The place to discuss, share content and offer advice and tips on all things filmmaking and the craft of directing. From pre-production to on set practices to navigating the industry and beyond, this is your forum
Karen “Kay” Ross (Community Manager and Writers’ Room Producer on Stage 32, Screenwriter, and Producer) is having an exclusive AMA in the Writers’ Room Lounge on February 21st, answering questions about “Juggling Writer & Producer Responsibilities: Learning How To Delegate!”
This is gonna be a fun,...
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Karen “Kay” Ross (Community Manager and Writers’ Room Producer on Stage 32, Screenwriter, and Producer) is having an exclusive AMA in the Writers’ Room Lounge on February 21st, answering questions about “Juggling Writer & Producer Responsibilities: Learning How To Delegate!”
This is gonna be a fun, helpful AMA! Don’t miss it! You can post your questions now. www.stage32.com/lounge/introduce_yourself/Ask-Me-Anything-AMA-Friday-2-2...
If you’re not a Writers’ Room member yet, you can sign up for your first month FREE here: www.stage32.com/writers-room/plans-vip
Kay has so much experience and wisdom to share on this subject (and many other subjects). This is gonna be a great AMA! Thanks for the heads up, Maurice Vaughan!...
Expand commentKay has so much experience and wisdom to share on this subject (and many other subjects). This is gonna be a great AMA! Thanks for the heads up, Maurice Vaughan!
You're welcome, Sam Sokolow. I'm excited for this AMA! I know Kay is going to have a lot of advice and insight for the community.
Stage 32 has partnered with Bloomberg Original Studios to deliver world-class training and certification to their global production teams. This partnership means more training, more opportunities, and a bigger impact in the industry!
Find out more about Stage 32 Certification and what the partnership...
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Stage 32 has partnered with Bloomberg Original Studios to deliver world-class training and certification to their global production teams. This partnership means more training, more opportunities, and a bigger impact in the industry!
Find out more about Stage 32 Certification and what the partnership means for you here: www.stage32.com/blog/stage-32-partners-with-bloomberg-original-studios-t...
And if you have any questions about Stage 32 Certification, email Sam Sokolow. He's Stage 32's Head of Certification. Edu@stage32.com.
Thanks for sharing this awesome news, Maurice Vaughan! If anyone wants to learn more about Stage 32 Certifictaion or if I can recommend any of our courses (they're all taught by thevery best in the in...
Expand commentThanks for sharing this awesome news, Maurice Vaughan! If anyone wants to learn more about Stage 32 Certifictaion or if I can recommend any of our courses (they're all taught by thevery best in the industry) please email me anytime at certificiation@stage32.com.
You're welcome, Sam Sokolow. It's awesome news indeed!
Filmmakers today wear many hats. Here are 5 skills every #FilmmakerEntrepreneur needs:
1.Budget Management: Balance #creativity with financial responsibility.
2.Marketing Savvy: Promote your work to reach the right audience.
3.Networking: Build relationships to expand opportunities.
4.Audience Engageme...
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Filmmakers today wear many hats. Here are 5 skills every #FilmmakerEntrepreneur needs:
1.Budget Management: Balance #creativity with financial responsibility.
2.Marketing Savvy: Promote your work to reach the right audience.
3.Networking: Build relationships to expand opportunities.
4.Audience Engagement: Create a loyal fanbase through interactions.
5:Negotiation: Master the art of negotiation for locations, equipment and distribution.
Was this list helpful? Share your thought...
Totally agree with Richard "RB" Botto and there are specific skills on this list to that end that Stage 32 offers Certification courses on. These skills empower filmmakers on every front. We're curren...
Expand commentTotally agree with Richard "RB" Botto and there are specific skills on this list to that end that Stage 32 offers Certification courses on. These skills empower filmmakers on every front. We're currently training people in these skills from Hawaii to Europe and beyond. If you want to learn more or get any recommendations on our Certification program email me anytime at certification@stage32.com.
Thanks, Maurice, Richard, and Sam. I completely agree—understanding the business side of filmmaking is just as crucial as honing creative skills.
Stage 32’s Certification courses sound like a fantastic...
Expand commentThanks, Maurice, Richard, and Sam. I completely agree—understanding the business side of filmmaking is just as crucial as honing creative skills.
Stage 32’s Certification courses sound like a fantastic resource for filmmakers looking to strengthen these essential skills. From my experience, the perfect match for success is combining the right knowledge with the right tools.
I’ve been working on a solution that helps filmmakers streamline workflows, collaborate efficiently, and manage both the creative and business aspects of their projects. When filmmakers equip themselves with both the skills and the tools to execute, they set themselves up for real success.
Learning how to navigate budgeting, marketing, networking, and negotiation is vital, and combine this with having the right platform to put that knowledge into action makes all the difference.
Great discussion—appreciate the insights.
