The Stage 32 Videos: Audio Post

Hyperrealism

Working with Hyperrealism truly opens the doors to different creative dimensions. This short clip starts with normal Foley of garage door latches closing, then a massive slam of the needle placement of the sewing machine telling us we have crossed back over to another world.
The pulling of the string is actually abstract scrapes from a cello. I had my composer, who collaborated with me, create multiple takes of abstract/experimental sounds on the cello, and this actually worked out perfectly for this scene.
As the sewing machine mashes on, it ends with a nice impact with a long reverb tail that fades. The credit rolls as this churning mechanical sound seems to be rolling the credits on its own.

Woody Woodhall, CAS - Audio Post Production Reel

Selected clips from feature films, documentary and television programming with supervising sound editing and re-recording mixing from Allied Post Audio, Santa Monica by Woody Woodhall, CAS
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