The Stage 32 Videos: Hyperrealism
Hyperrealism
Working with Hyperrealism truly opens the doors to different creative dimensions. This short clip starts with normal Foley of garage door latches closing, then a massive slam of the needle placement of the sewing machine telling us we have crossed back over to another world.
The pulling of the string is actually abstract scrapes from a cello. I had my composer, who collaborated with me, create multiple takes of abstract/experimental sounds on the cello, and this actually worked out perfectly for this scene.
As the sewing machine mashes on, it ends with a nice impact with a long reverb tail that fades. The credit rolls as this churning mechanical sound seems to be rolling the credits on its own.
The pulling of the string is actually abstract scrapes from a cello. I had my composer, who collaborated with me, create multiple takes of abstract/experimental sounds on the cello, and this actually worked out perfectly for this scene.
As the sewing machine mashes on, it ends with a nice impact with a long reverb tail that fades. The credit rolls as this churning mechanical sound seems to be rolling the credits on its own.
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