Ref: Self Tape auditions -
Every actor I know finds the current self-tape process frustrating and wearying.
I get that it’s easier to tape at home, alone, or with a reader, and you get to do it over and over until you’re happy, but, then what happens.
You send it off and chances are you never hear another word. From anyone. Did they even watch it? Was it already cast and they were just doing a compulsory fishing expedition to satisfy union requirements that they were being inclusive? Were they seeing every Cdn actor/actress within the age range so they could hire the American with impunity?
When a casting agent puts out a break down asking for submissions…it used to be that agents would submit clients and they might make it to a casting session with the casting director, or if the CD was familiar with someone's work, they might propose them to the director/producer and ask that actor to come in to a producer session.
It seems to me that the SELF TAPE should be the equivalent of a producer session.
Someone suggested that actors should be paid to self tape…a nominal fee… but something so as to discourage casting from just agreeing to hundreds of self tapes, most of which are an utter waste of time.
Even ZOOM would be a better alternative. That way, you can at least get feedback from the director/producer if they want you to go in a different direction.
It seems to me, it is really easy to get actors to self tape, then sit around and watch the first 15 seconds to decide the actor isn’t quite right, but each of those actors has gone through an annoying, time consuming, sometimes costly process to get that tape out there. For what?
Yes, times have changed, and the world is a different place, but, in order for actors to feel that they are more than camera fodder, I think the union should look at this current method of ’casting’, and consider some limitations to protect actors. Maybe there should be a requisite ZOOM conversation with the producer/director before the actor is asked to tape, so that if the people hiring don’t respond, or know that they are definitely NOT going in your direction, they can politely thank you for you time, let you know it’s not going to go any further, and spare you the hours of wasted time working on a self tape. Or, they can give you some direction and ask you to tape.
Sorry for the rant, but I really do think some limitations would be beneficial for everyone.
I'm interested in Casting Director and Agent reaction to this, because I feel, at present, that everyone is just passing the buck because" They have to - this is what Directors want."
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The problem can be not even being able to get in that room. I think if you get into the room, especially in big markets, that is one great victory in itself. On the theatre side, I don't appreciate th...
Expand commentThe problem can be not even being able to get in that room. I think if you get into the room, especially in big markets, that is one great victory in itself. On the theatre side, I don't appreciate theatres that just audition for show and already have the shows cast, or play politics and refuse to cast "outsiders." There is a great deal of blockades and limiting access to make gatekeepers look prestigious.
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The Producer/Director must make it clear who they are seeking. I try very hard to do just that but when I’m looking for a petite blond teenage valley girl type, I nearly never get her. I get actors wh...
Expand commentThe Producer/Director must make it clear who they are seeking. I try very hard to do just that but when I’m looking for a petite blond teenage valley girl type, I nearly never get her. I get actors who fit the character but are the wrong body type/age. When I find the petite blond teenager – she’s at odds with the character. Generally I like to keep my eye open for actors for other roles in mind during auditions. During my quest for the petite teenage valley girl, a statuesque 6’ raven haired 35 year old showed up – what the…? I cast her in another role that I wasn’t even auditioning for at that time. I think that a small time independent Producer/Director has that flexibility whereas the bigger houses do not. Almost every actor is suitable for some role – maybe just not that one. Just remember that a swing-n-a miss puts you that much closer to a hit.
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Every role I've gotten was when I really couldn't care less if I booked it or not... weird.