Hi Larissa. I'm RB, Founder and CEO of Stage 32. As a screenwriter, producer, actor and filmmaker, I know first-hand the challenges all creatives face finding work, landing representation, launching projects, securing funding and simply making the connections that will make a difference in their careers. That's why I created Stage 32. Since our launch in September of 2011, the community has grown to 1,000,000+ members representing every country on the planet making Stage 32 the social network uniquely populated with the most creative people on Earth.
This is a network for you, built by you. Like most things in life, the more you participate, the greater the rewards. We ask all new members to pay it forward by inviting 5 fellow creatives to the network and by spreading the word of Stage 32 through other social media sites such as Facebook, LinkedIn, and Twitter. The more creatives, the stronger the network. The stronger the network, the more opportunities.
Thanks for joining the movement and for being a part of this most talented and inspiring community. I very much look forward to your contributions.
Thanks, and have a creative day!
RB
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1 person likes this
It's interesting. For me, 'strong female lead' was a big part of the films I watched as a kid...and they definitely still are. Martial arts films with heroines at the forefront (Angela Mao, Yukari Osh...
Expand commentIt's interesting. For me, 'strong female lead' was a big part of the films I watched as a kid...and they definitely still are. Martial arts films with heroines at the forefront (Angela Mao, Yukari Oshima, etc.) just made me that much more invested in their stories. BUT...that being said, on the literary side (books), I was also attracted to the tradigienne. Anna Karenina, Tess of the D'Ubervilles, etc. Women who were strong in spite of or even because of the things that happened to them. I think the problem is that 'Strong female lead' has a very narrow definition. It doesn't have to be action, it doesn't have to be tragic, it doesn't have to mean being 'strong' all the time, it doesn't mean the character doesn't cry or feel pain...Not always, but sometimes people miss the whole emotional development thing when it comes to developing SFLs.
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Hi Mike,
I think you're referring to Brit Marling's opinion piece that appeared in the NY Times last weekend.
I could understand her views. She expressed the type of roles, characters, and story lines/...
Expand commentHi Mike,
I think you're referring to Brit Marling's opinion piece that appeared in the NY Times last weekend.
I could understand her views. She expressed the type of roles, characters, and story lines/story logic that she would rather see, and be a part of.
I could also understand how it could be particularly frustrating for any specific writer/actor/filmmaker to feel like there is a limitation of content and opportunities that they would like to see or be a part of.
I monitor media forms in several ways and for several reasons, and have seen a significant amount of change and progress over the last decade, and imagine an even more significant amount of change and progress over the the next decade. I have included a link to See Jane's 2019 Report on How Media Representation Affects Girls and Young Women, and a link to Brit Marling's opinion piece, for those who are interested. And writers and everyone else on Stage32 should follow SeeJane.org on a regular basis - at least in my opinion.
Best fortunes in your creative endeavors, Mike and All!
https://seejane.org/wp-content/uploads/2019-rewrite-her-story-plan-inter...
https://www.nytimes.com/2020/02/07/opinion/sunday/brit-marling-women-mov...
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@Larissa I totally agree. What is the definition of strength? I think the NYC newspaper writer is wrong to put ALL females into one “category”. What she feels is acceptable for herself may not be acce...
Expand comment@Larissa I totally agree. What is the definition of strength? I think the NYC newspaper writer is wrong to put ALL females into one “category”. What she feels is acceptable for herself may not be acceptable for others. I do not understand why gender should dictate any particular path a character in a film takes. Why should a character be more than, or less than, in any particular scene just cos their sex? It is daft to self limit possibilities in life’s journey.