You're welcome, Vincent Weberink. I remember way back filmmakers had street teams (teams that went out and promoted their films). I wonder if it's common for filmmakers to use social media street team...
Expand commentYou're welcome, Vincent Weberink. I remember way back filmmakers had street teams (teams that went out and promoted their films). I wonder if it's common for filmmakers to use social media street teams now.
Hey Maurice Vaughan, That’s a great thought. I love the idea of exploring how filmmakers use social media street teams today. I’ll definitely make that one of my posts—thanks for the inspiration....
Expand commentHey Maurice Vaughan, That’s a great thought. I love the idea of exploring how filmmakers use social media street teams today. I’ll definitely make that one of my posts—thanks for the inspiration.
You're welcome, Vincent Weberink. Looking forward to the post!
Maurice Vaughan yeah, that's kinda the blessing in his situation. He should be able to get bigger, better studio movies to work on from now on. So far, his 3 features have all been made for 11 million...
Expand commentMaurice Vaughan yeah, that's kinda the blessing in his situation. He should be able to get bigger, better studio movies to work on from now on. So far, his 3 features have all been made for 11 million or less. While well rec'd by critics, The Brutalist is really his first movie that was latched onto by mainstream audiences, which is a great sign for him.
Dan MaxXx Tim Miller was more of a hired gun on Deadpool than the creative force behind it. As Marvel was doing that thing (which they do repeatedly) where they hire a no-name (in Tim Miller's case) o...
Expand commentDan MaxXx Tim Miller was more of a hired gun on Deadpool than the creative force behind it. As Marvel was doing that thing (which they do repeatedly) where they hire a no-name (in Tim Miller's case) or emerging young director, for the purpose of paying them as little as possible. So it's not a 1:1 comparison, as Miller's best credits to that point were in VFX and doing title sequences.
Mike Childress studios are pretty stingy with the merchandise deals. The famous ones - George Lucas on Star Wars and Downey Jr. on Iron Man - only really happened because studios really didn't believe...
Expand commentMike Childress studios are pretty stingy with the merchandise deals. The famous ones - George Lucas on Star Wars and Downey Jr. on Iron Man - only really happened because studios really didn't believe in those projects at the time they were being made (which in hindsight of course seems crazy)
John Cassavetes classically did studio films to support his independent work. Many actors work on studio pictures and also do indie films as they go. Commercials have always been a great avenue to mak...
Expand commentJohn Cassavetes classically did studio films to support his independent work. Many actors work on studio pictures and also do indie films as they go. Commercials have always been a great avenue to make money for directors, crew, actors, etc., especially in emerging markets. I definitely feel his pain in terms of marketing time and award season - that's a major time commitment - but there is nothing negative about making money doing commercials or other production projects to pay the bills. Producing commercials helped get my first indie feature made. It's great work to get IMO.
Its not that easy to get into and stay in commercials. I need to get paid if I want to direct a feature.
Hi there community,
I just wanted to draw your attention to a new awards show.
The Humanitas Awards cover these categories:
“The Humanitas Prizes are for film and television writers across nine categories — including drama teleplay, comedy teleplay, limited series teleplay, children’s teleplay, drama...
Expand postHi there community,
I just wanted to draw your attention to a new awards show.
The Humanitas Awards cover these categories:
“The Humanitas Prizes are for film and television writers across nine categories — including drama teleplay, comedy teleplay, limited series teleplay, children’s teleplay, drama feature film, comedy feature film, family feature film, documentary and short film. For the first time this year, the Humanitas Prizes will include two awards in the documentary category instead of one (one to a documentary feature and another for docuseries episode).”
It’s good to see documentaries added to the categories.
““The entertainment industry is in constant flux, and the feelings of trepidation and anxiety are ubiquitous right now, but what will always stay the same is the writing community’s creative energy, community, and ability of film and television to tell complex and meaningful stories about the human condition,” said Humanitas executive director Michelle Franke. “Showcasing this work and the people who do it is a treasured part of our year.””
What are your thoughts about the Humanitas Awards? Will they offer your work a showcase?
https://variety.com/2025/tv/news/humanitas-submissions-process-2025-awar...
The Humanitas Prizes sounds like a great opportunity for creatives, Geoff Hall. So do the New Voices Fellowship and College Screenwriting Awards. Thanks for sharing the article....
Expand commentThe Humanitas Prizes sounds like a great opportunity for creatives, Geoff Hall. So do the New Voices Fellowship and College Screenwriting Awards. Thanks for sharing the article.
Maurice Vaughan you’re welcome, Maurice.
Stage 32 has a new Invite System, making it easier than ever to bring new creatives into our community! We want to grow our network to 1.5 million members in 2025, and we need your help. We’re asking every Stage 32 member to invite at least five fellow creatives.
Expanding our community means more p...
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Stage 32 has a new Invite System, making it easier than ever to bring new creatives into our community! We want to grow our network to 1.5 million members in 2025, and we need your help. We’re asking every Stage 32 member to invite at least five fellow creatives.
