I just watched F1 and thought they did a hell of a job. Such great quick cuts and they really put you in the heart of the story.
Post-Production
Whether you’re an editor, sound editor, Foley artist, compositor, VFX specialist or work in any profession related to the post-production process, this is the place to discuss, share content and offer tips and advice on your chosen craft of the business in general
Liked by Fahud Saleem and 12 others
Liked by Olivia Cole
“HOWL” A Film by Jordan Peele design by Hammad Visuals Production
A cinematic plunge into primal fear. The poster captures a towering werewolf, its glowing blue eyes piercing through the storm. Lightning splits the sky as water crashes at its feet, amplifying the creature’s roar. The atmosphere is drenched in darkness, chaos, and raw energy a perfect visual for a...
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Silence in a music score
In film, silence is not the absence of music. It is one of the most powerful narrative tools a composer can use.
When a score accompanies a scene, it shapes pacing, emotion, and perception. Music can make moments feel faster, guide the audience toward a clear emotional response, and influence their e...
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Why "invisible" VFX are a Directors bestfriend.
Hey Stage 32 community!
I’ve been spending some time breaking down the difference between Invisible VFX and Color Grading, especially within a DaVinci Resolve workflow, and wanted to share a quick perspective that may be helpful for directors and producers planning their post-production pipeline.
Thin...
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Ashley Renée Smith
- 22 hours ago
Timothy Miller I love how you framed VFX as the fixers and colorists as the painters. That distinction makes it immediately understandable, and it really highlights why the order of operations matters...
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I later discovered that "invisible VFX" is more commonly known as paint or a paint fix in the post world. Gaining a better grasp of that process, along with color correction, has really heightened my...
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That's the difference...
The most expensive part of post-production isn't the edit.
It's that three rounds of revisions because the editor cut what was in the script , not what you were actually trying to say.
Great editors don't just follow the script. They understand the brief and emotion in it. They ask why a scene exists,...
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Michael Teisan
- 2 days ago
I agree that it's important to understand a directors vision. In my experience as an editor, the biggest hurdle that makes the editing take longer is if the producer and the director are not on the sa...
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Ashley Renée Smith
- 22 hours ago
Sachin Moyal (SMED), this is such a sharp observation, and honestly, so true.
That gap between what’s on the page and what’s intended emotionally is where so many revision rounds come from. A strong ed...
Expand commentLiked by Ashley Renée Smith and 2 others
Assistant Editor Vs Editor
There is a somewhat traditional path towards becoming an editor which starts you off as an assistant editor. Much in the same way that the path towards becoming anything in production starts with being a PA. I started as an assistant editor with dreams of being promoted to a creative editor position...
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Timothy Miller
- 5 days ago
thank you Michael Teisan , I have done video editing for my YouTube page and never had the chance to explore it in a film studio setting but understanding where it starts is a major help. thank you fo...
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Ashley Renée Smith
- 22 hours ago
Michael Teisan I really appreciate you breaking down the reality of the assistant editor track. It’s an incredibly important role and skill set, but you’re absolutely right that it can lean heavily te...
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Writer Liaison at Stage 32 ♦ Screenwriter, Producer
2 days ago
'Godzilla Minus Zero' Director Takashi Yamazaki Says the Film's VFX are Something Never Seen Before
GMZ was filmed for IMAX. Saw the teaser that dropped at CinemaCon and it's hype. What other films coming up are 2026 are gonna be VFX marvels like GMZ?
(https://www.youtube.com/watch?v=z5WPDDzC4MQ)
Shadow Dragu-Mihai
- 3 days ago
Amanda Toney It's interesting, but there's a lot of skepticism due in part to Maxon's history of locking in users to their own applications by sudden transitions to subsctiption only (so "free" not me...
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Poster Design
Sold this cinematic horror poster for just $50 to my client. He wanted a dark blue theme where the wolf is the main highlight, with strong horror vibes. I designed the atmosphere with storm, fog, and lightning to give it that chilling, cinematic edge.
Producer, Cinematographer, Screenwriter, Actor
4 days ago
Post
i would like to see if anyone knows the proper, legal, and safest way to send my movies to editors, colorist etc ? thanks in advance
Mike Boas
- 4 days ago
What do you mean by safe and legal?
It sounds like you want them to sign a non-disclosure agreement? Or just a contract that itemizes what they’ll do in what timeframe?
Andrew Crutcher
- 4 days ago
non disclosure agreement,,,,okay thanks i will look into this
Looking for a post-production creative founder to turn apps into content
Hi everyone, posting here because I think the kind of person I’m looking for may very well come from post-production.
I’m a Spanish app builder based in Santa Teresa, Costa Rica. I’ve spent the last 10+ years building products across mobile apps, AI, design, and backend, and I already have multiple a...
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When “VFX” Doesn’t Look Like VFX
I’ve noticed a lot of questions about VFX in the lounge lately, and a common misconception keeps coming up: that VFX is only for big-budget sci‑fi or action movies. In reality, for most editors, VFX is about invisible work—the kind the audience should never notice.
Even in a simple indie drama, we’re...
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1 person likes this
Amanda Toney Haven't seen F1 yet, gonna look forward to it though, I’ve always been inspired by the VFX work on Avatar and The Way of Water, especially how the VFX team builds such innovative tools th...
Expand commentAmanda Toney Haven't seen F1 yet, gonna look forward to it though, I’ve always been inspired by the VFX work on Avatar and The Way of Water, especially how the VFX team builds such innovative tools that fully pull you into the film.
1 person likes this
Amanda Toney, I completely agree, F1 really pulls you in. I was blown away by how seamlessly the camera work and VFX worked together. It all feels so immediate and immersive, like you’re right there i...
Expand commentAmanda Toney, I completely agree, F1 really pulls you in. I was blown away by how seamlessly the camera work and VFX worked together. It all feels so immediate and immersive, like you’re right there in the car with them. As an F1 racing fan, I was thrilled to feel like I was really experiencing the race with some of my favorite drivers moving around the fictional characters to simulate the experience of a real Grand Prix.
I also loved the editing and VFX in Project Hail Mary. The way everything comes together to support both the scale of the story and the emotional experience is so well done. It’s a great example of technical elements working in total harmony with storytelling.
It’s always exciting to see when all those pieces, camera, edit, VFX, are clearly in sync from the ground up!
2 people like this
Everything Everywhere all at one!
2 people like this
Look out for a new film LIFEHACK - out in US theatres on Friday 15th May - a screenlife heist movie exec produced by Timur Bekmambetov, produced and co-edited by my brilliant client Sasha Kletsov (credited as Aleksandr Kletsov). It was BIFA nominated in the UK for editing!
1 person likes this
Oooh! Thanks for the heads up, Christina Pickworth! I'll definitely put it on my watchlist!