than the other. However, I typically let the character color the dialogue.
Dan M, like most people it is hard to see my own mistakes. I had a character that started as a greasy, unwashed junky, but how he acted during the story was inconsistent with who he was. So I swap peo...
Expand commentDan M, like most people it is hard to see my own mistakes. I had a character that started as a greasy, unwashed junky, but how he acted during the story was inconsistent with who he was. So I swap people in my mind, he is now a guy who does drugs, sells a bit and thinks he is big time when he isn't. That now fits his involvement in the story, but his action and dialogue needed a complete rewrite. Makes for a better story.
When I was talking about action I was talking from a character context not a story context. Does the person hug or shake hands, do they cry or shake when angry. I heard about an argument in a writer's...
Expand commentWhen I was talking about action I was talking from a character context not a story context. Does the person hug or shake hands, do they cry or shake when angry. I heard about an argument in a writer's room (can't remember which show) over if a person would slam a door or just storm out. I find the physicality of a character as fascinating as how they speak.
Robert, yep default, dialogue has to be good. But does a person say "can't" or "cannot", both speak to character. If the "cannot" is perfect would you go back and change the character to make this fit...
Expand commentRobert, yep default, dialogue has to be good. But does a person say "can't" or "cannot", both speak to character. If the "cannot" is perfect would you go back and change the character to make this fit? I am rewriting a character because their look and actions are too dumb compared to how they talk.