Expanding our community means more potential collaborators, job prospects, and creative partnerships for you. And many creatives do not know where to turn for networking, education, and support. Let’s bring them into this wonderful community to find the support they need.
How to Invite Others:
- Click “Invite” in the top menu bar on Stage 32
- Invite through your email contacts or social media (Facebook, LinkedIn, Gmail, etc.)
- Or enter names and email addresses manually to send personalized invitations
You can also use the Invite System with this link: www.stage32.com/invite
Let’s get to 1.5 million members this year!
I'd love to hear your stories about interesting places you've been to for production. Did you come away with appreciation for new places or cultures?
That sounds surreal. It's awesome that they tipped. That makes me curious about what the communication was like to get access to the club for filming. Was that weird or simply business like?
We once did an independent pilot for a dance compeititon show at the Key Club on Sunset Boulevard in LA on a Tuesday from 6am-4pm - everything was paid in cash - that was wild. Aiden Barr - if you're...
Expand commentWe once did an independent pilot for a dance compeititon show at the Key Club on Sunset Boulevard in LA on a Tuesday from 6am-4pm - everything was paid in cash - that was wild. Aiden Barr - if you're interested in the ins and outs of Location Management and negotations check out Stage 32's Location Management Master Certification. This course is taught by the Location Managers on films like BARBIE, TOP GUN: MAVERICK, KILLERS OF THE FLOWER MOON and more. Here's a link so you check it out: https://stage32.myabsorb.com/#/curricula/38c8682e-d6e0-4809-a7ae-c6f2e75...
Jill Godley talks about how she made a short film with a $0 budget in today’s blog, from finding a crew to resources to writing the script and more. www.stage32.com/blog/how-i-made-a-short-film-with-a-0-budget-4013...
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Jill Godley talks about how she made a short film with a $0 budget in today’s blog, from finding a crew to resources to writing the script and more. www.stage32.com/blog/how-i-made-a-short-film-with-a-0-budget-4013
Hey, Dan MaxXx. "$0 budget" is an expression. It means really cheap/really micro-budget.
I've done "zero budget" shorts, as we had all the gear, etc. But my zero budget did have a few expenses as I had a simple coffee set up with fruit, muffins, donuts, water, Gatorade, and sodas. Plus I...
Expand commentI've done "zero budget" shorts, as we had all the gear, etc. But my zero budget did have a few expenses as I had a simple coffee set up with fruit, muffins, donuts, water, Gatorade, and sodas. Plus I paid for lunch. Crew of three, cast of three. If they show up the least you can do is feed them as it's "fuel" to keep them going.
Totally agree, Lindbergh E Hollingsworth - you have to feed the cast and crew, especially if they are working for free.
Liliana Granados, Producer & Development Executive (Viola Davis’s JuVee Productions, Sofia Vergara’s Latin World Ent, Eugenio Derbez’s 3Pas Studios), is having a FREE Ask Me Anything all day, answering questions about “Developing and Producing Impactful Stories for a Global Audience”!
The AMA is fo...
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Liliana Granados, Producer & Development Executive (Viola Davis’s JuVee Productions, Sofia Vergara’s Latin World Ent, Eugenio Derbez’s 3Pas Studios), is having a FREE Ask Me Anything all day, answering questions about “Developing and Producing Impactful Stories for a Global Audience”!
The AMA is for producers, writers, directors, and anyone who’s passionate about storytelling. Don’t miss this opportunity to learn directly from an industry expert!
www.stage32.com/lounge/producing/Ask-Me-Anything-AMA-Wednesday-2-19-to-T...
It’s Hollywood “Awards Season”! Stage 32 is giving away scripts to all of this year's Awards nominated movies for you to read and study! The Oscars, Golden Globes, SAG Awards, and BAFTAs. 55 scripts! Get the scripts here: https://mailchi.mp/stage32/oscarscripts...
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It’s Hollywood “Awards Season”! Stage 32 is giving away scripts to all of this year's Awards nominated movies for you to read and study! The Oscars, Golden Globes, SAG Awards, and BAFTAs. 55 scripts! Get the scripts here: https://mailchi.mp/stage32/oscarscripts
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I love seeing a brilliant artist's early work and vision. This is really cool. Her Ewok party rocks.
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That was fun, Amanda Toney! And it shows that filmmakers don’t have to start big or start with a lot of experiment and things. They can start with a short film or a short fan film. Coralie Fargeat is...
Expand commentThat was fun, Amanda Toney! And it shows that filmmakers don’t have to start big or start with a lot of experiment and things. They can start with a short film or a short fan film. Coralie Fargeat is a really talented director! I’ve seen The Substance, Reality+ (the short film that The Substance was loosely inspired by), and part of Revenge. I plan on finishing Revenge when I sign up for Mubi again. Thanks for sharing!